Thirty-Five

A short-action-art film depicting a story of biblical proportions where the suppressed (a collection of societal minorities) overthrow the juxtaposed devil, also known as the western-centric patriarchy as represented by the suppressor (the Straight White Man), by murdering him in cold blood. Papiamentu narration.

A Man runs away from a Shadowy Figure whilst coming to terms with what’s next…His Mortality.

A man, boarded up in his room during the apocalypse, is haunted by his anxieties and the nightmares of the ones he watched suffer. Until a voice on the radio begins speaking to him.

A lonely character braving a steep mountain attempting to reach its peak. As he journeys the mountain, he is forced to confront a plethora of internal demons.

Big money artists and mega-collectors pay a high price when art collides with commerce. After a series of paintings by an unknown artist are discovered, a supernatural force enacts revenge on those who have allowed their greed to get in the way of art.

Events take a sinister turn one night in London, when two very different couples arrive at a double-booked apartment. Actions have consequences and not all debts are paid for with money. Leaving, it's harder than you think.

The film tells the story of a woman reflecting on a painful part of her past as she writes. Although we do not see what she has written, we do see her broken memories.

On an otherwise quiet night there is a startling knock at the door. Andrew Tucker answers the door to find an old friend whom he hasn't seen in years. The disheveled and absent friend comes to him with one request: "I need you to come with me but, I can't tell you where we're going." Andrew takes a chance but learns that every answer brings more questions. Nothing good ever comes knocking after midnight and Andrew's nightmare asks how far you would go to help a friend.

Explores the subconscious horrors of a writer who struck in writer's block

A guy named Ray tries to go to sleep and a sasquatch gets into funky business.

Set to a backdrop of desolate snowy mountains, a young boy and his brother stumble into a surreal and twisted journey. Trying to escape their surroundings they are pursued by mysterious figures and have to confront themes of isolation, death and identity.

A woman Diane, has an affair while her husband is away with a younger woman, Jane. But as time passes the identities of the women come into question and revelations as to the nature of their relationships comes to the surface. All while strange occurrences happen around them, seemingly linked to mirrors around the house and a strange light that appears during the night.

Room 539

In the midst of ordinary life, to the guy is revealed another side of the city.

An immigrant woman struggles to take care of her sick daughter who is kept hidden in an abandoned church and feeds off raw meat. Unable to get a doctor to visit her, and with the fear of deportation hanging over her head, she turns to a priest for help. When his faith is questioned a terrifying truth is uncovered.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

Two detectives in New Hampshire meet with a family whose grandfather has been mysteriously murdered. The family and detectives soon come to believe that a werewolf is behind the killings, and the family starts to get picked off one by one in this dark comedy horror short.

Corpus Peccati is an unconventional and experimental film with a 1 hour and 14 minutes duration, created by filmmaker, photographer and artist Aaron Klusmann. This avant-garde film is a controversial view of sex and liberty, in a deeper understanding of the viewer, the film explores different exposures, between black and white and a red color with vertical rotations during the entire film.

We are freeing us from gravity and fleeing from reality. We are weightless, free. Everything becomes VACUUM.

In a house swallowed by darkness, a young man struggles to breathe. Drawn by a distant, powerful breath, he moves through shifting corridors and pulsating walls until he discovers a colossal presence breathing in his place.