This documentary digs into the stories of Indigenous women and families to reclaim their Indian Status through their fight for the elimination of sex-discrimination in the Indian Act. It highlights the impacts of the law on individuals, families and communities. Since the passing of Bill S-3 and its amendments, thousands of Indigenous people are now eligible for Indian Status.
We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They do not care. We say we care, but we do nothing, and nothing ever changes. It is normal. Welcome to the post-truth world. How we got to where we are now…
A journey into the heart of America's past and future. The story revolving around the mysterious woman, overlooked by historians, who had a profound influence on George Washington, his vision for America, and its independence – a vision that can deeply influence the nation’s present need for healing and unity.
Guy Debord's analysis of a consumer society.
Genuine connections between children and nature can revolutionize our future. But is this discovery still possible in the world's major urban centers? The new chapter of "The Beginning of Life" reveals the transformative power of this concept.
Faced with climate change, many countries have embarked on the energy transition. Since the COP21 in 2015, which set demanding targets for reducing greenhouse gases, green energies have been on the rise. The electric car has thus become the mascot of this revolution. But manufacturers remain discreet about the carbon footprint of their cars marked "zero emission". Because not only do they consume electricity that is not always clean, but they also consume rare metals such as cobalt or lithium, the extraction of which causes havoc on the other side of the world. In China, for example, champion of rare metals, in Heilongjiang province, a carpet of toxic dust covers agricultural regions.
After the impressive Gulistan, Land of Roses (VdR 2016), the Kurdish filmmaker Zaynê Akyol returns with these conversations with imprisoned members of the Islamic State, alternating their words with aerial views of the countryside. An unexpected look at a far-reaching current political issue and a film whose subject matter and rhythm create an impressive cinematic object.
In the spring of 1970, between the African Orestiade and The Decameron, Pasolini shot a film for which he wrote a commentary in verses but never finished editing. The film was born as a typical Pasolini intervention: filming the strike of the garbage collectors in Rome, who at the time worked in dramatic health conditions, and filming the humility of their daily work, amidst the waste and scraps of society, in the squares and in the streets. Pasolini also filmed the faces of garbage collectors engaged in claims discussions and the result was an extraordinary anthropological picture of an unknown humanity.
The social contract: the rules we follow - and some don’t. Breaking Social uncovers the pattern of corruption and kleptocracy erasing the social tissue, followed by social uprisings. In Chile a new turn is taken, with young women in the lead.
In 2019, Hong Kong was swept by demonstrations against the controversial extradition bill. At the Polytechnic University, a group of students also takes a stand for freedom and democracy. Negotiations with the police are chaotic and aggressive, conducted via megaphones and politically charged music played over loudspeakers. The colorful umbrellas which the young people use to protect themselves against the brutal police actions emphasize the group’s bravado, which borders on recklessness. What begins as an energetic battle against the establishment turns into a lopsided game of cat and mouse when the police decide to surround the building. Within its red brick walls, the university building becomes a prison. Over the nearly two weeks that follow, as fear and exhaustion grow among the hundreds of students, so does the uncertainty. Should they hang on inside, or leave the building to face the armed police?
Tobacco, climate change, pesticides,... Never has scientific knowledge seemed so vast, detailed and shared. And yet it appears to be increasingly challenged. It is no longer surprising to see private corporations put strategies in place to confuse the public debate and paralyze political decision-making. Overwhelmed by excess of information, how can we, as citizens, sort out fact from fiction? One by one, this film dismantles the workings of this clever manoeuvre that aims to turn science against itself. Thanks to declassified archives, graphic animations and testimonies from experts, lobbyists and politicians, this investigation plunges us into the science of doubt. Along with a team of experts (philosophers, economists, cognitive scientists, political men, or even agnotologists), we explore concrete examples of doubt making and try to understand the whole process and the issues behind it.
The Halari Oshwals are a small community dispersed around the world yet held together by a history of sacrifices. But times have changed. This globalization has led to many problems within the community, and their numbers are dwindling. An Oshwal woman from Canada worries about the preservation and survival of her heritage in the hands of generations to come. She sets out on a pilgrimage to visit Oshwal communities in Kenya, where she was born; the UK, where she lived for a while; and India, where her parents originated. She discovers a shared concern for the future of the community and its traditions in the face of globalization and geographical disconnect, and explores what this means for the younger generation and their Oshwal identity.
Maria Luiza da Silva is the first transgender in the history of the Brazilian Armed Forces. After 22 years of work in the military, she retired due to disability. The film explores the complex barriers she faced and her path of affirmation as a trans, military and Catholic woman.
Between scenes from his concert in São Paulo's oft-inaccessible Theatro Municipal, rapper and activist Emicida celebrates the rich legacy of Black Brazilian culture.
The surprising and entertaining life of renowned film critic and social commentator Roger Ebert (1942-2013): his early days as a freewheeling bachelor and Pulitzer Prize winner, his famously contentious partnership with Gene Siskel, his life-altering marriage, and his brave and transcendent battle with cancer.
Johnny Knoxville, Steve-O and Chris Pontius join the annual race around Europe, have fun in other countries, and get in some trouble along the way.
Humor shapes the way Spaniards interact on Twitter: all sorts of topics can be used to make a joke and many anonymous commentators can become celebrities and compete with professional comedians. But sometimes certain jokes that defy political correctness have a high price for those who dare to make them, jokes that can freeze the smiles of thousands of people whose prejudices can put an end to some very successful artistic careers.
Seán McLoughlin was a lonely kid in rural Ireland. Now, he’s Jacksepticeye, one of the world’s biggest YouTube stars. When he embarks on his first world tour, Seán contemplates his journey, his upbringing, and the nature of modern online celebrity and fandom as he meets the people across the world who changed his life and whose lives he’s changed with his videos and the community they’ve built.
Africa in the sixties. The Nile perch, a ravenous predator, is introduced into Lake Victoria as a scientific experiment, causing the extinction of many native species. Its meat is exported everywhere in exchange for weapons, creating a globalized evil alliance on the lake shores. An infernal nightmare in the real world that wipes out Darwin's Theory of Evolution.
After losing his job during lockdown, Natan signs up to a microtask website. Having become a “Turker” alongside tens of thousands of others, he is paid a cent for each face he erases on Google Street View. Under the guise of Otto, a fictional character, he embarks on an experimental and playful investigation into “clickworkers”, haunted by the spectre of Beckett.