Big Jay Oakerson: They

With "FOOD LOVE" (2023), Mayr and Hase present their second short film and the follow-up to their debut film "CAR LOVE" (2022). Here, the themes of food and sexuality are negotiated; more specifically, it's about French "haute cuisine," which is brought into a sexually charged context during the film. The boundaries between the art of cooking, food consumption and sex become blurred in FOOD LOVE; the food that the protagonist creates is consumed in a multiple sense and serves physical gratification in an ambiguous sense. In the order of a French menu, sexual acts are performed with and on the dishes. After the climax, however, a surprise awaits: it is an inconspicuous fast-food burger that is finally eaten by the protagonist.

Two groundskeepers compete for the attention of a pretty park visitor. When the woman’s daughter goes missing, the two set out to rescue her.

O Palco dos Rebeldes

The ventriloquist, Jeff Dunham, taped his second Netflix special in his hometown of Dallas, TX in the American Airlines Center. He returns with his normal cast of characters including Walter, Bubba J, Peanut, José Jalapeño on a Stick, Achmed the Dead Terrorist, and one of his newest additions Larry, a high strung, chain-smoking, on-again, off-again personal adviser to the President.

With his unique gift of communicating with the dead, a cumbia-loving embalmer sets out on a road trip with a corpse, in search of the the deceased hidden money.

"Must Be Nice" is the latest comedy special from Owen Benjamin, filmed during the Beartaria Times National Festival. The "Must Be Nice" comedy special demonstrates what can be achieved when a group of like-minded people come together with a vision. With a larger team, high-quality camera rentals, a more advanced sound system, and significant equipment donations, the special reflects the growth and professionalism of Unbearables Media. Get ready to laugh, Beartarians, because Must Be Nice is here!

A hilarious and terrifying statement that society is being corrupted by materialism and greed.

Comedian, actor, and best-selling author Gary Gulman offers up his hilarious insights on a range of topics – from growing up poor to pretentious suffixes – all with a generous helping of his inventive humor and absurdism. Reflecting on his eccentric Jewish American family, Gulman chronicles his childhood experiences with free school lunch programs and questionable dental care, as well as incisive swipes at billionaire-ism.

Silent cartoon.

A creepy Christmas decoration creates a nightmare for a young woman house-sitting alone.

Jenny Slate's first stand-up special is a mix of stage time, funny stories about adulthood and conversations with family in her childhood home.

"If today is yesterday’s tomorrow and tomorrow brings today’s ideas to pass, who knows what tomorrow might bring!"

Joe, one of the great coffee cup artists of his generation, has lived for years as New York's self-proclaimed Godfather of Coffee Cups. Now he faces a changing world that is forgetting the classics.

Torben Chris and Thomas Hartmann continue their male bonding in Men's Room 3.

From his onstage tackle to the slap heard round the world, Dave Chappelle lets loose in this freewheeling and unfiltered stand-up comedy special.

Danny La Rue plays Cinderella's wicked stepmother in this grand tradition of a Christmas pantomime.

The Invisible Man, on the run from the law, inadvertently impersonates the ghost of Darla's recently dead grandma in order not to get caught.

Picking up where her debut special left off, Emmy®-nominated actor Yvonne Orji (HBO's Insecure) returns to the stage to offer up her point-of-view on the pandemic, estate planning, being the child of Nigerian immigrants and the brutal realities of dating. With a unique mash-up of stand-up comedy with scripted vignettes, Orji showcases the multi-hyphenate's range and vulnerability, while also serving as a no-holds-barred therapy session – for both the artist and the audience.

Y un jamón

The Bafta-winning Stewart Lee performs his latest touring show, focusing on a bizarrely erroneous description of his work on Netflix and a mind-boggling review from Alan Bennett.