The Baby

Through a series of hypnotic interviews with Dr. Kelly Robertson, Declan reluctantly revisits the traumatic events that led to the fateful night. As memories resurface, we witness their tumultuous childhood marked by countless encounters with the law. Unraveling in flashbacks, we see the McGuire siblings navigating a world of petty crimes and rebellion, laughing off the consequences that seemed inevitable. However, the story takes an unexpected turn when a pandemic-induced lockdown thrusts them into a whirlwind of desperation and fear. On a desolate country road, they encounter Ian Hamilton, a figure from their past who only adds to the tension.

All kinds of people are waiting in seven different queues. The first person of each queue becomes the last of the next one, thus creating an enormous human line. But at the end of the line, it all begins backwards again.

This short film tells the story of Beckett, a smart and intriguing twelve-year-old, and his relationship with his divorced parents, James and Cindy. The separation took place when James came out as gay man.

A pair of dragonfly wings grows out from the back of the first biological kid from two men. One of the fathers, the scientist who created the kid, wants to hide the fact from the public, while the kid wants to expose the wings to force his fathers to accept him.

Late in the afternoon, a student and a construction worker sit on the edge of the bay and leave traces on the landscape.

Lonely and closeted, Xiao-Wei turns to the internet—until real-life feelings bring more questions than answers.

On a winter evening in 1979, the arrest of anti-government protesters is underway. The city is under curfew, but a teenage student, out of curiosity, follows a mysterious young man from a riverside path into an abandoned hut. Living in Taiwan under martial law, are men constantly escaping from government, society, or the affection buried in their hearts?

A short film by the United Jewish Appeal, directed by David Lowell Rich and starring Guy Madison, Felicia Farr and Agnes Moorehead, made by the core crew of many Columbia noirs, including cinematographer Burnett Guffey, art director Cary Odell, editor Al Clark, set decorator Frank Tuttle, and composer Morris Stoloff.

In 1968 Dennis Wilson of The Beach Boys met a dynamic and passionate singer/songwriter and introduced him to Hollywood. The two set out to record that artist's first professional album. The album became known as LIE. In 1969 this artist achieved incredible fame, but not for his music. The artist's name was Charles Manson.

The encounter of an ex-couple that haven't seen each other in five years. His name is Andrés and he's a film director. Her name is Lucía and she's an actress. They confront their past in a real-time conversation: a mingling of what they remember, what their dreams were, and what never happened — not even in their dreams.

A road in the middle of nowhere. A car. A bike. Two lonely people looking for the same thing. They meet.

A cruising area takes on majestic proportions as we discover Greek-esque male bodies in the forest. The sonnets 18, 57, 20 by William Shakespeare add to the Midsummer Nights Dream like ambiance of the film.

2:43 a.m. An empty room. An unexpected calling.

An ambivalent meeting between two friends. Classmates Victor and Amanda meet at a cafe in Stockholm one afternoon before Christmas to study for an exam. Amanda wants to talk about what they read, but Victor steers the conversation into something completely different, and suddenly they both run the risk of losing their face.

An old lady in a nursing home is visited by a mysterious man no one else seems to be able to see.

A 16 year old girl has come to the hospital to identify the body of her mother. The people in charge at the hospital - due to her young age - won't let her into the morgue. After she insists that most of her family is in jail for criminal activities, they acquiesce...

Family tensions are slowly eroding what should have been a carefree summer for the young boy Jakov. A series of events ending in tragedy will incite his emotional revolt against the grown ups, but also his sense of guilt.

This is the story of Copa-Loca, an abandoned Greek summer resort. Paulina is the girl at the heart of Copa-Loca. Everyone cares for her and she cares about everyone – in every possible way.

Following the death of her father, Renée goes back home to Saguenay for the funeral. Forced to empty her late father’s house, she finds a gigantic mess, the result of years of hoarding. In the following six days, Renée will seek her significance, a trace of herself, in the clutter.