Walls

A boy enjoys his day off by watching his favorite movie. But one event, causes him to realized that there would be no day off for him.

A young man prefers to play chess rather than taking a swim. Only by moonlight does he go for a swim alone. Or so he thinks.

Guten Tag, RDA !

Michael is faced with a dilemma, when a night of drinking with friends, turns into a sensual exploration of sexual identity.

A man follows a self-proclaimed "alien" on a mountain expedition, desperate to immortalise his dead wife through the discovery of a new insect species.

A solitary man struggles to cultivate beauty in a desolate urban world. Lonely and dislocated, he drifts in and out of a dream state envisioning the promise of regeneration. ROSEWATER tells a story of hope sustained through perseverance, ritual and, ultimately, revelation.

Through the pattern of this film a ‘Test’ at Lord’s runs like a thread and a broadcast commentary on the match is imposed on the background of cricket as a game, a craft, an interest of a people, a piece of history. The craftsmen are shown who make the ball and the bat–that ‘fourth straight stick’ with which the batsmen defend ‘the other three’. The craftsmen are shown who play the game, from W. G. Grace in the ‘nets’ to D. G. Bradman and Denis Compton in the thread of the ‘Test’. The history of the game is epitomized in the Long Room shots at Lord’s and from there the camera moves to the village green; to the London side- street where the urchins play on a ‘bumping pitch’; to South Africa, and India, where in the ‘blinding light’ there is often ‘an hour to play and the last man in.

Mrs. Thurston, a socially ambitious widow, is holding one of her famous Bohemian parties. To these functions are invited the leading lights of the several professions, actors, artists, musicians, etc. Surrounded by these men and women of art and letters, she was at first entertained, but they soon palled and bored. On this evening in particular, she is especially possessed of ennui, until the appearance of Raymond Hartley, a wealthy young bachelor, who is introduced into the circle by a newspaper man. An attachment immediately springs up between the widow and Raymond.

Susana Barriga’s documentary, the illusion, begins with violence. A long shot reveals a man standing on a street corner, his features indiscernible in the night. He moves out of the camera’s line of vision, but the filmmaker, persistent, moves with him as the jostling of the camera marks her steps. As we learn moments later, the man in the distance is Susana’s father – and this is the clearest image of him we will have. Suddenly, an angry British man demands that Susana cease filming. Susana protests in heavily accented English, “He is my father!” Glimpses of a man’s torso are followed by blurred images as the camera spins rapidly over surfaces. The image cuts to black. A new male voice asks in carefully spaced out words if Susana would like him to call the police. When she doesn’t respond immediately, he speaks louder, as though volume would compensate for the language difference. She gives her name; she refuses the offer of an ambulance.

A short, science-fiction and action film from writer/director Saman Kesh. A girl with the ability to control everything is taken and must rescue herself.

Zorro and his family live in a messy, run down apartment. Zorro's father is dead and his mother is an alcoholic but, despite their situation, they share a strong bond. Zorro's best friend, Kevin, lives with his family in one of the more expensive family homes in the area. Although they are financially well off, the father is a violent man who takes his frustrations out on Kevin, his mother and younger sister. Through Kevin's and Zorro's courage and strong friendship they are able to overcome almost anything.

An exploration of the movie "The strange case of Angelica" and an understanding Manoel de Oliveira's cinema.

A young woman spends a curiously unpredictable day with a stranger.

This surreal abstract film falls into three sections, or movements, the first taking place on the ground, the second in the air and the third again on the ground. In the first movement various motifs or themes are introduced, which are again picked up and developed in the third movement. Six spheres, evolved in the first movement, become the sole subject matter–or “dancers”–of the second movement, which consists of a simple type of ballet using the floor-plan choreography or traditional ballet as a basis of interest.

Kim, a 14-year-old girl, is placed in a closed educational center. To catch her breath back, she'll have to find her balance, her place.

When a romantic gesture towards a bartender backfires, Lali unexpectedly finds herself offered a pity date by another bartender, Ana. What starts as an awkward encounter turns into a genuine connection as they bond over shared experiences as women of color. As they grow closer, Lali finds herself falling for Ana. But when the conversation takes an unexpected turn, Lali must confront her prejudices towards Ana and... herself.

Julia is a child living in a Mexican town trapped in the war against drug trafficking. After waiting for days for his father’s return she meets Miria, a hitman boy.

In 1976, punk rocker Danny Brooklyn was kicked out of his own band. 45 years later, he's crashing the reunion.

Frank and Lindsay—two emotionally-broken strangers—meet on the way to a destination wedding. Over the course of the weekend and against all odds, they find themselves drawn together even though they are initially repulsed by one another.