Somber Tides

Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.

“Territorio Puloui” is a documentary that explores the relationship between the indigenous Wayuu community and water. It tells the journey of Carmela, who visits the La Guajira peninsula for the first time, her father's home region and ancestral territory of the Wayuu people. Carmela listens to the voices of indigenous leaders and sheds light on the environmental impact of coal mining in the region. At the same time, she discovers the strategies used by the women of the community to survive the lack of water. The documentary immerses us in the Wayuu cosmogony through their myths, legends and beliefs, depicted in a series of animations that explore their dream universe.

It's hard to define her. And that's precisely the way Lady Gaga wants it. Yes, Stefani Joanne Angelina Germanotta had a plan to remake herself into an outrageous icon. It began with Italian Catholic New York City roots then expanded to glam pop, electronic rock, burlesque and even jazz alongside nonagenarian crooner, Tony Bennett. Piano lessons began at age four and taught Stefani to create music by ear. There were lead roles in high school standard Broadway show productions then open mic nights at downtown clubs and 1 1/2 years of formal training at N.Y.U.'s Tisch School of the Arts. Even a rape at age nineteen slowed but did not stop the mission that would yield over 200 million combined album and song sales. No wonder that Gaga's fans call her "Monster Mother." An outrageous fashion sense has wrought costumes made of plastic bubbles and raw meat. While elaborate videos and spectacular stage sets are the norm,

A gold prospector in Alaska struggles to survive the elements and win the heart of a dance hall girl.

It has been described as a once in a generation piece of environmental legislation and is key to the government’s commitment to be the first generation to leave the environment in a better state than that in which we found it. The Environment Act passed into law on 9 November 2021 – more than 1,000 days and three Parliaments since its first draft was published in 2018. Its journey was tumultuous, and its fate, at times uncertain. In this documentary, ENDS Report speaks to politicians and environmental policy experts to get the inside story on how this landmark piece of legislation was created – and finds out what the act’s architects think of it now.

A short documentary where we learn about the endangered lemurs, owls and otters from the Knockhatch Conservation staff.

The short documentary Legends of Great Outdoors Colorado celebrates the visionaries who put Great Outdoors Colorado (GOCO) into motion three decades ago, creating a unique-in-the-nation resource and an enduring legacy of protecting and enhancing Colorado’s wildlife, parks, rivers, trails, and open spaces. In-depth conversations with legendary Coloradans, including GOCO co-founders Roy Romer and Ken Salazar, tell the origin story, and how the mission is possible thanks to passionate partners across the state, the people of Colorado, and GOCO's funding source, the Colorado Lottery. A combination of intimate interviews, archival footage, present-day scenes, and 8-mm film pays homage to Colorado’s outdoor heritage and GOCO’s continued commitment to conservation and recreation.

A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide.

When teenager Ren and his family move from big-city Chicago to a small town in the West, he's in for a real case of culture shock after discovering he's living in a place where music and dancing are illegal.

Anma (The Masseurs) is a representative and historical work by the creator of Butoh dance, Tatsumi Hijikata in his early period in the 1960s. The film is realized not only as a dance document but also as a Cine-Dance, a term made by Iimura, that is meant to be a choreography of film. The filmmaker "performed" with a camera on the stage in front of the audience. With the main performers: Tatsumi Hijikata and Kazuo Ohno, the film has the highlights such as Butohs of a soldier by Hijikata & a mad woman by Ohno. There is a story of the mad woman, first outcast and ignored, at the end joins to the community through her dance. Inserted descriptions of Anma (The Masseurs) are made for the film by the filmmaker, but were not in the original Butoh. The film, the only document taken of the performance, must be seen for the understanding of Hijikata Butoh and the foundation of Butoh.

In prisons ruled by toxic masculinity, dancing is an absolute taboo. But at Lancaster’s A-Yard, near Los Angeles, a group of young men, willing to take a chance to be mocked in the yard, start a dance class led by French choreographer Dimitri Chamblas. This class quickly becomes an intoxicating escape from their grim reality so they decide to create a dance show. In this exceptional context, the inmates engage with overwhelming sincerity, evoking their childhood, ganglife, the crimes, the prison, and their desire for transformation. Beyond damaged lives and a prison system on the edge of the abyss, DANCING IN A-YARD explores redemption and the capacity of human beings to reinvent themselves, when given a chance. And more importantly, how art and introspection can help see the light.

Pierre, a professional dancer, suffers from a serious heart disease. While he is waiting for a transplant which may (or may not) save his life, he has nothing better to do than look at the people around him, from the balcony of his Paris apartment.

The sisters struggle with their own bodies. One, driven by ambitions, seeks the limits of its possibilities, for the other, the body is a prison. One believes that ballet will save her from memories. The second observes the world from the balcony with such attention that she sees and hears more.

The senior year of a girls’ high school step team in inner-city Baltimore is documented, as they try to become the first in their families to attend college. The girls strive to make their dancing a success against the backdrop of social unrest in their troubled city.

“In a meeting between history and the present, this docufiction takes us on a unique journey through the Ria de Aveiro, through the curious eyes of a child who discovers, for the first time, the Vouga Class boats. Guided by an adult, a symbol of the generations that preserve this centuries-old tradition, the child enters a world of memories, knowledge and traditions that resist the test of time. Between workshops and shipyards, conversations with master builders and walks along the waters of the estuary, the story unfolds like a bridge between generations. This docufiction interweaves reality and fiction, testimonies and dramatization, showing how cultural heritage is transmitted, not only through words, but through lived experiences. More than telling the story of the Vougas, this film celebrates those who keep them alive, and those who will one day carry them forward.”

Alex, a first-generation latino artist, and Frankie, a professional dancer, navigate the soulless casual hookup culture of Los Angeles. Dating apps and casual sex reign, as they both deny their feelings and continue seeing other people while they fall in love. A series of misunderstandings leaves these two star-crossed lovers oscillating between confusion (ghosting and ignoring) and obsession (sex and pasta). But what happens when they finally meet someone different? Do they even know how to love anymore?

Charlene and her teenage son (Quincy) are forced to relocate to Memphis with her estranged sister (Gwen). Tensions quickly escalate between the sisters, while Quincy befriends the neighborhood hustler (Dawg) and becomes immersed in the city's gritty lifestyle and the subculture of the street dance called Memphis Jookin.

The story behind the Uganda-based YouTube dance sensations who have endured devastating personal loss from famine and war, and use the power of dance and song to overcome hardship.

Delinquent Tyler Gage receives the opportunity of a lifetime after vandalizing a performing arts school, gaining him the chance to earn a scholarship and dance with up-and-coming dancer Nora.

Through a choral diversity of testimonies, the documentary explores the myth of the axolotl, transporting us from the story of a chinampero whose lifestyle reflects the environmental decay of Mexico City, to the efforts of a group of scientists racing against the consequences of the extinction of our symbols and ecological heritage.