Follows Catherine Jensen, a recently promoted homicide detective who enlists the help of Thomas Schaeffer, a forensic psychologist, to track down serial killers and relentlessly seeks the truth behind the disappearance of her brother.
Laura Diamond, a brilliant NYPD homicide detective balances her “Columbo” day job with a crazy family life that includes two unruly twin boys and a soon-to-be ex-husband — also a cop — who just can't seem to sign the divorce papers. Between cleaning up after her boys and cleaning up the streets, she’d be the first to admit she has her “hot mess” moments in this hilariously authentic look at what it really means to be a “working mom” today. Somehow, she makes it all work with the help of her sexy and understanding partner, and things becomes even more complicated when her husband, ironically, becomes her boss at the precinct. For Laura, every day is a high-wire balancing act.
When Eliza Scarlet's father dies, he leaves her penniless, but she resolves to continue his detective agency. To operate in a male-dominated world, though, she needs a partner... step forward a detective known as the Duke. Eliza and The Duke strike up a mismatched, fiery relationship as they team up to solve crime in the murkiest depths of 1880’s London.
Keeping these streets clean is a Herculean task, enough to demoralize even the keenest rookie – but there’s a reason why this hotchpotch of committed cops are on this force, on this side of town. Drug labs, arsonists, neo-Nazis and notorious murderers are all in a day’s work for this close-knit team, led by the dizzyingly capable but unquestionably unhinged DI Vivienne Deering. But when a particularly twisted serial killer emerges it leaves even the most hardened of these seasoned coppers reeling.
After a serial killer imitates the plots of his novels, successful mystery novelist Richard "Rick" Castle receives permission from the Mayor of New York City to tag along with an NYPD homicide investigation team for research purposes.
The Philadelphia homicide squad's lone female detective finds her calling when she is assigned cases that have never been solved. Detective Lilly Rush combines her natural instincts with the updated technology available today to bring about justice for all the victims she can.
Ten years after the demise of Precrime, crime-solving is different and justice leans more on sophisticated and trusted technology than on the instincts of the precogs—individuals who able to see the future. In Washington, D.C., a man haunted by the future and a cop haunted by her past race to stop the worst crimes of the year 2065 before they happen.
Crime drama series featuring Life On Mars' DCI Gene Hunt. After being shot in 2008, DI Alex Drake lands in 1981, where she finds herself in familiar company.
Allison McLean is a tough and experienced police detective, mother and wife in suburban Seattle. When she and her police partner must arrest her brother for aggravated assault, her world drastically changes as he's convicted and sent to prison, leaving his two teenagers teetering on the brink of foster care. Ultimately, she takes them into her home, ending up with four teenagers to raise.
Brilliant but directionless, the great grandson of Albert Einstein spends his days as a comfortably tenured professor until his bad boy antics land him in trouble with the law and he is pressed into service helping a local police detective solve her most puzzling cases.
Highly skilled Detective Inspector Jane Tennison battles to prove herself in a male dominated world.
Perhaps their strikingly different personalities make the relationship between detective Jane Rizzoli and medical examiner Maura Isles so effective. Jane, the only female cop in Boston's homicide division, is tough, relentless and rarely lets her guard down, while the impeccably dressed Maura displays a sometimes icy temperament — she is, after all, more comfortable among the dead than the living. Together, the best friends have forged a quirky and supportive relationship; they drop the protective shield in each other's company, and combine their expertise to solve Boston's most complex cases.
The Killing is an American crime drama television series based upon the Danish television series Forbrydelsen. Set in Seattle, Washington, the series follows the various murder investigations by homicide detectives Sarah Linden and Stephen Holder.
Mary Beth Lacey and Chris Cagney are teamed up as NYPD police detectives. Their opposing personalities (one is tough and the other sensitive) mesh to make this one of the great crime-fighting duos of all time.
Sexy New York detective and single mother Harlee Santos fell in with a tight-knit group of dirty cops, taking bribes and protection money that she uses to provide the best life for her honest, talented daughter. But when she's trapped by the FBI and forced to inform on her own "brothers," she'll have to walk the fine line between love, loyalty, honor and betrayal, and try to keep it together for her daughter's future.
High-flying solicitor Jane Kennedy returns to the seaside town she left as a teenager to take up the post of coroner, becoming an advocate for the dead as she investigates sudden, violent or unexplained deaths.
Women's Murder Club was an American police procedural and legal drama. Longtime friends involved in homicide investigations gather to work off the clock to solve cases. District Attorney Jill has issues with her past, medical examiner Claire is dealing with a husband newly in a wheelchair, and tough Detective Lindsay suddenly finds herself working under her ex-husband. Despite personal issues, they allow young reporter Cindy to join their "club."
Three fiercely talented female homicide investigators work tirelessly to solve crimes while navigating the complicated demands of their personal lives.
Toronto’s only female private detective in the 1920s takes on the cases the police don’t want or can’t handle. From airplanes and booze running to American G-men, Communists and union busters, Frankie’s fearless sense of adventure gets her into all kinds of trouble, but she always manages to find her way out.
In the center of the plot is a senior investigator named Masha Shvetsova and her male colleagues. The plot is the most vital, but, like in “Streets of Broken Lanterns,” it is seasoned with a fair amount of humor - otherwise, how can the audience (and the heroes) endure countless morgues, identifications and other “cute” charms of the investigative routine?