Middle Class Family

A man who stopped believing in God after tragedy is guided back to faith through a mysterious event shaped by someone else's deep devotion .It's a journey of lost hope, the longing, and divine realization with thriller, mysterious journey.

The protagonist Sathya from Simhabettu finds himself in a dilemma after he finds out the truth behind the people he trusted the most.

Based on Macbeth, PADDAYI is the story of Madhava and Sugandhi. They are newlyweds from the fishing community in Karnataka, Southern India. Driven by a Tulu deityʼs prophecy coupled with Sugandhiʼs ambition, Madhava murders Dinesh, illegally inherits Dineshʼ property and bring upon himself an eponymous tragedy.

Suddha depicts the death of the feudal system that existed among the Tulu speaking community in coastal Karnataka for many years, and the impact of The Land Ceiling Act, which was ushered in during the sixties and seventies, on its social structure. It is the story of modern India - of changing caste equations and a realisation of this reality among the land owning class, albeit a bit late. Though the film is set in a remote village near Mangalore, it could well have happened in any other village elsewhere in India. An ex-landlord family comes to terms with the fact that they are living in their last leg of feudal existence when it cannot perform a last rites in a grand manner in which it was once used to.

Ceraso, Cilento National Park. Four young friends decide to answer to a call for tender for the management of a hotel and make a change in their professional life. They ignore the aims of a odd businessman from Rome. The quiet local community will be completely shaken up by deceptions and solidarity, old passions and new loves, funny situations and deep emotions.

After the death of his father, young Pedro Pérez Delgado (Maisanta) becomes the man of the house. To help support his mother and sister, he begins working for Colonel Macías, who betrays his trust by courting his sister Petra despite being married, dishonoring the family name—a family honor his father had asked him to defend at any cost. Amid stories of love, betrayal, and vengeance, the figure of Maisanta is forged. The fair-skinned, blond-haired boy whom many called “The American” would eventually become a legend, known by his battle cry: Maisanta!

Anna and Marie are two women who could possibly love each other, but each must decide if she is willing to throw away her old life in pursuit of this new overwhelming feeling.

Mateo and his boyfriend, Marc, arrive home after a night out with Luke, a guy they've just met. After an argument, Mateo leaves the flat and bumps into Jon, a drug dealer they have called. Mateo convinces Jon to take him to his house where he discovers he can't feel anything if it's not through pain.

It's based on the story of a crisis that took place in the summer of 2017 in the life of Mladenovic, a Serbian-born director living in Romania.

When her first relationship ends, Yuna's memory brings an image from her early childhood to the surface, but she cannot place it. Looking for the origin, she explores the depths of her subconscious. She stumbles across blank spots again and again until she finally manages to get to the source of the repressed memory.

Brandon takes the chance in talking to the girl he is interested at a party, not knowing what the outcome could be.

Former professional model Olivia, after another quarrel with her husband, publishes a post on her social network page with a cry for help. This act changes the rest of her life.

Renacimiento

Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.

The days in the lives of several young women and men on their last days of sleepaway camp in Brattleboro, Vermont

Amor de Juguete

Inocencia

Kang Aries and Kang Oca are two cultural observers of Kujang who try to provide a justification perspective on the Kujang Philosophy made by one of the blacksmiths named Abah Jajang, where the general public often considers that Kujang is a sharp weapon. The two of them "Kang Aris & Kang Oca" entered the realm of the trial to defend the essence of Kujang, so as not to be considered misunderstood by the general public.