The Price of Purity

After four years of the Trump administration, Jonathan Katz, a Jewish activist from New York, travels across the American Midwest to support the presidential candidacy of Bernie Sanders. Committed body and soul to a revolution through the ballot box, his deepest convictions are shaken. While it is the last campaign for him, as it is for Bernie, he meets a new generation of activists for whom it is the first.

Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.

Flowers dance and transform in water, using strobe effects and superimposition. A meditation on life cycles through botanical animation, continuing Jodie Mack's material exploration.

For this film, Takashi Makino allowed himself to be inspired by the earth. In a never-ending stream of images, we recognize elements from the forest that he then reduces to an abstraction. The film came about as a classical composition in which the picture and the musical contribution of Jim O’Rourke link up seamlessly and lead the mood in turn. A sense of freedom is what predominates.

experimental short film by lilith loveless

Made out of Found Footage 16 mm Material “Broken time” follows the tradition of Hand Made Film and layering of Film and Material. It is a cinematic process of a Collage, a layering of Picture elements to generate a cinematic complex.

When a bumbling New Yorker is dumped by his activist girlfriend, he travels to a tiny Latin American nation and becomes involved in its latest rebellion.

Two filmmakers juxtapose field recordings and documented moving images as an attempt to reconcile with their place in their desensitized semi-urban hometown in India.

A television is going to fit itself in a house.

The Disobbedienti emerged from the Tute Bianche during the demonstrations against the G8 summit in Genoa in July 2001. The “Tute Bianche” were the white-clad Italian activists who used their bodies – protected by foam rubber, tires, helmets, gas masks, and homemade shields – in direct acts and demonstrations as weapons of civil disobedience. The Tute Bianche first appeared in Italy in 1994 in the midst of a social setting in which the “mass laborer,” who had played a central role in the 1970s in production and in labor struggles, was gradually replaced in the transition to precarious post-Fordist means of production. “Disobbedienti” thematizes the Disobbedienti’s origins, political bases, and forms of direct action on the basis of conversations with seven members of the movement.

A young couple wanders through different corners of a polluted city while struggling with the contradictions of love, desire, and loneliness. Through sarcasm, memories, and emotional tension, they confront each other only to reveal that the real conflict lies not in the other, but in what they cannot accept within themselves.

After a fateful encounter in the summer of 1966, the lifepaths of two brothers from a middle-class Roman family diverge, intersecting with some of the most significant events of postwar Italian history in the following decades.

The animation, music, and optical printing of Kitsch in Synch was produced by Beckett and the students in two classes he was teaching at CalArts. Although a group project, it is clear that Beckett was the director. The playful, catchy soundtrack is used to create a cycle of building tension and release. The brightly colored shapes create approximate symmetrical formations and become more densely layered, with glimpses of iconographic objects and even live footage near the end. Preserved by the Academy Film Archive, in partnership with the iotaCenter, in 2007.

A sequence of 10 images presented in 10 groups of 400 alternating frames. The primary image of a bird is gradually disfigured by the successive introduction of competing imagery, yet the overall field seems to have its own life.

Guerrilla de la Comuniación: uno de cada diez dentistas recomienda chicles con azúcar

Something is staring at me from the corners of my house.

Experimental short film

This fascinating political look at a little-known chapter in women's history tells the story of "Jane", the Chicago-based women's health group who performed nearly 12,000 safe illegal abortions between 1969 and 1973 with no formal medical training. As Jane members describe finding feminism and clients describe finding Jane, archival footage and recreations mingle to depict how the repression of the early sixties and social movements of the late sixties influenced this unique group. Both vital knowledge and meditation on the process of empowerment, Jane: An Abortion Service showcases the importance of preserving women's knowledge in the face of revisionist history. JANE: AN ABORTION SERVICE was funded by the Independent Television Service (ITVS) with funds provided by the Corporation for Public Broadcasting.

At a time when the far right is ascending to power around the world, the 2020 Brazilian municipal elections saw a surprising and unprecedented record of LGBT candidates. This film follows four young queer politicians during their electoral campaigns and reveals their struggle to affirm their rights to exist and be heard.

Leaf textures and scanning glitches.