Time Flower

All alone, Yellow Guy tries to stop a lamp from teaching him about dreams. While Red Guy finds out the truth about the puppets' existence.

Inside a cold and rusty bunker, Irina and Georgi endure the aftermath of a nuclear holocaust. Georgi´s heavy radiation sickness and imminent death prompts Irina to repair his old and beloved guitar so he can hear it one last time.

Cocky cockney snooker player Billy Kid accepts the challenge of a grudge match from Maxwell Randall (the Green Baize Vampire), six times world champion; the loser will never play professional snooker again.

This special was taped in 1977 but did not air until August 1979, on ABC. It featured most of Andy's famous gags, including Foreign Man/Latka and his Elvis Presley impersonation, as well as a host of unique segments (including a special appearance by children's television character Howdy Doody and the "Has-been Corner"). There also is a segment that included fake television screen static as part of the gag, which ABC executives were not comfortable with, fearing that viewers would mistake the static for broadcast problems and would change the channel—which was the comic element Kaufman wanted to present. Andy's Funhouse was written by Kaufman, Zmuda, and Mel Sherer, with music by Kaufman.

A mild-mannered college professor discovers a look-alike actor and delves into the other man's private affairs.

Nothing is impossible for Doraemon's magic pocket, much less when it comes to using their inventions to live the most amazing adventures. Is there a place where no man has gone before? The robot cat magic door leads to our friends at the center of Africa, just until Smokers Forest, a forest covered with a thick fog that prevents satellites take pictures. Nobita and his friends decide that if there is so much to discover, is certainly there.

Sixteen-year-old Joanna has been living with her overbearing Aunt Martha in a low-income NYC tenement building ever since a violent outburst left her fighting a feeling she can only describe as the "darkness." Little did she know that weeks after moving in, a biological threat from the Soviet Union would leave the building boarded up and the tenants locked inside. It's been one month since they were first sequestered. With food dwindling and Martha's controversial role as leader expanding, Joanna realizes that she must face both her darkness and her aunt in order to save the tenants. But can she take on the leadership without letting the darkness take over her entirely?

While grieving the loss of his younger brother, an emotionally broken young man struggles with his guilt and grief as a strange and otherworldly entity begins to watch him, forcing him to confront his loss and inner turmoil.

Two young men and two girls on a moonlit night confess to each other in their strange fantasies and loves that go beyond the usual standards.. The impetus to making the film was the book of the same name by the Russian religious philosopher Vasily Rozanov, who died 100 years ago. His treatise was devoted to the study of sexuality and its denial in Christianity. The film was made in the style of experimental films of the 1920s with a non-linear narration full of strange surrealistic images. He is black and white and devoid of dialogue. Filmed on film 16 mm of firm "Svema", released in the USSR. This added to his exoticism. The image was put to the music of Alexander Scriabin “The Poem of Ecstasy” (1907).

Young and disenchanted Sam meets a mysterious and beautiful woman who's swimming in his building's pool one night. When she suddenly vanishes the next morning, Sam embarks on a surreal quest across Los Angeles to decode the secret behind her disappearance, leading him into the murkiest depths of mystery, scandal and conspiracy.

On Halloween 1997, two estranged teen skaters embark on a surreal journey through their memories, dreams and fears.

A tenor, in suit and tie, with a receding hairline, sings a ballad to his love, “Your Face Is Like a Song,” to simple piano accompaniment. Preserved by the Academy Film Archive in 2015.

Free adaptation based on Kafka's "The Metamorphosis". The action is in Praga occupied by Germans, at home of a Jew family (maybe the Kafka's). Novel's room of Gregor Samsa is replaced by an enormous library.

Minutes before his death in the general ward of a city hospital, Ulises, a terminal patient in his fifties, reconstructs the fragments of his life. Lauro, a young and smiling nearby patient accompanies him on his final agony, reliving all Ulises' missed opportunities.

La Caja

A young woman’s connection with the life force of nature. Using her taxidermy talents to “return” the animals to their natural habitat. But the true search for answers begins when she finds a roll of undeveloped film in each of the animals that she treats.

A man and a woman meet in 1960. They marry because that's what you are supposed to do. But something goes wrong on their wedding night. They have no idea what to do with each other. Sexually. Emotionally. The husband meets a man who knows what to do with his sexuality. Suddenly a hand can do something no hand has done before and lips something no lips have ever done. The two men have a secret love affair. But there is a problem: The woman. And she has something up her sleeve. Will she act? Yes, she will. What happens? Nobody knows. Until now.

Porky invests his savings. Mayhem ensues.

An experimental short featuring people and nails.

Jacob's got problems-deep, mental ones. Desperate for relief, he volunteers for a radical treatment to escape his tortured mind. But instead of peace, he finds himself trapped in a house with a tunnel to his subconscious. What begins as a path to healing becomes a harrowing descent where memory fractures, time distorts, and reality bends. A first-of-its-kind cinematic experience, Soul to Squeeze begins in a boxy 4:3 aspect ratio and ever so slowly widens to a full 2.35:1 by the final frame-mirroring Jacob's expanding perception as he risks everything for redemption. Visually daring and emotionally raw, Soul to Squeeze merges body with mind, taking audiences on a perilous journey through the psyche.