A Funny Story at the Window

A group of down-and-out accountants mutiny against their bosses and sail their office building onto the high seas in search of a pirate's life.

Adapted from a sex-stuffed cult novel, LALAPIPO (a play on the phrase “A Lot of People”) follows divergent seedy strands of sexual and narrative spaghetti through the sticky Tokyo night. There’s a chubby freelance writer who’s so obsessed with masturbating to the sound of his upstairs neighbors going at it that he forgets to deal with his own love life and when he finally does have sex he is immediately filled with self-loathing. The upstairs neighbor’s story then splits off like an amoeba: she’s an office lady seduced by a “talent scout” who is falling down the sex industry ladder, moving from hostess, to massage girl, to private karaoke attendant. The talent scout’s story then splits off and runs in its own direction, revealing the sorry state of this young pimp’s soul. From there, the movie takes more and more time to consider the lives of more and more characters until the entire Japanese sex industry is filled with the wailing of lost souls.

Oswald wakes up grumpy and takes it out on his alarm clock, afterward trying his best to wake up the mechanical cow sleeping in the bed beside him, with limited success. They finally do get going, sailing around the barnyard offering milk to denizens of the farm. When kidnappers arrive and takes Oswald's girlfriend away, he and the cow set off to rescue her.

Mickey walks into the tavern where Minnie is dancing, and begins to dance and play piano himself. Pegleg Pete comes in and treats Minnie badly. Mickey tries to defend her, but Pete steals her away. Mickey, riding Horace Horsecollar, gives chase. He manages to throw Pete off a cliff.

A re-enactment of the chestburster scene from Ridley Scott's Alien, but with a loaf of bread in place of a Xenomorph.

A TV pilot starring Neil Hamburger.

A strange romance about two lost souls. Wendy (one good eye) and Sid are trying to connect in a mid-range hotel near an airport.

A red ball bounces past a cafe and a couple folks’ houses and then goes to the beach.

Asumu Adachi imagines if he could be like Kamen Rider Hibiki, and are approached by talking Disc Animals who teach him how to be like Hibiki, eventually allowing Asumu to transform into Kamen Rider Armed Hibiki.

This is the second silent (save for a song) slapstick comedy short about adventures of Worldly, Coward, and Fool. In a small hunting lodge three friends are making illegal moonshine. Bottled "product" fills shelves quickly. Life is good. But their dog Barbos doesn't understand that bringing a moonshine condenser coil to a police station is a bad idea...

An Icelandic volcano has blocked air traffic and Thelma’s parents are stuck overseas. Until planes start flying across the sky again Jean, Vincent and Thelma share the same roof.

Mammy Two-Shoes threatens to throw Tom out of the house if he makes a mess. Jerry sees an opportunity to rid himself of his feline nemesis.

Tom's day at the beach doesn't start out well. First he gets his swimsuit caught in the door of the beach house, and doesn't realize it until his intended dive in the ocean sends him snapping back and crashing through the door. He runs out and tries again. This time he is so determined to jump in the water that when he does so, he doesn't notice the tide is out and that he is swimming in the sand, which is filled with broken bottles, tin cans and other debris. Later, he tries to win over a beautiful girl on the beach, but, being the boor he is, he annoys her by drinking her soda pop, eating her hot dog and munching loudly as he lays his head in her lap. Suddenly, a tomato flies through the air and lands on his head. So does a banana peel. Tom looks for the culprit and finds him in the girl's picnic basket. Jerry is inside, eating what he wants and tossing out the rest...

Mammy Two-Shoes tells Tom and Butch that the cat who gets rid of the icebox-raiding, breadbox-invading mouse (Jerry) is the one who can stay.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

During the day, 18-year-old Elaha argues with her mother about cleaning up, at night she works at the club to move in with her friend Ina. She also uses her quick wit to answer endless questions about her origins.

When the old fisherman tries to convince his donkey to climb the steep winding road of their Greek island, he finds Mariza to be one suborn ass. But the old man knows that no one can resist Zorba's dance.

Six characters meet in a bath house. The pedant bath house manager, a couple with a strange way of communicating and a gang with shady intentions. Something goes wrong.

A scientist discovers a way to turn cow manure into energy. Two secret agents are dispatched to find out the formula but they devote more time to having sex with each other than they do going after the scientist. Pretty soon everyone in the area is after the scientist but they also wind up spending more time having sex with each other.

Amanda struggles to keep something inside as she spends the day taking pictures of her best friend.