As a practical joke, an actor impersonates the screen monster he made famous. A lost film.
A knight returns home from the Crusades to find his village devastated by disease and his family gone. He roams the forest searching for them, until he finds a mysterious maiden who is being held prisoner by a black knight. In order to free her, he must confront her captor.
Simon is a little boy that has to deal with his babysitter, Sonia, a total nuisance. But that same night Simon will receive and unexpected visitor, Timothy, the main character of Simon's favourite show, a visit he will never forget.
Deep water freediving exposes its practitioners to a form of narcosis, which induces several symptoms, among which a feeling of euphoria and levity that earned this phenomenon its nickname of "raptures of the deep". The short film relates the interior journey of Guillaume Néry, the apnea world champion, during one of his deep water dives. It draws its inspiration from his physical experience and the narrative of his hallucinations.
This is one of the four "animated comics" taking place in the same universe as the film "I Am Legend". ADX Florence, Colorado, USA, is the most secure prison facility in the United States. During the early stages of the Krippin Virus Pandemic, John Edward Lord, an imprisoned terrorist is deliberately left behind at the prison to die, with no information on the outbreak.
This is one of the four "animated comics" taking place in the same universe as the film "I Am Legend". In New Delhi, India, during the Krippin Virus Pandemic, Vatsala and her family are preparing to evacuate to a shelter. That night, Vatsala sneaks out of her home and into the chaotic streets of the city to find her boyfriend, Pritam.
It's Christmas time, and a grandmother spends a quiet afternoon tending to the family chores. But the arrival of an unexpected visitor brings with her some deadly consequences.
[…] A reel was shot of the Noh drama Momiji-gari (Maple Leaf Hunters, or Viewing Scarlet Maple Leaves), in which Danjuro played opposite Onoe Kikugoro V (1844-1903) as an ogress who has disguised herself as the Princess Sarashina. Filmed by Shibata Tsunekichi in the open air on a windy day in November 1899, Danjuro would allow only the one take, so that when his fan blew away in mid-performance the scene had to stay. The film re-emerged at the Kikikan theatre in 1907 where it was a great success and inspired a wave of fiction filmmaking based on traditional Japanese narratives. (cont. http://victorian-cinema.net/danjuro)
During a wedding party, according to tradition, hide-and-seek is played in a local abandoned castle. The bride falls into a hidden corridor. As she enters a room, the door falls shut behind her. Inside, she finds a dead woman and a book that says she cannot get out of here. However, a cat taking her scarf outside is her salvation. The cat puts the searchers on the right track, and the groom finds his bride.
A doctor must remove a parasite infestation from within a patient's breast.
One of the two earliest horror films ever made. This film is presumed lost.
Darkmoor Manor is England's most haunted house, its doors closed to the public. It is now just part of a tour which helps attracts visitors to a struggling town. That is until the tour guide, trying to impress two attractive American visitors promises to get them inside. But none of them could be prepared for what was waiting within the shadows of the house.
An animated adaptation of Poe's famous short story.
From Richard Gale, mad maker of CRITICIZED, comes a film that will never have you looking at cutlery the same way again. Set-up as an epic-length trailer for an upcoming release, HORRIBLY SLOW... depicts a man's endless pursuit by what has got to be one of the most determined and patient murderers the screen has ever seen.
A red ball bounces past a cafe and a couple folks’ houses and then goes to the beach.
"Glory Holes" are mostly found in the basements of sex shops, sex clubs, or what are commonly referred to as whore bars. The pleasure is blind, anonymous. He delights in this blindness. "She" is the engine of his fantasies, his fears, his uneasiness and her naive and vain generosity. "He" will be waiting for her every Wednesday. This short film is the first fiction film directed by Guillaume Foirest as part of his graduation thesis at ESRA Nice in 2005. The film was distributed by DVD Pocket and has made many festivals around the world .
Image Archive archivist Dino Everett assembled a feature-length compilation of SCA student works from the late ’60s and ’70s. The compilation features recently uncovered and previously unseen student films by Dan O’Bannon and John Carpenter. • BLOOD BATH (1969, written and directed by Dan O’Bannon) B/W (original 16mm) 7 min. • THE DEMON (1970, written and directed by Charles Adair) B/W (original 16mm) 19 min. • GOOD MORNING DAN (1968, written and directed by Dan O’Bannon, camera by John Carpenter) Color (original 8mm) 19 min. • CAPTAIN VOYEUR (1969, written and directed by John Carpenter) B/W (original 16mm) 7 min. • BLOOD BATH (1976, written and directed by Dan O’Bannon) Red tint (original 16mm blown up to 35mm) 8 min. • JUDSON'S RELEASE (1971, written by Alec Lorimore, directed by Terence H. Winkless) (original 16mm) Color 15 min. Total program time: 80 minutes.
Wayne gets a new rookie partner, Lanny, after his previous partner got the promotion he wanted. Lanny has to remind Wayne of the Spirit of Christmas and the importance of being an elf in Santa's Prep and Landing elite unit.
Dealing with life's troubles is never easy. Many people find comfort in the soothing words of their trusted therapist. Mr. Talbot does not. His therapist, has a tough love approach. Not convinced of Talbot's assertion that he's a werewolf, she invites him to her office the evening of the full moon. Talbot insists that he's really dangerous. As the doctor insists Talbot's delusional, suddenly he begins to change. Prepared, Dr. Steiner has no trouble curing her patient. For good.
Cao Fei recorded her experiences within the online social platform Second Life. The result is a wistful, surreal vision of an alternative reality sprung from the pop culture fantasies and hyper-consumerism of contemporary urban China, while also trying to transcend its real-life limitations. It can be seen as an answer to the challenge posed by River Elegy: how to envision a new Chinese destiny founded on principles of individuality, creativity, discovery, and freedom. The film also reflects the contemporary condition of the virtual supplanting our experience of the real.