Peepers

After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.

Scene 23, Slow pan The wind whistles over the dykes of the Willebroek Canal. Armand sighs. The viewer should feel goose bumps under their thick sweater. Make it clear that at this moment, Armand is craving a cup of Borain coffee. Scene 456, Armand's farm Armand puts down his coffee cup. Through the window, he sees a beautiful Romanian refugee with AIDS playing the cello in the beet field. Behind Armand, his wife, a former RTBF announcer, commits suicide by hitting herself with hot potatoes. Scene 2,347, sublime landscape of Flanders Armand can't take it anymore: will he choose the position of deputy for the Vlaamse Blok or that of puppeteer subsidized by the CUCF? No one can say.

A Materialaktion (an art performance/happening in which objects are used to create an art piece) by Viennese Aktionist Otto Muehl. The setting is a solemn Christmas celebration.

A housewife tires of her husband's annoying behavior and returns to her mother. At first, the husband is quite pleased to have the house all to himself. But he quickly discovers that even the most basic domestic chores can be fraught with difficulty.

Before Words

Ever wonder what would have happened if Harold & Kumar had not been sent to Guantanamo and simply made it to Amsterdam? Here's a little something director Jon Hurwitz shot guerrilla-style all over Amsterdam in 3 days.

Charlie is a clumsy waiter in a cheap cabaret, suffering the strict orders from his boss. He meets a pretty girl in the park and tries to impress her by pretending to be an ambassador. Unfortunately she has a jealous fiancé.

A professor eating his lunch at his work table becomes suspicious of the taste of his cheese. He puts a slice under the nearby microscope. But the crawling creatures thus revealed aren't quite what one might expect. Parody of 'The Unseen World: The Urban-Duncan Micro-Bioscope' series.

Explores a fleeting moment between two strangers, revealing their brief connection in a hyper real fantasy.

Judas is the hero and Jesus is the villain in this lewd retelling of the classic Bible story. Depicted through anthropomorphic animals, we see a unique alternative perspective. Judas (an unscrupulous black goat) has been at odds with Jesus (a self-righteous white sheep) ever since childhood. However, when an opportunity arises to sell Jesus out for the 30 Euros he needs to get into Maria Magdalena's sex show, things finally seem to start going Judas' way. But what will Jesus' adoring fans have to say about it?

Kick the Cock is an old Dutch saying, meaning Peek in the Kitchen.

Edward James Olmos narrates this multi-fest winner about an immigrant who recalls a vivid and momentous memory where he discovered his boundaries.

A man listening to Rachmoninoff's 'Prelude' dreams he is the victim of premature burial.

With a suitcase in hand, a son arrives to visit his elderly mother.

João Lucas works at a video store and always ends up revealing the ending of films to customers. After being approached by a girl who always rents the same movie, the two eccentric characters start to argue about the true meaning of the plot and attract each other through their passion for cinema.

When young Victor's pet dog Sparky (who stars in Victor's home-made monster movies) is hit by a car, Victor decides to bring him back to life the only way he knows how. But when the bolt-necked "monster" wreaks havoc and terror in the hearts of Victor's neighbors, he has to convince them (and his parents) that despite his appearance, Sparky's still the good loyal friend he's always been.

Junyer Bear has a number of surprises for Good Ol' Pa on Good Ol' Father's Day, whether he wants them or not.

Camila broke up with her boyfriend recently. She's been going out and spending time with her girlfriends and her dog.

The intersecting lives of two otherwise unrelated people in a rural Bolivian village adjacent to the Uyani salt flats are presented. The first is Carlos, a poor salt miner. Unlike his colleagues, he is unwilling to take the one time compensation package from an American conglomerate who wants to purchase the mining rights. Carlos would rather get paid for doing actual work than risk living off a one time payment without a guarantee of any other work in the area. Carlos being the one holdout irks his fellow miners, who cannot get their compensation until Carlos also agrees to the terms. Carlos views all gringos in a bad light because of this situation. The second is Marc, an American doctor who has worked in various third world countries providing aide where needed. Marc is completing his term here. Carlos and Marc have a turbulent few meetings based on Carlos' feelings toward gringos and his want for a simple stable life.

Aïssa is a Congolese immigrant in France. She says that she is under eighteen but the authorities consider her an adult. To determine if she can be deported, a doctor must give her a physical examination.