In the last days of 1999, ex-cop turned street hustler Lenny Nero receives a disc which contains the memories of the murder of a prostitute. With the help of bodyguard Mace, he starts to investigate and is pulled deeper and deeper in a whirl of murder, blackmail and intrigue.
A 14-year-old pursues romance with a man while vacationing with her family in Switzerland.
One for all, all for one! That's the motto in the tranquil village of Heiterstorf just outside Hamburg. In order to be accepted again in his hometown, which Gabriel Panski once arrogantly left behind, the family man runs the gauntlet. After a depressing movie night at the rowing club, the heart of Heiterstorf, he is suddenly the "man of the hour". The village wants to help ensure that Panski doesn't have to pay for a public-spirited heroic deed: the murder of the Hamburg real estate shark Butz, who tried to rip everyone off. Although the moneyed dynast Erna Gutdorf herself scrubbed the crime scene at the rowing club, the clues lead to Panski. Inspector Winter is always one step ahead of the hungover suspect. However, she has to realize that her perfect puzzle of clues leads to a manipulated picture. When the inspector and the suspect pull together, they stumble upon a perfidious conspiracy...
Ex-con Konrad Kühn smells a quick buck with the sale of a seemingly uninhabited house on the Baltic Sea. He claims to be the sole heir, but someone is living in the supposedly uninhabited house: Clara Mensen. Together with her friend Valeska, she tries everything to prevent the sale. Also because Mayor Flasskamp wants to close the deal with Kühn very quickly. He already owns the neighboring property and could finally implement his plans for a large hotel. But the two have made their plan without Clara Mensen. She discovers Kühn's true identity. And Kühn learns a secret about Clara Mensen. The two rivals suddenly have to work together to save their own skins.
Retired teacher Ulla is celebrating her golden wedding anniversary with her husband Paul. Unfortunately, Ulla's romantic idea of renewing their vows backfires, as her husband has fallen in love with Ulla's best friend.
Bella enjoys her life in Berlin after separating from her husband Martin. She buys her daughter Lena a dress for their Abifeier and proposes a joint trip around the world. However, Lena has her own plans. Why else would she drop a meeting at the mall with the handsome cop Sebastian Berg, who still raves about bubbly Bella? But Bella's mind is not on men - she has Lena, that's enough for her.
Disa's husband has found himself a new love and a new future, while Disa has found herself in an unsatisfactory life. But one day a chatty father with seven children appearance, an uncommunicative patient at Disa's hostipal has begun to open up, and a new martial arts teacher has begun teaching in this small town in Dalarna.
Charming bunnies Spot and Splodge are best friends. In their world, everything is spotted and speckled. One of them is covered with spots and the other is covered with dots, but there are dots and spots everywhere! In this movie we watch Spot and Splodge bake delicious things, they visit a circus and try to stand on their ears, they get chickenpox, are dressing up as princesses in a fairytale and are having a disco party.
Imma falls in love with a fireman.
Sent from the future to look after a lonely girl, Eggy finds himself falling for her. But dating is forbidden and would risk both their fates.
A somewhat impressionist, at times even slightly surreal miniature about a student (Werner Stocker in a splendid performance) who, out of financial difficulties, starts out as pool attendant at an open air swimming pool in Berlin's district of Neukölln. Escaping from his unpleasant landlord and his lover Patrizia (a very young Martina Gedeck), he soon starts to live at the baths, and as swimmers disappear and the baths are closed for the winter, he turns the grounds into his own, perfect refuge from civilisation and social pressure, becoming increasingly detached from reality. What may sound like an annoyingly gimmicky premise is executed here playfully, yet with admirable simplicity and a subtle, unpretentious poetic sensibility that one would wish for more often in contemporary German cinema.
A fatally ill mother with only two months to live creates a list of things she wants to do before she dies without telling her family of her illness.
Composed frame by frame in the camera, Parcelle (fragment, particle or bit) rests upon the alternate appearance and variable duration of tiny colored squares or circles placed on black backgrounds and inserted in series between plain white or colored images, creating optical superimpositions on the screen.
With this film I wanted to pay homage to Yann Beauvais for his having, on top of his own work as an artist, against all odds, lack of funds or recognition concerning the field in question, made an important contribution to make known, as much by his writing as by his presenting and distributing, works by other authors. In hurrying and neglecting an infection on my right thumb, I had to film more or less with one hand and then spend two days in hospital. I can only think that the making of this little film reflects all the difficulties previously faced by Yann himself.
The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.
"My Own Breathing" is the final documentary of the trilogy, The Murmuring about comfort women during the World War II directed by BYUN Young-joo. This is the completion of her seven years work. BYUN's first and second documentaries spoke of grandmothers' everyday life through the origin of their torment, while My Own Breathing goes back to their past from their everyday life. Deleting any device of narration or music, the camera lets grandmothers talk about themselves. Finally, the film revives their deep voices trampled by harsh history.
The late 1950s. Every night, Soviet tractors comb the coast of Latvia looking for signs of anyone who could have infiltrated the Soviet border from the sea. One morning, three Soviet patrolmen discover a woman’s shoe in the sand and footsteps leading to the quaint little village of Liepaja.
At the sea shore, a goat, a child, and a naked man. This is a photograph taken in 1954 by Agnès Varda. The goat was dead, the child was named Ulysses, and the man was naked. Starting from this frozen image, the film explores the real and the imaginary.
China's top drama academy stages the American musical "Fame," China's first official collaboration with Broadway, as the graduation showcase for its senior class. During the eight-month rehearsal, five students compete for roles, struggle with pressure from family and authority, and prepare to graduate into China's corrupt entertainment industry.
A companion piece to the earlier film ‘The Death of Empedocles’, 'Black Sin' is an adaptation of the third version of Friedrich Hölderlin’s play ‘Der Tod des Empedokles’.