Ultraviolet

Avant garde/experimental film. A mesmerizing trip through the psychedelic vastness of space.

When she stumbled across a dead man in the middle of nowhere, she decided to take away his only possession. But little did she know that she would also step into the dead man's shoes. There's a trail and there's a hunter. She can't stop him. The problem is, he can't stop her either...

In a perfect commercial style we are introduced to a beautiful woman working for spiritual welfare. A man who has turned on the gas, calls her for help

Alaska... Here, in this vast and spectacularly beautiful land teeming with abundant wildlife, discover the "Spirit of the Wild." Experience it in the explosive calving of glaciers, the celestial fires of the Aurora Borealis. Witness it in the thundering stampede of caribou, the beauty of the polar bear and the stealthful, deadly hunt of the wolf pack.

Explore the mysterious Amazon through the amazing IMAX experience. Amazon celebrates the beauty, vitality and wonder of the rapidly disappearing rain forest.

The Academy Award® nominee Cosmic Voyage combines live action with state-of-the-art computer-generated imagery to pinpoint where humans fit in our ever-expanding universe. Highlighting this journey is a "cosmic zoom" based on the powers of 10, extending from the Earth to the largest observable structures in the universe, and then back to the subnuclear realm.

Filmed in IMAX, a team of explorers led by Pasquale Scaturro and Gordon Brown face seemingly insurmountable challenges as they make their way along all 3,260 miles of the world's longest and deadliest river to become the first in history to complete a full descent of the Blue Nile from source to sea.

A big-screen look into one of America's most successful entertainment industries, NASCAR racing.

12,000 feet down, life is erupting. Alvin, a deep-sea mechanized probe, makes a voyage some 12,000 feet underwater to explore the Azores, a constantly-erupting volcanic rift between Europe and North America.

This 12 minute short was released as part of the Choose Your Own Adventure option on the H&K Guantanamo Bay DVD. The blurb is: "Ever wonder what would have happened if Harold & Kumar had not been sent to Guantanamo and simply made it to Amsterdam? Here's a little something director Jon Hurwitz shot guerrilla-style all over Amsterdam in 3 days."

Five people who are in a show at a bar, who live in this hotel and have very different relationships with one another. After the show – they are already sleeping – they are woken by Pan for the night and therefore wake up to the destruction that is held within them.

Two fragments of 8mm home-movie footage shot by the artist near Berlin weave together in repeating cycles of action, temporal manipulation, and colour distortion, heightening the viewer’s awareness of film-time and the film-image, and perception of colour in motion.

Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.

Mad God is a fully practical stop-motion film set in a Miltonesque world of monsters, mad scientists, and war pigs.

Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.

Dog racing is used as a metaphor for the futility of human existence.

A man is being haunted by a masked stranger. The only language used in the movie comes from three (inter) title cards and a few sentences of sermon-like talk in Danish. Some of the talk is modified citations from the bible and similar sources.

A boy grows a seed into a flower while the world around him marches on.

A middle aged woman is desperately wondering in the streets looking for her daughter. A man finds her before she does.

'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'