Rock, Paper, Scissors

When an old friend brings filmmaker Enrique Goded a semi-autobiographical script chronicling their adolescence, Enrique is forced to relive his youth spent at a Catholic boarding school. Weaving through past and present, the script follows a transvestite performer who reconnects with a grade school sweetheart. Spurred on by this chance encounter, the character reflects on her childhood sexual victimization and the trauma of closeting her sexual orientation.

Holly Golightly is an eccentric New York City playgirl determined to marry a Brazilian millionaire. But when young writer Paul Varjak moves into her apartment building, her past threatens to get in their way.

Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.

Portrait of the last days of the life of Portuguese writer Camilo Castelo Branco.

The film tells the story of two writers in love with the same woman. For years, they have worked together. One day they separate. Ten years later and Ditirambo meets up with Rocabruno, at the very least to tell him his latest story. An epilogue that closes what they together have opened.

Author Max Zorn, now in his early 60s, is on a promotional book tour in New York when he encounters the woman he could never forget. They spend a weekend together, seventeen years have passed. Can there be a future for their past?

Orhan who lived in London for years and did not come back to Turkey agrees to help Deniz -a famous director- edit his first book. Deniz has been living in a mansion with his family which started to lose its old brightness and power. Orhan finds himself in the middle of Deniz's complicated relationships, mysterious friends and stange family members. This is the first movie of Ferzan Ozpetek which is shot in Turkey after a long time. It is also based on his own book which has the same name with the movie.

Two middle-aged men embark on a spiritual journey through Californian wine country. One is an unpublished novelist suffering from depression, and the other is only days away from walking down the aisle.

Altin, aspiring Albanian writer arrived in Italy aboard a large ferry in the 90, works in a butcher shop when he selected to audition for a reality of writers and finally sees a chance to be successful with his book "the journey of Ismail." Instead, this is the time they begin his adventures that lead him to learn about revenge, loneliness and extreme poverty, to the dark side of wealth and success. "Altin in the city" is fourth independent feature film by Fabio Del Greco, italian filmmaker, this film is important to delve into the depths of the human soul in a society dominated by the pursuit of power, the rampant materialism and greed of money. These things are not necessary to achieve individual well-being, happiness and inner balance.

American woman in Europe romanced by local gigolo; problems ensue.

A withdrawn young man, Leland Fitzgerald is imprisoned for the murder of a mentally disabled boy, who also happened to be the brother of his girlfriend, Becky. As the community struggles to deal with the killing, Pearl Madison, a teacher at the prison, decides to write about Leland's case. Meanwhile, others affected by the murder, including Becky and her sister, Julie, must contend with their own problems.

New York City writer Iris finds her comfortable, solitary life thrown into disarray after her closest friend and mentor bequeaths her a Great Dane named Apollo. The huge dog immediately creates practical problems for Iris, from furniture destruction to eviction notices, as well as more existential ones. Yet as Iris finds herself unexpectedly bonding with Apollo, she begins to come to terms with her past, and her own creative inner life.

A dying girl meets a nonchalant boy who found out her secret. She decided to fulfill her bucket list with none-other-than the boy who couldn't care less about the world.

Austin, Texas, is an Eden for the young and unambitious, from the enthusiastically eccentric to the dangerously apathetic. Here, the nobly lazy can eschew responsibility in favor of nursing their esoteric obsessions. The locals include a backseat philosopher who passionately expounds on his dream theories to a seemingly comatose cabbie, a young woman who tries to hawk Madonna's Pap test to anyone who will listen and a kindly old anarchist looking for recruits.

Moataz falls in love with the widow Suhaam, and their relationship quickly grows, but he discovers that she has a serious illness, so he proposes to her even though his cousin loves him and wants to marry him.

Jay Parini finds himself stuck in a Morris Minor, chauffeuring the brilliant, blind Jorge Luis Borges through Scotland. Quiet and conservative, 23-year-old student Parini dreams of becoming a writer but is at a loss to make sense of the wild, irrepressible 70-year-old Borges. As the journey takes a surreal turn, their differences magnify until, in the tradition of a classic road trip, the two ultimately find common ground.

Hans, a German director, is in Madrid to film a television production about the capital and the Civil War, 50 years after it occurred. Accompanied by Lucía, his editor, and Goyo, his cinematographer, he films shots of the modern city, searching for spaces and people related to its past. At the same time, he views materials related to the past. In this search, Hans questions the point of his project, and disagrees with his producers until he discovers a project that he is passionate about.

Julia Reyes, the precocious and strong-willed teenage daughter of first-generation Mexican immigrants, dreams of becoming a famous writer far away from Chicago and her more traditional parents, who wish she were more like her sister Olga, the platonic ideal of a Mexican daughter. However, when Olga is killed in a tragic accident, it is up to Julia to hold her family together. As Julia seeks to break free of her oppressive home, she tries to uncover her sister’s truth, and in the process gains a deep understanding of the wounds her family carries.

Sito hates the countryside, the smell of slurry and his village life, but he has never left the rural area where he was born, nor does it seem that the possibility of doing so can end his discomfort. Attracted by a strong desire towards the male erotic, Sito lives immersed in a crusade to destroy the stimuli that connect him with those repressed feelings that he has latent inside him. From these circumstances, violence appears uncontrollably.

In a future world where the disease has been finally defeated and everything can be sold, even the crude spectacle of death, the rare case of a dying woman becomes the morbid theme of a revolutionary reality show, broadcast through the curious eyes of a peculiar camera.