Little Lunch

People Like Us was a British radio and TV comedy programme, a spoof on-location documentary written by John Morton, and starring Chris Langham as Roy Mallard, an inept interviewer. Originally a radio show for BBC Radio 4 in three series from 1995 to 1997, it was made into a television series for BBC Two that aired from September 1999 to June 2000.

Nobody's Watching is a television program that was never aired. It originated with and was written by Scrubs creator Bill Lawrence, as well as Neil Goldman and Garrett Donovan, writers for Scrubs and Family Guy.

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Three well-known adventurers want to make a travel program where they search for the origins of the Vespa in Italy. Unfortunately, everything that can go wrong, goes wrong.

Brian Pern is an ageing rock star and former front-man of ground breaking progressive rock group Thotch. Like many artists of his age, rather than make new music, he spends more time trying to save the planet (including his campaign to teach gorillas how to Skype). Now, the BBC have asked him to front a major new documentary where he presents his guide to The Life Of Rock from prehistoric man to the present day.

Derek is a loyal nursing home caretaker who sees only the good in his quirky co-workers as they struggle against prejudice and shrinking budgets to care for their elderly residents.

L'Gros Show is a Canadian situation comedy/mockumentary television series which is broadcast on the Canadian French language music television station Musique Plus. The show stars Mike Ward as Chabot, a comedy character he had previously developed in 2000, and Martin Perizzolo as his friend Poudy. Chabot and Poudy are very much stuck in the 1980s, an obsession which is evidenced by their hairstyles and clothes. Both live in Poudy's mother's basement, where they spend their time playing air guitar and drinking. Part of the show is shot in black-and-white in a mock documentary style.

Casting(s) was a French television shortcom created by Pierre Niney and Ali Marhyar, written by Ali Marhyar, Igor Gotesman and Pierre Niney, produced by Hugo Gélin for Zazi Films and broadcast on Canal+ from 2013 to 2015. The episodes revolved around actors rehearsing for different film projects for a casting director. The show also had famous guests such as Oscar winner Marion Cotillard and rappers Orelsan and Nekfeu.

A mockumentary following six down on their luck musicians who are hoping to find success in the music business.

Set in the year 2031, this mockumentary looks back at events that ostensibly happened during the first 30 years of the 21st century. The series follows a format that co-creator Armando Iannucci previously used in his satirical year-in-review programme '2004: The Stupid Version'.

This partially unscripted comedy brings viewers into the squad car as incompetent officers swing into action, answering 911 calls about everything from speeding violations and prostitution to staking out a drug den. Within each episode, viewers catch a "fly on the wall" glimpse of the cops' often politically incorrect opinions, ranging from their personal feelings to professional critiques of their colleagues.

The Muppets return to primetime with a contemporary, documentary-style show. For the first time ever, a series will explore the Muppets’ personal lives and relationships, both at home and at work, as well as romances, breakups, achievements, disappointments, wants and desires. This is a more adult Muppet show, for “kids” of all ages.

Cast Offs is a BAFTA-nominated dramedy mockumentary that follows a group of six disabled people sent to a remote British Island for a fictional reality show. The series is made up of six episodes, with each episode concentrating on one of the six characters. It follows each character for the year leading up to them being dropped off on the island and also the happenings on the island when they are left to fend for themselves.

Follow the lives of an elite group of young dancers who train at The Next Step Studio.

The follow-up to 'Twenty Twelve' as Ian Fletcher takes up the position of 'Head of Values' at the BBC. His task is to clarify, define, or re-define the core purpose of the BBC across all its functions and to position it confidently for the future, in particular for Licence Fee Renegotiation and Charter Renewal in 2016 and 2017 respectively.

Introducing "Barely Famous": a docu-style comedy series. This show explores the hypocrisy of reality TV by centering around two sisters who say they would never do a reality show, but are being filmed by a camera crew. Over the course of the season, we’ll follow Erin and Sara as they navigate the treacherous LA waters of building a career, dating, and simultaneously trying to prove that they’re “normal”. Each episode of Barely Famous will skewer Hollywood stereotypes and comment on the world of celebrity through the eyes of two D-Listers, desperately trying to insist they don’t care about “Lists” while also trying to get on the A-List. By breaking the 4th wall and occasionally telling both the crew and network to cut, no reality convention is too sacred, and our girls point out the absurdity of the medium itself.

When a documentary crew sets out to explore the lives of residents in a small American town – their dreams, their concerns – they stumble upon the midwestern town of Flatch, which is made up of many eccentric personalities. It’s a place you want to visit and maybe even stay. If there was a decent motel. Which there is not.

A review of a movie, or a restaurant, or a car—or whatever else that typically falls under a critic's domain—is all well and good, and can even be helpful at times. But how can one find out about myriad other experiences that are never tackled in reviews? Enter Forrest MacNeil, a critic who goes beyond overviews of life's more-common subjects—way beyond—to satisfy the curiosity of others: The adrenaline rush of stealing; the danger of drug addiction; the delight of sleeping with a celebrity. MacNeil tries anything suggested by viewers of his TV show, then presents a 1-to-5-star review. But his unwavering commitment to experiencing intense adventures means he must deal with the unintended consequences of such a goal.

Shot like a documentary, the semi-improvised comedy Hoff The Record follows TV legend David Hasselhoff - playing a highly fictionalized version of himself - as he arrives in the UK in an attempt to reignite his flagging career. It's been thirty years since he rose to worldwide fame in Baywatch and Knight Rider and things have since gone a little stale for The Hoff. Will a move across the Atlantic change his luck?

The everyday lives of office employees in the Scranton, Pennsylvania branch of the fictional Dunder Mifflin Paper Company.