Five times, Earth has faced apocalyptic events that swept nearly all life from the face of the planet. What did these prehistoric creatures look like? What catastrophes caused their disappearance? And how did our distant ancestors survive and give rise to the world we know today?
The movie recalls children who suffered mental and physical harm both during the last century, particularly in religious orphanages, and during the time of early modernperiod witch-hunts. It shows that the mindsets and behavioural patterns of both time periods are more alike than one might think.
Commissioned by the journal Présence Africaine, this short documentary examines how African art is devalued and alienated through colonial and museum contexts. Beginning with the question of why African works are confined to ethnographic displays while Greek or Egyptian art is celebrated, the film became a landmark of anti-colonial cinema and was banned in France for eight years.
The epic story of the Russian Civil War (1918-21): the White Terror, the counterrevolutionary uprisings, the guerrilla war, the Kolchak front, the Wrangel front and the Kronstadt rebellion. Chaos and violence, devastation and death.
A quick look at the movie's structure, similar films, crafting a thriller/horror film in Peele's voice, issues of race in the film, Peele's work as director, themes, and more.
A filmmaker embarks on a global adventure to uncover the viral fascination of the capybara, including exploring how they have become cultural symbols of serenity in Japan.
Between psychosis, delusions of persecution and trauma, A finds himself at an interface between past and present after a stay in hospital. What is still reality and what is a fearful manifestation of traumatic encounters? By confronting herself with old diary entries, she tries to come to terms with the emotional maelstrom. The breaches of trust from her youth keep pushing their way to the surface in her current relationships and make it difficult to grasp happiness.
Prête-moi ton docteur
A movie director attemps to film the way he writes a screenplay.
Jason Van Vleet's documentary explores how a plan to overthrow the government conceived in 1983 by home-grown extremists lead to the tragic 1995 bombing of the Alfred P. Murrah Building in Oklahoma City. Van Vleet's film includes interviews with officials who investigated the terrorist attack and a taped confession by one of the perpetrators of the bombing, and looks at domestic terror groups that are still operative years after the attack.
Struggle is the story of how Ohio's 2004 presidential election was rigged through high tech and old fashioned ballot stuffing methods to deliver the election to George W. Bush.
Documentary tells the story of the Chilean football club Colo-Colo, exploring its profound impact on popular culture and the everyday lives of its fans. Throughout the film, it shows how the club has transcended sport to become a symbol of resistance, pride, and class struggle in Chile.
Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.
The Sixth is a visceral intersection of six extraordinary Americans whose lives will be forever changed by the attack on the United States Capitol on January 6, 2021.
This documentary traces the rise and crash of scammers who conned the EU carbon quota system and pocketed millions before turning on one another.
The impeachment and removal from office of Brazilian President Dilma Rousseff in 2016 was triggered by a corruption scandal involving, among others, her then vice-president Michel Temer. Director Maria Augusta Ramos follows the trial against Rousseff from the point of view of her defence team. This is a courtroom drama that unfolds slowly: the appearances of the various parties gradually turn the proceedings into something akin to theatre. Inside the courtroom, grand emotions are played to full effect whilst, on the other side of the doors, lobbyists and supporters pace the corridors. Meanwhile, outside, in front of Brasília’s modernist government buildings, demonstrators are chanting like a Greek chorus. Only the main character, Rousseff herself, remains professional and aloof.
Documentary of Daniel Schubert's grandmother, Martha Katz, a Holocaust survivor.
In France, victims and perpetrators of offenses, misdemeanors, or crimes can meet and talk in secure, supervised settings. Included in the Penal Code since 2014, this "restorative justice" is intended to complement criminal justice and provide a safe space for dialogue. The aim is to enable victims to rebuild their lives and perpetrators to take full responsibility for their actions, thereby reducing the risk of reoffending. This film follows one such program over the course of a year. Amélie, a prison rehabilitation and probation counselor, and Séverine, a lawyer for a victims' association, prepare Marthe, Aurélien, Sylvain, and JF, who are incarcerated for murder or attempted murder of their spouses. They also follow Emeline, Evelyne, and Marie, victims of similar crimes.
Combining archival photos with new and found footage, this short film presents a personal, impressionistic rendering of what it's like growing up Mi'kmaq in Newfoundland, while living in a culture of denial. Vistas is a series of 13 short films on nationhood from 13 Indigenous filmmakers from Halifax to Vancouver. It was a collaborative project between the NFB and APTN to bring Indigenous perspectives and stories to an international audience.
In the early 1970s, a group of secretaries in Boston decided that they had suffered in silence long enough. They started fighting back, creating a movement to force changes in their workplaces. This movement became national, and is a largely forgotten story of U.S. twentieth century history. It encapsulates a unique intersection of the women’s movement with the labor movement. The awareness these secretaries brought to bear on women’s work reverberates even today. Clericals were the low-wage workers of their era. America now confronts the growing reality of deep income inequality. The stories and strategies of these bold, creative women resonates in contemporary America.