A 2010 broadcast of Hamlet returns to cinemas as part of the NT's 50th anniversary celebrations. Following his celebrated performances at the National Theatre in Burnt by the Sun, The Revenger's Tragedy, Philistines and The Man of Mode, Rory Kinnear plays Hamlet in a dynamic new production of Shakespeare’s complex and profound play about the human condition, directed by Nicholas Hytner. He is joined by Clare Higgins (Gertrude), Patrick Malahide (Claudius), David Calder (Polonius), James Laurenson (Ghost/Player King) and Ruth Negga (Ophelia).
Based on the tragic fate of legendary Austrian Empress Elisabeth – the mythical and celebrated "Sisi" – and told from the mouth of her convicted murderer, Elisabeth recounts the enthralling tale of her fatal, lifelong love affair with death, heralding the decline of the Habsburg Empire.
Filmed version of the 2019 Stratford Festival production.
When an old adversary threatens Rome, the city calls once more on her hero and defender: Coriolanus. But he has enemies at home too. Famine threatens the city, the citizens’ hunger swells to an appetite for change, and on returning from the field Coriolanus must confront the march of realpolitik and the voice of an angry people.
King Lear has ruled for many years. As age begins to overtake him, he decides to divide his kingdom amongst his children, living out his days without the burden of power. Misjudging his children’s loyalty and finding himself alone in the wilderness, he is left to confront the mistakes of a life that has brought him to this point. Antony Sher plays King Lear, one of the greatest parts written by Shakespeare in this, one of Shakespeare’s most epic and powerful plays.
Frankenstein : The Musical Live
Based on Michael Morpurgo's novel and adapted for the stage by Nick Stafford, War Horse takes audiences on an extraordinary journey from the fields of rural Devon to the trenches of First World War France.
As he prepares to embark on an overseas tour, star actor Garry Essendine’s colourful life is in danger of spiralling out of control. Engulfed by an escalating identity crisis as his many and various relationships compete for his attention, Garry’s few remaining days at home are a chaotic whirlwind of love, sex, panic and soul-searching.
It's a summer's morning in 1988 and Tory politician Robin Hesketh has returned home to the idyllic Cotswold house he shares with his wife of 30 years, Diana. But all is not as blissful as it seems. Diana has a stinking hangover, a fox is destroying the garden, and secrets are being dug up all over the place. As the day draws on, what starts as gentle ribbing and the familiar rhythms of marital scrapping quickly turns to blood-sport.
National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings, and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for 25 years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art. One of the first five episodes also released on terrestrial TV on a 2009 BBC TV series titled "National Theatre Live".
Mary has just been released from prison. She wants to come home and forget all about it but Briana has other ideas. Over a tumultuous two days a family is forced to confront not just their past but themselves. Because even if you refuse to hear the truth, the truth doesn’t go away. Róisín McBrinn returns to Clean Break (Favour) to direct this powerful story of family and forgiveness by Deborah Bruce (The House They Grew Up In). A co-production from National Theatre and Clean Break.
This absorbing 1976 production of dramatist Sidney Kingsley's historical play centers on the formative days of the United States and the disputes between founding fathers Thomas Jefferson and Alexander Hamilton. Although the two men greatly respect each other, the deep-seated clash in their ideologies engenders conflict just as the fledgling country is beginning to take root.
Christopher, fifteen years old, has an extraordinary brain – exceptional at maths while ill-equipped to interpret everyday life. When he falls under suspicion of killing Mrs Shears' dog Wellington, he records each fact about the event in the book he is writing to solve the mystery of the murder. But his detective work, forbidden by his father, takes him on a frightening journey that upturns his world.
This thrilling, audacious, and witty production is perhaps still best known for replacing the female corps-de-ballet with a menacing male ensemble, which shattered convention, turned tradition upside down and took the dance world by storm. Filmed Live at Sadler's Wells.
Racial tensions come out of the woodwork when an upper-class white couple puts their suburban home on the market and the listing draws a pair of equally well-to-do African American buyers from Harlem. Fielder Cook directs this Broadway staging of playwright Arkady Leokum's exploration of lingering racial prejudice in 1970s America.
Willy Loman, an aging, failing salesman, struggles to accept reality and his failure to achieve the American Dream.
The Last of Mrs. Lincoln depicts the final seventeen years of Mary Todd Lincoln's life, following her husband's assassination.
Josie Rourke directs Gemma Arterton as Joan of Arc in Bernard Shaw's electrifying classic. Performed at the Donmar Warehouse, and part of the NT Live series of broadcasts.
Set in New York City's gritty East Village, the revolutionary rock opera RENT tells the story of a group of bohemians struggling to live and pay their rent. "Measuring their lives in love," these starving artists strive for success and acceptance while enduring the obstacles of poverty, illness and the AIDS epidemic.
This delightful pairing of one-act musicals, one classic and one modern, takes a comical and moving look at the mysteries of love. Act I, based on Schnitzler's The Little Comedy, is a delightful romp through the sexual ennui of turn-of-the-century Vienna, as two wealthy but bored socialites masquerade as impoverished bohemians seeking romance. Act II, based on the Jules Renard play Summer Share, explores modern affection and disaffection as two married couples share a summer house in the Hamptons. An Off-Off-Broadway sensation that successfully moved to Broadway, Romance/Romance is a charming and tuneful small-cast gem, here filmed live for television.