Carina

Never forget how to play make believe games. Or tie your friend to (disused) railway tracks in the name of fun. Or plant (cardboard) explosives on said tracks to steal lots and lots of money from a (2D) train. Or save the boy you love from certain (?) death. Always remember how (not) to rob a train.

Twelve full moons. Twelve women. Twelve landscapes.

A classics professor finds herself enticed by a Matisse print and becomes enamored with its owner, hairdresser Lucian.

A gay man loses his partner. We hear his deepest thoughts as he walks through the woods of Mohonk; this internal voice is punctuated by graphic glimpses of new grief, interruptive and savage. Gradually the man explores his feelings and the landscape together, almost unconsciously allowing nature to infiltrate his being. He finds a hill, a horizon, a viewpoint - no conclusion but perhaps possibility along with perspective.

A lone thief, Dex, seeks vengeance after he is left for dead in the woods by his partner; so he makes a deal with the Devil and goes on a mission to kill his partner and get his loot back.

José Luis has a cushy corporate job at the lingerie factory his mom owns. After he falls in love and proposes to Silvia, a beautiful laborer on the underwear assembly line, his mom enlists Raul, a potential underwear model and would-be bullfighter, to seduce Silvia.

One momentous night in Berlin, three women working in a coat room struggle for reproductive choices better than just the neoliberal freedom to have them. Nichts ist erledigt/Not Yet Over, a multi-genre fiction film, incites us to look at feminism’s™ unfinished business from the bottom up.

A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.

When Emil travels by bus to Berlin to visit his family, his money is stolen by a crook who specializes in digging tunnels. While following the thief, Emil runs into Gustav, a young boy who gathers up all his friends to help Emil find the money. However, they get into more trouble than they bargained for when Emil's pickpocket turns out to be mixed up with a couple of notorious bank robbers.

Emil goes to Berlin to see his grandmother with a large amount of money and is offered sweets by a strange man that make him sleep. He wakes up at his stop with no money. It is up to him and a group of children to save the day.

B.J. Cassidy, a rich businesswoman, has to invest several billion dollars for fiscal reasons. She undertakes to buy back a small French factory, specialized in chocolate truffles...

Dovzhenko and Solntseva's documentary about the Bukovina region.

A wartime documentary directed by Alexander Dovzhenko and Yuliya Solntseva, depicting the final campaigns that drove Nazi forces from Ukraine in 1944–45. Combining frontline footage, liberated cityscapes, and scenes of returning civilians, the film chronicles both the devastation of occupation and the triumph of Soviet arms. It stands as both a historical record of the Ukrainian front and a patriotic celebration of victory at the close of the Second World War.

Tres instantes, un grito

Wartime documentary by Dovzhenko and Solntseva.

The first of four installments in the groundbreaking Heartbeat of the World anthology film series. Comprised of several short films by some of the world's most exciting directors, Words with Gods follows the theme of religion - specifically as it relates to an individual's relationship with his/her god or gods...or the lack thereof. In Words with Gods, each director recounts a narrative centered around human fragility, as well as environmental and cultural crises involving specific religions with which each has a personal relationship; including early Aboriginal Spirituality, Umbanda, Buddhism, the Abrahamic faiths, Hinduism, and Atheism. An animated sequence by Mexican animator Maribel Martinez is woven through each of the film segments, with each segment narratively connected as a feature-length film.

A short film about the endless fight of two woman. A Mexican and Bosnian co-production set in Sarajevo.

With little or no embellishment, filmmaker Marguerite Duras offers a simple, often wordless chronicle of a woman's day. She and her friend are seen doing yard work, talking about their families and receiving the occasional visitor. The brightest spot in the day is when a washing machine salesman comes to call.

After a chance encounter with a wanted man, a woman is harassed by the police and press until she takes violent action.

Carmen (84) and Emeterio (97) are an elderly couple living out their last years in their house in Acapulco, the same house they built with their own hands. Time seems to have stopped for them; there is no day more special or less special than the one preceding it. All there is left to do is wait. Carmen and Eme survive together as they await the next visit of their family.