A father joins his son as he searches for Heaven in the night's sky, each hoping to catch a glimpse of his own grandmother.
Keisuke Isobe and Koume Satou live a rather dull life. But when Koume's crush breaks her heart, their situation becomes quite unordinary. She starts a "no-strings-attached" relationship with Keisuke, whom she had previously rejected, both finding solace in the other in order to fill the emotional voids in their lives.
Former best friends Leba and Maria reunite at their old school. As they explore the empty halls, they revisit their shared past and confront unresolved emotions, all centered around a purple chair.
A Pennsylvania band scores a hit in 1964 and rides the star-making machinery as long as it can, with lots of help from its manager. But behind the scenes, the group’s sudden fame tests their strength, their maturity and responsibility, and their ability to resist the temptations that money and notoriety always make possible.
Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.
Cadillac Blues is the story of three days in the life of two Lebanese brothers, Omar and Ryan. They are very close. They live together, sharing the living space, the mobile phone, and a huge old Cadillac. We don’t know where their parents are. But they are present only in the boys’ conversations. Through a series of dreams and hallucinations, we get a glimpse into Ryan’s mental state before his brother does. We are given the opportunity to see the world through the eyes of a young man struggling with his sexuality in the stuffy environment of the margins. He is down with the Cadillac blues.
An online 'livecaster' with a dangerous brand has a crisis of conscience over her volatile career choice in a future world where jobs are limited and conflict is currency.
Two melancholic Hong Kong policemen fall in love: one with a mysterious underworld figure, the other with a beautiful and ethereal server at a late-night restaurant.
Aleks is a quiet fencer at a new school who tries to win a fencing tournament while dealing with a flirtatious girl and her aggressive brother.
While he's receiving an enigmatic phone call from his girlfriend Francine, Thomas remembers the milestones of their relationship, from the very moment they met in a really strange way. A segment of “Paris, je t'aime” (2006).
A struggling young writer finds his life and work dominated by his unfaithful wife and his radical feminist mother, whose best-selling manifesto turns her into a cultural icon.
Abel doesn't accept his step-father's presence and tries to persuade his mother to leave him, only she doesn't hear what he is trying to say. Abel gets caught up by his imagination to avoid having to deal a reality he will have to face.
Yoon-hye likes Da-joo more than just as a friend but denies her feelings for the sake of their friendship. After some events following Da-joo being introduced to a boy, Yoon-hye is not able to hide her emotions anymore.
Karin and Peter have been married for almost 15 years. From the outside, they seem happy, but behind the closed doors of the house there is a repression. Then the dog Orion steps into their lives ...
“There must be a different solution than the one from hell’. Full unadulterated terror (and music). 'The best class always ends with a lesson'. Almost baroque in its ambition and detail, Akerman and Seabra Lopes’ mesmerising short film delves deeply into the hard-wired dread of music lessons. Sewn around Schubert’s steely Opus 1, which is itself based on the no less terrifying legend of Goethe's Erlkönig, their film is a revelation.” International Film Festival Rotterdam.
A short story of two strangers meeting in a train journey, not knowing that something stranger is coming their way.
Isabelle’s third date with Jason goes from promising to disastrous in Astoria, where recent subway renovations cost millions of tax dollars but kept the stations inaccessible.
Boris and Jonathan have been a couple for many years. But their relationship has reached a point where they might as well spend their evenings together separately: One lies in bed reading, the other works at a desk in the next room. While actor Boris digs deeper into rehearsals for a new film with an ambitious director and begins to mix real and fictional characters, Jonathan tries to redefine his voice as a writer. Ghosting through these days of wrestling with distance, closeness, trust, desire and fear of loss is Jonathans' young niece Josie, who is trying to deal with the approaching end of her childhood in her own idiosyncratic way. BONES AND NAMES, the feature debut of Fabian Stumm, portrays people searching for their place in life in different ways. A sensitive and humorous reflection on the dissonances in relationships that both connect and distance us from each other.
After inheriting a large country estate from his late father, Peter invites his friends from college: married couple Roger and Mary, the lonely Maggie, fashionable Sarah, and writer Andrew, who brings his American TV star wife, Carol. Sarah's new boyfriend, Brian, also attends. It has been 10 years since college, and they find their lives are very different.
Naked in New York begins in the car of grown up Jake, he is talking to us about his girlfriend, Joanne, and to whom you can turn to for help while facing life. From there it flashes back to his memories of his parents, college, house across from a squirrel infested peanut factory, best friend, writing career and Joanne.