Na Ni Nu Ne No No

Original film material from the Bauhaus dances of Oskar Schlemmer.

In Kumasi, five lifelong friends known as “the Aunties” gather for a day of shared rituals shaped by decades of sisterhood. Through moments of dance, laughter, and prayer, their individual stories come together as one. Akosua is an intimate portrait of friendship, tradition, and the strength found in community.

Three individuals enter a temple to summon the Yoruba Orishas through ritual, music, and dance. As colonial influence reshapes spiritual practice, these traditions begin to shift. Over time, the rituals are altered and Westernized, losing their original form. What once connected them to the divine begins to fade.

Inspired by a powerful involuntary mania which took hold of citizens in the city of Strasbourg just over five hundred years ago, this film is a collaboration in isolation with some of the greatest dancers working today.

At age 24, Rémi Bonnet, brilliant pianist, abandons Chopin and Toulouse to play the music he has secretly loved for years - Salsa! He heads for Paris, the salsa capital of Europe, only to discover to his great surprise, that nobody wants a white boy in Latin band! Felipe, his Cuban friend, sets him straight: " You don't have the Latino look, muchacho! Today, if your are not Cubano or Columbiano, you are out!". Undaunted, Rémi deliberately takes on the identity, accent and complexion of an unemployed alien in a city where most foreigners will do almost anything to become French. Barreto, 75, the legendary Cuban composer, who is about to close down the once famous Casa Cubana, offers Rémi a job giving dance lessons to the locals. It is here that Rémi falls in love with Nathalie. Her family's "secrets and lies" reveal parental links to Barreto. Do these links explain why this shy beauty ought to be a bomb on the dance floor?

Three beautiful creatures bathe in our eyes. Behind three windows, so many women; owners of the places, as free inside themselves as in their antics. Exhibition? No! Exposure. Besides, who's watching? And who is watched? The bodies traversed by so many mental territories, FEMALE SPECIALTIES magnifies this "Second Sex" to flush out the random, the somatic, the elusive. ... not there to be understood but to be touched! ... and hated who thinks badly!

An evening in an old time dance hall in Sao Paulo introduces us to local characters who reminisce about the past, wonder about the future, have fun, flirt, fight and, of course, dance. Its earthy humour and eternal themes of ageing, loneliness and desire is an antidote to grumpy old men and women everywhere.

This short film showcases six production numbers from various Warner Bros. musicals.

When you feel it, get it started / Even if you don’t, just somehow get it started / Whatever it may be, however it may be but / Anyhow let's just get it started.

Eight Early Era dancers inspect the systems by which we abide, and the sameness required of average people to operate within those systems. To the rhythms of Austin-based hip-hop duo Magna Carda, the artists must decide whether to stay within the boxes that confine them or break free. A unique visual experience featuring ingenious and playful imagery of dancers in their different spaces.

How do we bring our physical bodies with us into our inevitably digitally-bound futures? Collaboratively conceived by director Brian J. Johnson and Vancouver’s acclaimed Company 605, Future Futures is a collection of five short dance films that explore the digital destiny of humankind through a unique merging of camera and visual effects with a specific choreographic vision. Embracing the absurdity of centering dance inside a sci-fi narrative, the experimental series collapses time to portray human culture at an unprecedented moment: the emergence of a new, autonomous, and intelligent being—the digital reflection and culmination of ourselves. Through its otherworldly imagery, choreography, and driving electronic sound score, Future Futures evolves into a strange, highly visual exploration of what we are if we are no longer tied to our physical bodies, and how we will define humanity when faced with a fading IRL existence.

Through animation and dance, Twine explores what it means to dream and create beauty and magic from within. Directed by Ana Contreras and Keely Song, the frame-by-frame animations are playful and wondrous.

After suffering humiliation by the crew Invincible, street dancer Ash looks to gather the best dancers from around the world for a rematch.

Emily arrives in Miami with aspirations to become a professional dancer. She sparks with Sean, the leader of a dance crew whose neighborhood is threatened by Emily's father's development plans.

Lady Gaga performs onstage during AT&T TV Super Saturday Night at Meridian at Island Gardens on February 1, 2020 in Miami. One of the most anticipated events of the Super Bowl weekend.

XITE Yearmix 2014

Noetic, Faun and Boléro: Three elements, three visions, three journeys through dance. Choreographer Sidi Larbi Cherkaoui's show offers a profound reflection on our intimate connection with the world around us. From putting mathematics in movement to Ravel's Boléro as a dance of death, Cherkaoui transcends the boundaries of the stage to offer us a unique philosophical perception of the world.

Los Zapatos

At the Katnip Kollege, we see a roomful of cats taking a course in Swingology. Everyone swings except Johnny, who can't cut it and has to sit in the dunce chair. Miss Kitty Bright tells him to look her up when he learns how to swing. Finally, listening to the pendulum clock at night, Johnny gets the beat. He rushes out to where everyone is playing and sings "Easy As Rollin' Off a Log" to Kitty Bright. She joins in; he grabs a trumpet for an instrumental break, with the complete band. They both fall off a log; she covers him with kisses.

The showman of 20th century choreography, Maurice Béjart, stages his distinctive rendering of the beloved Christmas ballet "The Nutcracker" using Tchaikovsky's entire score, supplemented with waltz and accordion music performed onstage by the renowned Yvette Horner. Béjart uses the original St. Petersburg tale as a launching point from which to evoke the recollections and feelings of his life's journey from childhood.