At first, there was Tagalog, Gym Lumbera’s short and, to his mind, unfinished narrative about the infidelity that comes between a husband and wife in their twilight years, shot on film and reflecting his own real-life infidelity.. And then there was a storm, a real storm and not a metaphorical one, that flooded his house and submerged, and subsequently damaged, the only copy of Tagalog. This damaged version, entitled English, became the missing piece that completed the film. The new work is named after Taglish, the bastard hybrid, some say corruption, of Tagalog and English, and has become a meditation on love and language and the ways in which we betray and destroy them.
YAYA is a story about a filmmaker who explores the complex relationship between his family and the domestic worker who spent decades away from her family in the Philippines to raise his. This documentary is a tribute to all the domestic workers in Hong Kong, who has served as the backbone of Hong Kong's economy by unleashing a substantial female workforce into the economy and taken care of so many lives with love and care. You are all heroes in the hearts of the Hong Kong people. - Justin Cheung, the director
The film is very, very loosely based on the life of Arturo Porcuna (Jeorge Estregan). Once upon a time, he was known as Boy Anino, notorious leader of the Bahala Na gang. But rival gangster Tony Razon (John Estrada) attacked him in his home, leaving his entire gang and his family dead in the ruins. But Porcuna survived, and now he returns under a new alias, Boy Golden, and he seeks revenge against those that did him wrong. Along the way, he meets Marla D (KC Concepcion), a dancer who also has a bone to pick with Razon. Together, the two carry out a dangerous plan to take on Manila’s toughest gangsters.
Ferry owner Benjamin has a regular passenger, Chedeng, who is studying to become a midwife. Chedeng has a friend and neighbour, Maria, and without either of them knowing about it they both have a relationship with Benjamin. When Mary finds out she’s pregnant, things get difficult.
A woman fell in love with a Japanese soldier, during the Japanese Occupation in the Philippines. The whole town turned against her.
Pandanggo has three stories with parallel themes converging in one event, the Kasilonawan Festival in Obando: a career woman learning to dance tango who is torn between her dance partner and live-in partner has to choose the man who will satisfy her dream of raising a family; a wife whose wish to conceive a baby boy to make her husband happy brings her feet to the festival, but fate has other plans of bringing the child into her life; and a modern woman who, amidst her medical condition that might render her childless for the rest of her life, finds connection with an ancient lore about fertility.
A journalist investigates a woman with the name of China Doll. Soon, he discovers his knowledge of her turns out to be dangerous.
The episodically connected lives of four college friends unfold throughout the incipient martial law years, as they struggle to define their sexual and professional desires and how best to attain them.
Two filmmakers try to create a film venturing on the life of Jose Rizal. Before they do that, they try to investigate on the heroism of the Philippine national hero. Of particular focus is his supposed retraction of his views against the Roman Catholic Church during the Spanish regime in the Philippines which he expressed primarily through his two novels Noli Me Tangere and El Filibusterismo. The investigation was done mainly by "interviewing" key individuals in the life of Rizal such as his mother Teodora Alonso, his siblings Paciano, Trinidad, and Narcisa, his love interest and supposed wife Josephine Bracken, and the Jesuit priest who supposedly witnessed Rizal's retraction, Fr. Balaguer. Eventually, the two filmmakers would end up "interviewing" Rizal himself to get to the bottom of the issue.
In a time in the Philippines when the concept of divorce does not exist, a young woman has an affair with a married man. Eventually, they move in together, and that is when the problems start.
Five years after their break-up, ex-lovers turned friends Sam and Isa attempt to find their own selves in the realm of their respective romantic relationships. What they discover instead is pain and uncertainty as they come to terms with their feelings for each other and everyone around them.
Four interconnected stories during the height of the Martial Law crackdown against rebels. The palpable aura of fear leaves Filipinos in a state of paralysis, unable or unwilling to move until the dark cloud of history passes over.
Estela, an idealistic, call center slacker is mentored by Trevor, a pragmatic, senior agent. Their interaction develops into an unconventional relationship that would challenge their most personal convictions.
A father who works abroad as an OFW ends up secretly playing a superhero role in a Japanese TV show.
Don Victorino Hernandez, a creole secular priest from Manila, has two passions: botany and the total conversion of the native population particularly the Agtas, who in spite of the rigorous undertakings of Spanish colonialism continue to live in the hinterlands, giving them a notorious reputation in the minds of the lowlanders as well as the colonizers.
Amidst the vast sugar plantations of Negros in Southern Philippines, a matriarch lies in the throes of death. Her children rush home to confront the crisis as news of the impending death of their well-loved mother spreads among the community. There, in their ancestral house, the siblings are forced to deal with the issues of inheritance, tradition and the family legacy. It is a familiar tale. After all, every family has its story. And to each one, its own deserved secrets.
Alfad, a Lumad whose soul returns to his homeland to settle unfinished businesses and to finally rest. It is based on the Lumad’s belief that when a person dies his soul goes back to his homeland.
Melba is the wife of a slain farmer-leader whose murder is attributed to an incumbent governor. She goes to the city to appeal the case and to seek out a new life after the tragedy. Working as a staff member at the office of City Councilor, she is introduced to the life inside politics. Eventually she will be deeply involved, as her decision to marry the budding politician lays a carefully planned agenda.
When asked for her real name, the feisty woman in a rural whorehouse would quip, "Ligaya. It means joy. And that's what I sell." Yet the small-town prostitute is not resigned that she would be in the flesh trade forever. She still harbors the dream of getting out of the job someday. She saves money and fancies that someone would come and marry her as if she were clean and never been a whore. That becomes almost a reality when a hardworking farmer enters her life. Under some problematic circumstances, her chances get blown away-but not exactly of her sole doing.
The Battle of Tirad Pass was fought between Filipino revolutionary forces and Americans of the 33rd Infantry Regiment in Ilocos Sur. Brigadier General Gregorio del Pilar led the Filipinos, while Major Peyton March led the Americans. The battle resulted in the death of Del Pilar, along with 51 Filipino soldiers.