Family Dinner

An abstract narrative, exploring the landscape/architecture of the body as a container of memories. Layers of stories, dreams and memory fragments are interconnected like muscle fibers

A stop motion/collaged based independent short film plays with the recontextualisation of memories and how time distorts them.

Trapped in their own thoughts, a young person whose life and identity have always been shaped by others must confront their traumas to finally become themselves, detach from their past and finally move forward to be proud of who they truly are.

In this video work Bruce Nauman explores violence, gender and behaviour. Set around a simple middle class dining table, the scene quickly escalates into a slapstick fight between a man and a woman. Their actions become increasingly more erratic and aggressive yet also ridiculous and cartoon-like as the video progresses. Nauman explores the ways in which anger can be provoked by others and questions the way we can react to them. Much like many of his other artworks, he employs the use of humour and exaggeration to explore serious and even dangerous topics - he produced this work as a result of his frustration with futile acts of violence in ordinary life. He explains, “The viewer is presented with a hypnotic repetition of pointlessly cruel and destructive violence which is both seductive and alienating.”

The story told in Hisser was inspired by a true occurrence. In 2013, a young man in Florida was literally "swallowed up by the earth" when a cesspool suddenly opened up under his bedroom. The film's main setting is a bedroom by night. From the way it was shot, the viewer has the feeling of peering into an abandoned life-size dollhouse. Other sequences show close-up views of a young man lying on a bed with a tormented look on his face or cowering in a corner. The scene is accompanied by an exaggeratedly romantic song whose refrain – "It took me so long to get my feet back off the ground" – alludes to the loss of a loved one and a sense of abysmal loneliness. The song's emotionality contrasts starkly with the artificiality of the scene. The boundary between reproduction and reality grows fluid, and the virtuality – which the artist has carried to a near- perfect extreme – begins to crumble in view of the protagonist's physical and emotional frailty.

A Colombian family is forced to celebrate Thanksgiving, for the first time, after finding out that their eldest son has invited the man he likes to a holiday celebration at their house, creating tension among the family members.

One night in an art museum, Sunny and Pippin, two girls living inside of the paintings, play a game of tag spanning the history of human art.

A short animation in which characters from 39 paintings in the Frans Hals Museum move from one artwork to the next.

Trapped in their frames and monitored by a menacing curator, two paintings long to escape from the art gallery's white walls. As the paintings lock eyes across the room, an unspoken connection between them sets the stage for revolution. With a distinctive blend of live-action and animation, this short film by Evan Bode employs surreal metaphor to explore ideas about power, resistance, queer identity, visibility, and liberation from constructed borders.

As a single parent in an unfamiliar country, Ma’s entire life centers around raising Luan, her rambunctious young daughter. Likewise, Luan spends her childhood indulging in endless quality time with her playful, loving mother. However, as Luan grows up, it isn’t long before daily life interferes and causes mother and daughter to grow apart. By channeling their feelings into cooking, the two strive to find their way back to each other, one homemade meal at a time.

Inspired by Edogawa Ranpo’s novel, A Brute’s Love. The visual direction of this film is heavily influenced by Salvador Dalí, along with lots of other painters the director admired over the years. In many ways, this film is a reflection of personal artistic evolution.

A nude model is posing with statuesque stillness for an elite drawing class – until an unfortunate mosquito bite challenges his self-control. Driven to madness by the itch, he’s caught between the ruthless demand for perfection and his most unhinged, animalistic impulses.

Enzo, still not over the death of his grandmother Yiyi, returns to her house, almost abandoned, with the aim of taking some elements.

The film, Al Tudi Tuhak, is a creation story inspired by the art and mythology of the Northwest coast people. The story involves the creator, or "The Great Father" as he whittles the world into existence. Each of his wood shavings became fish, trees, birds,... even the sun and moon.

People try to "improve" the classic Venus sculpture.

Art student Ian Jing impresses the realism-loving art teacher Mrs. Hui from the get-go. Following her advice, he draws exactly what he sees, straining his eyes in the process. To Mrs. Hui’s horror, Ian’s artwork gets progressively blurrier. In turn, his online fame skyrockets, as art critics on social media praise his unique style as an abstract artist. They ascribe deep, profound (pretentious) intentions and meanings to his stylistic choices, when all he's actually doing is drawing exactly what he sees.

Seeking refuge from the boredom and noise of outside world, a person enters a museum -only to discover an unexpected adventure within.

As Memórias de Hugo

Three generations of a single family live together under a common roof in an uncoordinated choreography. The mother, acting as an orchestra conductor, tries without success to gather everyone around the same table for dinner.

A young polar bear leaves home for the first time, but finds it difficult to bid her mother farewell.