Hair, Paper, Water...

A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.

After his wife’s death, a man is interrogated by the State. Returning to a dystopic, totalitarian life, he weighs stifling his grief against leaving it all behind. A call leads an official to help him find his beloved.

Nico Toscani is an Italian immigrant, American patriot, ex-CIA agent, aikido specialist and unorthodox Chicago policeman. He is as committed to his job as he is to his personalized brand of justice—expert and thorough bone-crushing.

Homicide detective John Hobbes witnesses the execution of serial killer Edgar Reese. Soon after the execution the killings start again, and they are very similar to Reese's style.

A farewell that leads to the initial meeting of a cat named Miroo, who has lost his younger brother, Kimo, making him reflect on life.

A meeting between the daughter and the grandmother of the director, Iván Mora Manzano, at a time when the memories of one, the girl’s, were taking shape, and the other’s the grandmother’s, were vanishing. This starting point is used as a pretext to talk about other topics such as the importance of family memories and the search for memory.

In 1975, soon after the end of the Vietnam War, Hoa Thi Le and Hue Nguyen Che fled the country on a small boat. After nine days at sea, they docked in the Philippines, where they were utilized as background extras for “Apocalypse Now.”

A story about a dysfunctional father and son who are still coping with a loss, the other with a highly-stigmatized illness who are compelled to talk to one another to make ends meet and heal the wounds of their relationship.

Valentino wanders through the city like an apparition, ensnared in the liminal space between nostalgia and departure. His camera fragments reality into vestiges of a nation that still lays claim to him. Spaces where memory murmurs unfulfilled promises. In a discourse that transcends mere conversation, words entwine with eloquent silences and in that fleeting exchange, the inevitable emerges: farewells foretold, inscribed before they are ever uttered.

An attorney is terrorized by the criminal he put away years ago when he was a cop.

Whispers fill the silence around her, each one a subtle accusation, a reminder of guilt and blame. As a grieving mother struggles to navigate the weight of loss, the whispers grow louder. Will they ever let her find peace?

A storm is coming; the winds are getting strong. The real source of the ominous winds lies with Jina, who finds the strange word 'LingLing' written in her father’s notebook. She suspects he is cheating on her mother, who appears to be bored with life and fills the house with potted plants as if to show for her apathy. The film too is riddled with images of humid air and foul-smelling water, impure and overflowing. The sway of her father’s fishing pole and the flutters in Jina’s skirt seem perilous and unstable. When her anxiety and doubts finally come to a head, the family squarely face the rough downpour brought on by the storm. The director’s talent in boldly translating the characters desires and sensibilities into a narrative with powerful imagery is quite impressive.

Three generations of Youngseok’s family live together in a house. Even though his mentally ill grandmother’s time on this Earth is gradually running out, Youngseok is embarrassed by the way she behaves like a child in front of his friends despite her efforts to take care of him. The film displays the challenges of a family who live with a dementia patient, told from young Youngseok’s perspective. Dreamlike summer nights in the film evoke the innocence of childhood, and the gathering of dear friends and family.

Outra Partida

The rise and fall of late 80's hard rock / "hair band", Boy Elroy.

A sitting man listens to his thoughts, but can't catch any of them.

Based on true events, 'Alex: The Life of a Child' follows former 'Sports Illustrated' writer Frank Deford and his wife Carole when their happy, all-American family is rocked to the core when their baby daughter Alex is diagnosed with Cystic Fibrosis. While CF sufferers were almost certainly doomed to an early death in the Seventies, Alex grew into a child who showed remarkable courage and strength in face of her illness. Her loving family were quick to rally around her, determined to show the same bravery as the little girl as they supported and cherished her through life and struggled to move on after her death at the tragically young age of eight.

Mr. Park raises his children by repairing charcoal pits. Although ignorant and stubborn, Mr. Park has a good heart. He is displeased, however, with his eldest daughter, Yong-sun (Jo Mi-ryeong), because of her close relationship with Jae-cheon (Hwang hae), who is a scamp in his eyes. He is also unsatisfied with his second daughter, Myeong-sun (Eom Aeng-ran), for liking Ju-sik (Bang Su-il). Only his eldest son, Yong-beom (Kim Jin-gyu), is the apple of his eye, as he approves of his son's wife, Jeom-rye (Kim Hye-jeong). When Yong-beom is sent to a foreign branch office, Mr. Park is against it at first but approves of it, as he knows what it means for his son's future. Eventually, too, he begins to approve of his two daughters' relationships.

Adapting to her new home in Melbourne, Vietnam War immigrant Hanh (9 years old) mistakes the cunningness of her new “friends” as an act of kindness, forcing her to come to terms with the reality of human betrayal through the loving and tender guide of her family - especially her father, Quan.

Jamie, a 10-year-old country boy, who has grown up with his step brother Will, struggles with not only the impending divorce of their parents but the grief of the potential loss of the only sibling he has ever known.