A Love Letter from Yesterday

A high school girl lives by herself in her parent’s apartment. They deserted her and each other they both took lovers. Feeling lonely she signs up as a mistress at a “Lolicon House” to service middle-aged men.

A taxi driving, punk rock listening, serial rapist with a bad attitude picks up female fares, sedates them with gas and takes them to his grungy lair where he video tapes his sexual abuse.

Currently in the spotlight of the media, a sexual clinic in Nishi-Shinjuku, Tokyo called "SEX Women's University" (president: Ikuro Nishikawa, chief professor: Happy Funatsu) is visited with a camera, and patients (male and female) suffering from sex are shown. This is a series of secret shots of the patient's sexual sensitivity enhancement treatment, featuring a young woman, a middle-aged couple, and a young couple. The SEX treatment by the director, the chief professor, and a beautiful nurse is a sight to behold.

The story is about Nagatoshi, a handsome and sexy monk played by Kazuhiro Sano, who is struggling for the widow he loves. Foreshadowing the prophecy of the Great Kanto Earthquake, the film is a highly entertaining theatrical spectacle that depicts the human condition of a downtown area undergoing development and the efforts of men and women who rebel against it.

One day, Hitomi observes her classmate Eriko stealing lipstick in a drugstore and follows her home. The two young women get to know and love each other. While the withdrawn Hitomi believes herself and Eriko to be reincarnations of angel warriors who once fought demon armies, her emancipated and apathetic friend wanders through life between sex contacts with older men and fear of falling into a boring bourgeois existence. The different futures of the two soon lead to tensions.

A fugitive man and woman (Kawase, Kawana) come to an island to retrieve their son (Iwasaki), who the woman has given to a foster family, but the son's foster parents are policemen (Ito)... The suspense surrounding the retrieval of the son is made unusual by the location shooting on the vast and desolate Miyakejima Island and leads to an allegorical drama about the essential desires of human beings. This was Kawase Yota's first appearance in a Zeze film, and he has since become a regular actor. The title of the film at the time of its first release was Sukebe Tenkomori.

No Good Men follows Kumiko, a young and attractive woman that works at a travel agency, and moonlights as an insatiable, sex-hungry mistress.

Ito, a film director with no money and no woman, is agonizing every night over a violent love affair he hears from a neighbor who has recently moved in. One day, his neighbor, Honda, comes to visit Ito. He had apparently eloped with the daughter of a yakuza and was asking Ito to hide her for him. Ito tried to say no to the dangerous offer, but the 300,000 yen was too much to resist, and he ended up accepting the offer...

A man and woman meet when he pulls her out of an icy fountain that she has just jumped into. But their developing romance is marred by bad friends, money troubles and illegal sex work.

Two wives who leave their husbands behind and go on a hot spring trip, and two husbands who play homosexual games because it's not fair for them to be the only ones enjoying it. In contrast to the wives, who warm each other's bodies with hot water and lesbian play, the husbands cool each other's bodies by facing each other naked on a dark table with a bottle of sugar. There is another couple in danger of getting married because their parents disapprove of their relationship, but these two also change their mind, saying that marriage is between them. The story focuses on the liberation and change of consciousness of these three couples, who audaciously kiss on the street to get warm, and rethink their love and freedom.

This routine effort from cult pinku-eiga director Hisayasu Sato centers around a divorcée who opens a beauty parlor and begins selling sexual services to boost her business.

Cult filmmaker Hisayasu Sato's second comedy of the year, this silly softcore effort stars pretty Nao Kikuchi as a young married woman who takes a job at a call-girl agency with the mistaken belief that it is a maid service. After she is raped on her first assignment, Kikuchi is understandably shocked, but quickly warms to her new career and becomes quite the professional. Unfortunately, her husband soon discovers the true nature of her work.

Although its title indicates three personalities, the heroine of cult filmmaker Hisayasu Sato’s downbeat multiple-personality tale actually exhibits four, going from loving wife to crazed slut to insane child to depressed adolescent. As usual, Sato fills the film with alienation, kinky sex, and psychological subplots.

One of legendary "pink" director Hisayasu Sato's first of over 50 examinations of love and sex among the dregs of society, this downbeat picture deals with a sleazy rapist (Taketoshi Watari) who starts a doomed romance with a sullen teenage reject.

In a hospital with a near sighted doctor, horny nurses, cosplaying patients and stiffs in the basement the only healing taking place is sexual.

A young wife dabbles in casual prostitution to secretly help her older husband improve his business. But when she falls for one of her clients complications ensue.

Hirusagari no joji: susurinaki

Wet and Crying: Based On Aiko Nakayama's School of Widows

An old married couple with bedroom problems become upset over the sexual antics of their daughter and a visiting randy couple. But then the part-time lovers of the couple show up and complications ensue.

Kyoko, discovering that her husband was having an affair, turns to her best friend for help.