La Bohème (Sydney Opera House)

Beyond Silence is about a family and a young girl’s coming of age story. This German film looks into the lives of the deaf and at a story about the love for music. A girl who has always had to translate speech into sign language for her deaf parents yet when her love for playing music grows strong she must decide to continue doing something she cannot share with her parents.

Director helmut Dietls and Patric Susskinds illustrate a legendary story of two lovers who cant keep themselves away from death.

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.

Having triumphed at the Met in some of the repertory’s fiercest soprano roles, Sondra Radvanovsky stars as the mythic sorceress who will stop at nothing in her quest for vengeance. Joining Radvanovsky in the Met-premiere production of Cherubini’s rarely performed masterpiece is tenor Matthew Polenzani as Medea’s Argonaut husband, Giasone; soprano Janai Brugger as her rival for his love, Glauce; bass Michele Pertusi as Glauce’s father, Creonte, the King of Corinth; and mezzo-soprano Ekaterina Gubanova as Medea’s confidante, Neris. Carlo Rizzi conducts.

Aaina, insecure about her complexion dreams of getting married to a boy who finds her attractive. She comes across Gulab a flamboyant toilet cleaner, who finds her attractive but Aaina's father has chosen someone else for the marriage.

In order to make money for the aerial review, a group of students organize the fashion program for the "Yugochic" company, doing some small frauds as well.

Two talented song-and-dance men team up after the war to become one of the hottest acts in show business. In time they befriend and become romantically involved with the beautiful Haynes sisters who comprise a sister act.

The Nutcracker is Mikhail Baryshnikov's breathtaking and critically acclaimed Emmy-nominated production. This spectacular performance is danced by the magnificent team of Baryshnikov, one of the greatest classical dancers of the century, and Gelsey Kirkland, both showcased at the peak of their careers, with members of the American Ballet Theatre.

Annabelle - a calf who has a special wish for Christmas - wants to be a reindeer and help Santa Claus drive his sleigh as he delivers his presents! Annabelle's friends tell her not to get her hopes up, but to everyone's surprise, Santa does indeed meet up with Annabelle, and the calf gets to help Santa make the holiday special for one young boy.

The myth of a goddess who rebels against traditional romance and falls in love with herself.

Garfield, Jon and Odie go to Jon's family farm for Christmas, where Garfield finds a present for Grandma.

Fozzie Bear surprises his mother on Christmas Eve by bringing the entire Muppet gang to her farm to celebrate the holidays. Doc and his dog Sprocket, who had planned a quiet Christmas, end up joining the Muppets in their holiday activities and preparations. The Sesame Street and Fraggle Rock regulars join the festivities, but to Kermit's dismay, the only one missing is Miss Piggy, who has been caught in a snowstorm.

The film tells the story of the experiences of Major Syrtis during the first Christmas on a newly-colonized Mars. Coyne has described the film as "Maybe Eraserhead or Dead Man crossed with some kind of fantasy and space aspects, like The Wizard of Oz and maybe A Space Odyssey, and set at Christmas-time. The story that unfolds is intended to hint at childlike magic within a tragic and realistic situation."

By the year 2056, an epidemic of organ failures has devastated the planet. The megacorporation GeneCo provides organ transplants on a payment plan — and those unable to fulfill their plans have their organs repossessed. In the midst of this, a sickly teenager discovers a shocking secret about herself, her father, and their connection to GeneCo.

Three colours, three moods, three registers. And yet Puccini conceived this triptych as a whole from the outset. He interweaves these three one-act operas, from Il tabarro, a drama of passion set on the quays of the Seine in the early 20th century, to Gianni Schicchi, a burlesque farce set in medieval Florence, and Suor Angelica, a mystical tragedy set in a 17th-century convent.

Violette dreams of Broadway, but lands a singing waitress gig at Fiore's. Her Christmas Eve duet with Alex, who resents her connections, could be her big break. As they rehearse, Alex's cousin Brad, with Alex's secret help, woos Violette. Alex develops feelings too, creating a messy love triangle that jeopardizes their shot at stardom.

Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, Jonas Kaufmann plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as ‘Fidelio’) who daringly sets out to rescue him. Set in strong counterpoint are the ingredients of domestic intrigue, determined love and the cruelty of an oppressive regime. The music is transcendent throughout and includes the famous Act I Quartet, the Prisoners’ Chorus and Florestan’s impassioned Act II cry in the darkness and vision of hope. Tobias Kratzer’s new staging brings together the dark reality of the French Revolutionary ‘Terror’ and our own time to illuminate Fidelio’s inspiring message of shared humanity.

Royal Opera favourite Bryn Terfel heads the cast for this new production of Donizetti’s comedy of domestic drama across two generations. The witty story of a middle-aged man whose supposed young wife runs rings around him – with her own ulterior romantic purpose in mind – has long delighted and surprised audiences, not least as presented with the sparkle of its music and the virtuoso skill of its performers. Damiano Michieletto’s exhilarating production shows how contemporary the characters still are and how immediate and touching the story remains.

Richard Jones’ “La bohème” is an important weapon in the Royal Opera’s commercial arsenal. This is its second revival since Jones’ production hit the stage in autumn 2017, replacing John Copley’s beloved 40-year old staging, resplendent with period detail and resolutely naturalist. Jones brings a considerable break with the past in his approach, pointing the way towards thought-provoking possibilities for the work, though it is a clearly a show that defers to the need for regular revival and breadth of appeal.

A retelling of the classic Dickens tale of Ebenezer Scrooge, miser extraordinaire. He is held accountable for his dastardly ways during night-time visitations by the Ghosts of Christmas Past, Present and Future.