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My Boyfriend is Type B is a South Korean romantic comedy film from the year 2005. The basic premise of the film comes from the Japanese blood type theory of personality, which claims that a person's blood type can determine their personality traits. The heroine is type A (conservative and introverted) while her love interest is type B (passionate and irresponsible).

Yangos Aggelis (Lambros Konstantaras), director of a factory, is the type of classical friend. He is only interested in himself while he is engaged for five years with Eleni (Beata Asimakopoulou) whom she does not say married. At the same time he is sexually attached to his czech secretary, Lilly, whom he wants to marry with an impoverished employee in order to have his hand. When she learns that Mrs. Papageorgiou (Miranda Myrat), the widow of the factory owner, intends to remarry, she does not hesitate to apply. However, his excessive selfishness and irresponsible attitude lead him to complete isolation, as everyone leaves him.

Four city boys rich in experience but undeniably penniless, meet rich and pretty girls from an upscale suburb. With nothing but a sense of humor and confidence, they try their luck to get the hearts of these Alabang Girls.

Soon after Marius's departure, Fanny learns that she is pregnant with his child, to the disappointment of her mother and of Marius's father, César. To secure a better life for her unborn child, she accepts a marriage proposal from the aging widower Honoré Panisse.

Estranged from his father, college student Jake is lured home to New York for Christmas with the promise of receiving a classic Porsche as a gift. When the bullying football team dumps him in the desert in a Santa suit, Jake is left without identification or money to help him make the journey. Meanwhile, his girlfriend, Allie, does not know where he is, and accepts a cross-country ride from Jake's rival, Eddie.

Joel Goodman is a hotshot advertising executive angling for a promotion, but he feels stuck - not least of all in traffic. A seeming answer to his prayers comes in the form of a homeless man whom Joel pays to sit in his passenger seat so he can use the carpool lane. The two form an unexpected bond, and Joel comes to realize that sometimes changing lanes can change your life.

A young man obsessed with traffic patterns attempts to reunite with his first love.

A comedic look at adhering to driving rules.

Le Mirage is the perspective of a man in his thirties asking himself "what am I chasing?" Our society has become all about consumerism, if not excess. Success is determined by what and how much we have and "stuff" becomes the band-aid to a meaningless existence. Stuff fills the void of the existence we weren't meant to lead.

After hitting rock bottom in Los Angeles, former porn star Mikey Saber returns to his hometown in Texas to stay with his estranged wife and mother-in-law. Just as tensions begin to ease, he becomes infatuated with a young doughnut shop worker named Strawberry.

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If God came down to earth and try to earn a living in Bombay, most probably he would become successful as a voice over artiste, lending his voice to thousands of Hindi movies and even more documentaries and public service films in India.

Feisty teenager Rapunzel, who has long and magical hair, wants to go and see sky lanterns on her eighteenth birthday, but she's bound to a tower by her overprotective mother. She strikes a deal with Flynn Rider, a charming wanted thief, and the duo set off on an action-packed escapade.

An egotistical young man must face consequences after his dark past makes a resurgence.

A playboy tries to redeem himself after his careless behavior causes a great man's death.

Bathed in the uncanny glow of late afternoon sun and set against a noisy highway, Interchange depicts the melancholy and isolation of a small working-class neighborhood on the outskirts of Montreal.

Doubling as a cartography of the ever-changing city, Bill Cunningham New York portrays the secluded pioneer of street fashion with grace and heart.

With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical White is part of a trio of video works that are a series of dream-like moving pictures.

With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical Red is part of a trio of video works that are a series of dream-like moving pictures.

With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical Wide is part of a trio of video works that are a series of dream-like moving pictures.