Coach

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Anna and Marie are two women who could possibly love each other. Marie wants to be open to this new overwhelming feeling, even if she has to throw away all that she has ever held to be right. Anna on the other hand, enjoys the attention from this gentle soft girl Marie, who seems to love her, not in spite of but also because of her sharp edges. It could all be so easy if it weren't for Zoe, the woman who has been at Anna's side for years.

Vincent has a secret that forces him to stay away from the people he loves. But when he meets Gustav, love strikes Vincent. As their love grows, so does his fear of letting his secret destroy his new lover.

A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.

A woman prepares for bed, but realizes that something may be lurking in the shadows.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Karen is resigned to a life of suburban ennui, the dreams of her youth a distant memory. On an autumn afternoon as she struggles to get her baby to sleep she is disturbed by a door-to-door Salesman. Desperate for adult companionship she engages with the enigmatic Salesman. He claims that he can sell her something that will radically change her life; he offers Karen, an opportunity to fulfill her long forgotten dreams and ambitions.

A son loves his mother, because her hands were the first to welcome him. At her funeral, he steals the hearse and drives away. During the journey, the boy reminds the last weekend they spent together. Agnese takes care but doesn’t love, she’s lost in her thoughts and doesn’t let anyone get closer, not even Giulio. Two days to understand each other, two days to love each other, and to leave in the end.

With the victory against "The Beastly Beasts", "The Wild Soccer Bunch" showed it to everyone and then won every single game. Only one victory now separates them from the "Pott", the Freestyle Soccer Cup. For this they have to compete against the "Wolves of Ragnarök". But the wolves are not normal opponents! They have a dark secret - and behind them lurks a power stronger than all of them: the girl Horizon and the "Silver Lights" from the fog...

Ray discovers his La-Z-Boy recliner is a one-minute time machine. Will he learn from his mistakes or is he destined to repeat them forever?

Visual haiku dealing with still and living life, ghosts and revealing light.

Benjamin visits Tokyo to see Miko. At her place, he finds a photo that caught his attention. It was taken at the winery 40 years ago. There are Benjamin, his deceased wife, and Miko's parents in it. Miko starts to tell a story behind it.

Alban lives in a ski resort with his mother. Each night, the teenager slips away to meet up with Julien – this boy who curiously has the same name as the hero of the novel Alban is devouring.

A young poet falling in love. A city that awaits a drama to unfold. A time of sadness and conformity, a time of decisions. There is light, there is hope, there is poetry behind the dark clouds of our world.

An unsupervised junior soccer team loses its ace player to the leader of a rival gang. Since only an entire team can win, they must have her back to be able to win the game against the national team. The existence of The Wild Soccer Bunch is at stake ...

Halfway between a sports documentary and an conceptual art installation, "Zidane" consists in a full-length soccer game (Real Madrid vs. Villareal, April 23, 2005) entirely filmed from the perspective of soccer superstar Zinedine Zidane.

Housewife Eun-ha is busy every day: In addition to taking care of her husband who doesn’t help out at all and her willful daughter and son, she has to care for her nagging mother-in-law, who is nearly bedridden.

"Tarantella" was an early Super 8 short film directed by Christopher Nolan with his childhood friend Roko Belic. It was made in 1989 while Nolan was studying at University College London. The film aired on "Image Union," a PBS programme in Chicago. It is about the suffering of a young man while he has nightmare about spiders and demons.

Two thirtysomethings, unemployed former alcoholic Joe and community health worker Sarah, start a romantic relationship in one of the toughest Glasgow neighbourhoods.