A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Captain Jean-Luc Picard and the crew of the Enterprise-D find themselves at odds with the renegade scientist Soran who is destroying entire star systems. Only one man can help Picard stop Soran's scheme...and he's been dead for seventy-eight years.
Inspired by true events, this film takes place in Rwanda in the 1990s when more than a million Tutsis were killed in a genocide that went mostly unnoticed by the rest of the world. Hotel owner Paul Rusesabagina houses over a thousand refuges in his hotel in attempt to save their lives.
A resourcefull working-class woman living in Madrid gets her hands dirty in family secrets with the help of a teenage daughter and hairdresser sister.
Story of a young woman who marries a fascinating widower only to find out that she must live in the shadow of his former wife, Rebecca, who died mysteriously several years earlier. The young wife must come to grips with the terrible secret of her handsome, cold husband, Max De Winter. She must also deal with the jealous, obsessed Mrs. Danvers, the housekeeper, who will not accept her as the mistress of the house.
A young Polish filmmaker sets out to find out what happened to Mateusz Birkut, a bricklayer who became a propaganda hero in the 1950s but later fell out of favor and disappeared.
After a young man is murdered, his spirit stays behind to warn his lover of impending danger, with the help of a reluctant psychic.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Francine, a brilliant 9-year-old girl who hates her mother's cooking, battles a robot version of herself for her life - and a slice of pizza.
A locksmith is going on about his day when he is called out to a house. He meets a mysterious beauty there, who asks him into the house that he has just unlocked. Then the beautiful woman asks him to unlock a big wooden chest in the bedroom.
A documentary crew follows the exploits of an up and coming indie filmmaker as he attempts to win an Oscar with his second feature film, leading to all sorts of wacky hi-jinks with his oddball cast and crew.
Everything's unfair, especially at the fun fair.
A female documentary writer approaches the case of a hikikomori boy's murder of a young girl and a high school girl's classmate.
Adio is a young man able to control a condition that causes his involuntary transformation into objects based on his emotions until he meets Sophie.
In the vestibule of a hospital room, a young boy waits to see his dying mother. The clamor and spiralling movements of bodies around him intensify, forming a grotesque circus—a cacophonous circle that pushes the child back, depriving him of one final touch of his mother's hand. Using rotoscoped drawings suggestive of charcoal sketches, as well as 3D and object animation techniques, The Circus compels viewing with its unsettling realism. Colour is employed metaphorically to subtly express the promise and the memory of maternal affection. Nicolas Brault's highly personal film, suffused with poetic modesty, casts a poignantly sincere gaze on the heartbreak of a child facing the fearful, mysterious experience of his mother's death.
While teenagers John and Tom, who live in a refugee camp in Guinea Conakry, go from housebreaking to robbery in order to survive, Satou, similarly to many other destitute young women, turns to the streets. Things go from bad to worse and Tom - soon followed by John - gets stuck in a downward spiral of extreme violence. Will Mémé their grandmother and also a refugee, be able to save them?
Cinderella escapes at midnight, leaving behind one of her glass slippers. In the days that follow, the gay prince can't give up the idea of completing the pair.
A woman wakes up hanging upside down. When she screams for help, a phone rings and a voice helps her escape.
Reflections in a surrealist tone about the art of cinema.