Sisters

In 2008 and 2009, Clarissa Thieme travelled through Bosnia-Herzegovina, setting up her camera at places where war crimes took place during the nineties. Now she returns to the same locations a decade later: what traces are left behind by a violent past?

Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.

When Juan Catalan is arrested for a murder he insists he didn't commit, he builds his case for innocence around unexpected raw footage.

Made at the height of 'cold war' paranoia, this drama-documentary shows the work of the UK Warning and Monitoring Organisation, who's duties included the issuing of public warnings of any nuclear missile strike and the subsequent fallout.

The Berenstain Bears Learn About Strangers When Papa Bear tells the cubs they should never talk to strangers, Sister begins to view all strangers as ominous, until Mama brings some reassuring common sense to the problem. Story and teleplay by Stan and Jan Berenstain

Experience a mystical journey through nature performed by a movement artist. Felix faces the whirling challenges of his inner turbulence with an emotionally charged dynamic, delicate strength, graceful dignity, as well as ecstatic devotion. Behold the fire dancer in the night.

Shell-shocked Barbara must face up to the loss of a dear companion after a tragic accident. Her best friend Klara and husband Torsten devise a plan to thaw Barbara's heart, after she reminisces about the incident, the funeral, and happier times. Will she agree to the suggestions of her nearest and dearest? Can grief turn into hope?

A peaceful life on a family farm. A cold, clear winter day. Nine-year-old Noémy is about to leave the carefree world of childhood behind.

A short film warning the unaware housewife of the dangers of “dry cleaning” with gasoline at home.

An exploration of the movie "The strange case of Angelica" and an understanding Manoel de Oliveira's cinema.

Damian, a young boy raised by a single mother, believes that his father is a famous footballer playing for Glasgow Celtic F.C. His dream is to visit him. In his everyday life he has difficulty finding a common language with his mother who is trying to make a new life for herself with a younger man.

What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.

From the banks of the Bahamas to the seas of Argentina, we go underwater to meet dolphins. Two scientists who study dolphin communication and behaviour lead us on encounters in the wild. Featuring the music of Sting. Nominated for an Academy Award®, Best Documentary, Short Subject, 2000.

In this short documentary, five black women talk about their lives in rural and urban Canada between the 1920s and 1950s. What emerges is a unique history of Canada’s black people and the legacy of their community elders. Produced by the NFB’s iconic Studio D.

A show booth owner presents "Udine" the mermaid and animals of the sea.

Lost Worlds looks at untouched aspects of nature in parts of the world where humans rarely tread. From plants, to animals, to geology, this artfully photographed documentary presents facets of the biological world that you are not likely to see anywhere else.

In the Land of Light, the Ultra Brothers receive the interrupted Ultra Sign sent by Hikari, which comes from the Monster Graveyard. Obtaining Zoffy's approval, Ace and Taro depart to investigate the matter while Mebius, on his routine patrol, is quickly notified by Zoffy to join the investigation.

Hock Hiap Leong pays tribute to this a 55-year old coffee shop on Armenian Street that has been an incessant inspiration to many people. The urban re-development board’s demolishing plans in 2001 inspired the filmmaker to capture this epitaph of history.

The film depicts the life at the Larissa Railway station in Athens in the spring of 1995. The camera focuses on the station’s ‘tenants’, Antonia, Florakis and George..

A father fears the sexual awakening of his disabled son, a teenager living with Down syndrome, and struggles with the notion of letting him grow up.