IRUL VAAN MUGIL

Two sides of the same country: a chaotic and violent city contrasting against a natural paradise where the oldest mountains on the planet can be found. Two main characters that find each other at a crucial moment. Two fearless journeys, one that begins as a childlike adventure and ends up on the other side of the country and a one-way journey, free and determined. The same destiny will inevitably bond a woman with her grandson. Without knowing it they are part of an unbreakable family circle that deeply unites them. Second opportunities will arise while individual freedom of choice will become imposing. Everything comes together to tell us: there is only one destiny, the one you choose for yourself.

¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.

Two young people are about to make a very important decision in their lives.

Two beautiful and different girls, Alice and Lisette are 17 years old, when forcibly removed from their Alsatian family to cooperate in the war effort in Germany. After spending six months in a indoctrination camp, they are both sent to a munitions factory where they are tasked to perform inhuman works. An explosion erupts, they are suspected of sabotage and threatened with being sent to a boot camp. Alice and Lisette believe they saved when transferred to a maternity where they continue living the hell of war.

Lisa is a young, Christian woman. Bobby, her boyfriend, however, is a street hoodlum. Lisa prays constantly that Bobby will accept God in his life. She soon gets what she wants, but discovers that Bobby's conversion means that she has to get her life in order as well. As a result, she is forced to resolve not only her relationship with Bobby, but with everyone in her life.

Akira, Takeshi, Yasu, and Shun are a gang of four close friends, all of whom were core members of their high-school ekiden team. Although they were stars back in those days, having slacked up their efforts subsequently, their daily life is lackluster now that the age of forty is just around the corner. They talk at a favorite local tavern just like they used to after Akira comes home giving up his dream to become an actor. Thinking back, they have never accomplished anything but ekiden, and they have unknowingly acquired a tendency to run away from problems in life in general. The phrase they cannot help muttering to themselves is how brilliant they were in those days… Feeling dispirited, they think of participating in the Shimanto Dragon Ride. A challenge for the four men in their late thirties begins…

A Girl and A Guy is a modern tale of young adults navigating the tricky world of relationships, connection, and intimacy in today’s society. The film tells the story of a girl, the story of a guy, and the story of a girl and a guy.

A pastor of a small church in upstate New York starts to spiral out of control after a soul-shaking encounter with an unstable environmental activist and his pregnant wife.

Rokas decides to take everything into his hands and starts new business project. Where love and money meets - there will be blood, that will paint coast red.

In the middle of a crowded city the paths of two strangers, a man and a woman, collide. This accidental, chance occurrence sets in motion a chain of events that sees the two strangers embark on a night of adventure and connection that challenges their separate lives.

A young man, looking to start his life over moves into a new neighborhood. In his new home, he discovers a picture of a beautiful girl with a phone number along side of it. As time passes by, his curiosity and affection of the girl grows and compels him to text the number. He eventually gets pulled into an unconventional relationship with the girl over text messages, but they never actually meet.

Richard, a law student, is hanging out at a sports bar. When Angel, a seductive vixen, appears from nowhere and smothers him with attention, he finds himself in a situation most guys wish for. Faced with temptation, Richard makes a seemingly innocent suggestion that sets in motion a series of events that ultimately unbalances his world.

A family finally comes to terms with the grief over their son's suicide 25 years earlier.

"A socially anxious college student reluctantly heads to a party attempting to make new friends. Nande Walters directs “Who Are You Really?”, an experimental portrait of insecurity characterized by a raw, youthful energy. Anya walks into the room and immediately feels like everyone is judging her. Eventually she strikes up a conversation with a young man, but neither really knows what to say and it doesn’t go anywhere. After struggling through the awkward night, she’s surprised to learn that an extroverted friend didn’t fare much better. Walters is only 19 years old, one of the youngest we’ve ever featured on NoBudge, and her film is the work of an artist still learning her craft but she clearly knows the feeling she’s after and captures it with pops of style and a touching closing monologue." -Kentucker Audley

A young man plans to climb the ladder of success by trying to woo his rich uncle's daughter.

After their mother's death, her adult children gather in their family home to respect the funereal rite of "pa-siyam." Although they had originally thought she died of natural causes, they soon realize that a dark force in the home may have played a part in her demise.

An invitation to enter the soul of an artist - director Erick Ifergan - through a highly personal retelling of the Orpheus tale suffused with Ifergan's striking paintings, sculpture and conceptual photography.

A young mother refusing to go see Durga bishorjon with her son. Bishorjon takes place with immense celebrations as the two Bengals drown their Durga idols in the river Ichamati separating them. The young lady remembers one such day after bishorjon in her past.

Lovely Pinky Malhotra is a heart-breaker in the college where she studies, and has a number of young men who would lay down their lives for her. Amongst them are Sunil and Vicky. She is attracted to Sunil, and both carry on a romantic relationship, hoping to get married after finishing college. Before that could happen, Pinky finds out that Sunil has been two-timing her as he is already dating another young collegian. Angered and hurt at this, she decides she will have nothing to do with him, and starts her romance with Vicky. Sunil, who does not know what has transpired, wants to talk to Pinky with a view of rekindling their romance, but Pinky refuses to speak with him. The question remains is Sunil really in love with another girl, and if so, why did he take the trouble to woo Pinky?

15-year old Klaus Kambor, called Kurbel, is living in a village in Lusatia and already thinks of himself as an adult. He can hold a lot of rhubarb wine and has already kissed a girl. But with his new method of lawn mowing, which he thinks is brilliant, Klaus makes a big mistake: He causes a wild fire in the forest. Then he does not react adult-like at all, but shirks the responsibility, which leads to the break-up with his girlfriend Daniela. Furthermore, Klaus does not realize that several of the places he likes the most in his environment are now going to be sacrificed to mining. When Klaus becomes friends with the teacher Konzak and with the construction worker Jule, he feels understood for the first time and starts to take more responsibility.