The Weekend North

A late-night conversation forces two people to confront the weight of a love they never let go.

A 1995 Filipino youth-oriented film starring Ruby Rodriguez, Beth Tamayo, Giselle Sanchez, Joan Pascual, and Sharmaine Suarez.

When Lindsey travels to Ireland to acquire land that is perfect for a resort, she decides to enter the town's matchmaking festival to prove her investment—and win over a handsome local.

With Cara leaving on an international book tour in two weeks and Ben’s business expansion keeping him busy, the couple decides they won’t let work commitments postpone their nuptials any longer. With the help of their best friends Megan and Sean, Cara and Ben feel nothing can stop them from having the perfect wedding.

Simon and Zoé meet on Tinder. They live in the same suburban town and Zoé, wasting no time, invites him right over to her house. Simon can’t believe his luck! But once he arrives, he quickly understands that his date may prove more complicated than expected.

A Nigerian man travels to America for adventure and has a life changing encounter with a New Orleans artist.

An unexpected love triangle, a seduction trap, and a random encounter are the three episodes, told in three movements to depict three female characters and trace the trajectories between their choices and regrets.

Alma is a scientist coerced into participating in an extraordinary study in order to obtain research funds for her work. For three weeks, she has to live with a humanoid robot tailored to her character and needs, whose artificial intelligence is designed to be the perfect life partner for her. Enter Tom, a machine in human form in a class of its own, created solely to make her happy.

In the Georgian riverside town of Kutaisi, summertime romance and World Cup fever are in the air. After a pair of chance encounters, pharmacist Lisa and soccer player Giorgi find their plans for a date undone when they both awaken magically transformed with no way to recognize each other.

This love story is about two young lovers who dream of getting married, but they get separated when the young man gets called for the military service and they lose contact. When the young girl marries an old military officer, the young man coincidentally gets assigned to work with her husband. Despite all the obstacles the two lovers have gone through, they decide to catch up with their past love. But when the old officer finds out what's going on between his wife and the young soldier, he decides to dramatically end their love relation.

(Zaatar) works with (Mulabbasa) in the acting troupe managed by (Jawhar). When (Jawhar) learns about the story of (Nagati Pasha's) son who disappeared twenty years ago and has not been found, (Jawhar) offers (Zaatar) to impersonate the son, and Zaatar in turn enjoys a life of luxury with (Nagati Pasha's) family, but he soon learns that (Hiam's) fiancé, (Nagati Pasha's) daughter, is embezzling the Pasha's money, and Zaatar feels guilty over time about what he is doing to this family.

Lisa, an aspiring songwriter, whose farming family has suffered foreclosure is forced to work at a new, 'urban farm' where she meets Dalia. Her casual racism leads her to be fired but the women end up drawn into a passionate affair.

A road trip comedy about a pig that is about to lose her virginity amid a brewing war.

An experimental short film based on Maki Kusumoto’s KISS XXXX. Released in February 1991, this visually driven work features musical contributions from the underground Japanese bands Katsurei, Sakana, and dip the flag. Fusing Kusumoto’s signature gothic-romantic aesthetic with atmospheric soundscapes, the film stands as a rare artifact of Japan’s early ’90s avant-garde scene.

Last call for drinks, last chance for love.

Framed in flashback, The Man Who Loved Redheads is an anecdotal comedy about a man (John Justin) whose life is defined by his first romantic experience. That liaison occurred in Justin's youth, when the young man matures and enters the diplomatic world, he spends the rest of his career searching for his first love.

The film is a lengthy work interweaving characters from different backgrounds and social strata in a narrative centered around the experiences of its heroine, Yumie Sone. Over two hours long, Seven Seas was released theatrically in two parts, with the first part entitled "Virginity Chapter" coming out in December 1931, while the second part, "Chastity Chapter," followed in March 1932. Near the beginning of the narrative, at a garden party given by the wealthy Yagibashi family in Tokyo, Yumie meets Takehiko, the Yagibashis' playboy son and the brother of Yumie's fiancé, Yuzuru. Yumie, a young middle-class woman, lives with her ailing father, a retired ministry official, an older sister, and a younger sister still a child (played by a very young Hideko Takamine). Takehiko, who has just returned from a trip to Europe, is attracted to Yumie and contrives to have her stay overnight at his family's mansion where he takes advantage of her.

After her husband's sudden death, a young widow leaves her small town to start anew in the big city. On the train, she meets a fortune teller who will fill her in about the life she could've led had she never met her late husband.

Tonoin Kei, a musical genius, becomes the new conductor of Fujimi, clashing with the group's leader, Morimura Yuuki, who is unaware of Kei's feelings for him.

Without lights and in a driving rain, a bus is lumbering along the muddy Assam Road en route from Chunking to the Indian border. Passengers include a European of unknown nationality, a missionary a French officer, and a White Russian. There is also an ancient Chinese lady on an important diplomatic mission to Indian and her traveling companion. The trip is halted when Japanese planes bomb the road and hit a munitions truck and kill many Chinese soldiers. The Chinese commander puts the wounded soldiers on the bus and directs it to a nearby secret airport where the officer in charge is an American attached to the Chinese Air Force.