I Don't Believe in Anarchy

A documentary on women musicians of the 1990s from the indie rock music genre, grunge and riot grrrl including Hole, Babes in Toyland, L7 and more.

"Shaman" was filmed on July the 16th, 1977 in the northernmost corner of Eurasia, on the Taymyr Peninsula, at the Avam river, concurrently with the shooting of the documentary "The Winds of the Milky Way". The Nganasan Shaman Demnime (1913-1980) was 64 years old at the time. The documentary about Demnime's incarnation ritual was completed 20 years later. The fifth and final documentary in Lennart Meri's "Encyclopaedia Cinematographica Gentium Fenno - Uricarum" series.

A celebration of the Irish punk/poet Shane MacGowan, lead singer and songwriter of The Pogues, that combines unseen archive footage from the band and MacGowan’s family with original animations.

Interviews from 1999, with some queer artists, activists and bands about queer punk, feminist concepts and actions. Filmed during a trip to San Francisco.

This feature length documentary tells the story of 1970's punk band The Gears - in their own words.

A documentary about women in the Indonesian DIY hardcore/punk scene, including interviews with musicians, photographers, and zine-makers.

The worlds of a former neo-Nazi and the gay victim of his senseless hate crime attack collide by chance 25 years after the incident that dramatically shaped both of their lives. They proceed to embark on a journey of forgiveness that challenges both to grapple with their beliefs and fears, eventually leading to an improbable collaboration...and friendship.

The film dives into 1970's Britain; the birth of punk and the formation of Crass, with an in-depth look at their art, music and ethos.

"Both Ends Burning" is a film that captures MxPx at a crossroads in their seasoned career. Directed by Bryan Buchelt, this documentary not only follows the band's struggles in the face of the new touring climate, it also looks at the legacy and impact that Mike, Tom, and Yuri have had on the music industry, fellow bands, and their fans. This is one of the first true looks into the life of the notoriously private working class band on the road and at home.

Originally aired as part of the Arena series, this BBC biography of Poly Styrene of X-Ray Spex. She is one of the first black women singer-songwriters in the early New Wave/Punk scene.

An acclaimed independent musician decided to videotape the construction of his small home-studio in Colorado's San Luis Valley. But as the months rolled on, an unbelievable, unexpected story came to life.

Akademija Republika shows a group of people gathered around the club from 1981 until 1995 and how it changed and influenced the cultural and night life around them.

A Dutch documentary about the history of the anarchist punk band Crass. The film features archival footage of the band, and interviews with former members Steve Ignorant, Penny Rimbaud and Gee Vaucher.

Crash 'n' Burn is an experimental film shot in and named after Toronto, Ontario's first punk rock club. (Not to be confused with Peter Vronsky's similarly titled 1977 documentary on the Toronto punk scene made for the CBC television network.) The film, shot on 16mm black-and-white stock, features performances by Dead Boys, Teenage Head, The Boyfriends, and The Diodes".

Concert film dedicated to the 20th anniversary of the rock band Mashina Vremeni on May 27, 1989 at the Luzhniki Sports Palace.

"Collective Unconsciousness: The Not Dead Yet Story" explores the annual Not Dead Yet festival that takes place in Toronto. This documentary dives into what makes the festival great and the impact it makes on the city's hardcore/punk scene. "Collective Unconsciousness: The Not Dead Yet Story" also features performances from bands that played in 2015, shot up close to give the viewer the feel that they are there. Features performances by S.H.I.T., V.C.R., Power Trip, Title Fight, Career Suicide and more alongside interviews with members of Dress Code, Title Fight, I.C.E. and more.

Parting Ways treats The Beatles with the respect they deserve and details their lives since the world's number one band fell apart.

The 50 year struggle between rock pioneers and powerful business/government interests for the soul of music radio, told by America's favorite deejays and the artists they made rock stars.

Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.

What is "la escena" (the scene) and what is its importance, if any? Guillermo Gómez Álvarez tries to answer these questions with candid interviews from musicians and fans of the vibrant and, many times controversial, punk music scene in Puerto Rico. The decadence, rage, drugs, alcohol, politics, and social aspects are showcased in this documentary that tells an important part of the history of the great dysfunctional family that is "el punk boricua".