Laddie: The Man Behind the Movies

Alain Delon, la beauté du diable et les femmes...

Your War (I'm One Of You) chronicles the life and career of Chicago's Tim Kinsella, frontman of ever-shifting band Joan of Arc and '90's pioneers Cap'n Jazz. With appearances from Tim's friends, family, and admirers, we learn what has made his legacy so unique and enduring for more than 20 years.

Maria Iliou documents the ethnic cleansing and violent expulsion of Greeks from the Ottoman Empire. In the first compulsory "exchange of populations" in the modern world, 1.2 million Greek Orthodox and 400,000 Muslims were forcibly relocated from Turkey to Greece and Greece to Turkey respectively.

Having lived only twenty years, they are sentenced to another thirty in prison. The Island of Lost Children is the story of ten young inmates who participate in a video course inside the largest prison in Nicaragua

An Indian family decide to stay at home and drown rather than make way for the Narmada dam Three choices. Move to the slums in the city, accept a place at a resettlement site or stay at home and drown. The people of Jalsindhi in central India must make a decision fast.

Follows the real life rock-n-roll fairy tale story of Filipino Arnel Pineda, who was plucked from You Tube to become the front man for iconic American rock band, Journey, thereby becoming the latest performer to go from the Internet to real life celebrity. Having already overcome a life full of painful obstacles and now saddled with the immense pressures of leading a world renowned band and replacing a legendary singer, the film follows Arnel on this personal journey.

Kevin and Garrison are boyhood friends in a sleepy California suburb. They share a love of skateboarding, an evangelical Christian faith and a sense of confusion about romantic relationships.

Documentary of Anna May Wong, a Chinese-American woman who endured many hardships and heartaches to become an international star of film, stage and television.

In Taiwan, director Lee Hsing's films have become a reflection of society and a collective memory of many. His dedication to film not only launched the careers of many movie stars and crew, but was also the foundation of the prestigious Golden Horse Awards. This documentary offers Lee Hsing's personal perspective on family, films, fate and beliefs, giving us a glimpse of the glory and rebirth of Taiwanese cinema.

On 19 July 1965, the South-African poet Ingrid Jonker walked into the sea near Drieankerbaai in Cape Town at the age of 31. She left behind a little daughter and an oeuvre of three laurelled collections of poems. Jonker's work fell into oblivion, until on 25 May 1994 president Nelson Mandela opened the very first session of the first democratically elected parliament of South Africa with Jonker's poem Die kind wat dood geskiet is deur soldate by Nyanga, a poem from 1960 that refers to the demonstrations near Sharpeville. Mandela chose the poem for good reason; he called Jonker 'both an African and an Afrikaner'. A white person in South Africa cannot get a bigger compliment. In the documentary Korreltjie niks is my dood, director Saskia van Schaik reconstructs the poet's eventful life, making her powerful poetry with its South-African rhythm tell part of the story. (filmcommission.nl)

In a world where romance has been replaced by speed dating, is arranged marriage the hassle-free way of getting hitched in the new millennium? This documentary takes a lighthearted look at young American Desis who are willingly placing their destiny in the hands of their parents, marriage brokers, and internet matrimonial ads. Navigating us through the film is Rupa Gawle - a young, hip, and very single popular Desi columnist. As she tries to understand how young, successful South Asian-Americans would want to subject themselves to the age-old tradition of arranged marriages, we are introduced to a cast of colorful characters who will tell us exactly why.

An biography of William Klein, Parisian-based American photographer which strings together his abstract paintings, mould-breaking reportage, inventive fashion photos and excerpts from his feature films.

“Sweet Bananas traces the contrasting lives of some working class and upper class women, who end up all getting along.” -- E. Ann Kaplan

A narrative constructed in the wishful-filmmaking, or “fanumentary”, genre. Rural women artists unite via CR to support one another’s work and to showcase more women’s art publicly available in their community. A refreshing weave that combines animation, nature shots and live action into a story of actualization.

This gripping documentary follows the trial of Issa Sesay, a leader in Sierra Leone's civil war who stands accused of crimes against humanity. Can the trial of one man uncover the truth of a traumatic past?

In less than a generation, cell phones and the Internet have revolutionized virtually every aspect of our lives, transforming how we work, socialize and communicate. But what are the health consequences of this invisible convenience? This documentary investigates the dangers of daily exposure to wireless technologies – including the devastating effects on our health from infertility to cancer – and suggests ways to reduce overexposure.

In 1948, Lenny Bruce was just another comic who couldn't get arrested. By 1961, all that would change.

Day through night Block is a portrait of a 1960s London tower block, its interior and exterior spaces explored and revealed, patterns of activity building a rhythm and viewing experience not dissimilar from the daily observations of the security guard sat watching the flickering screens with their fixed viewpoints and missing pieces of action.

Tally Brown, New York is a 1979 documentary film directed, written and produced by Rosa von Praunheim. The film is about the singing and acting career of Tally Brown, a classically trained opera and blues singer who was a star of underground films in New York City and a denizen of its underworld in the late 1960s. In this documentary, Praunheim relies on extensive interviews with Brown, as she recounts her collaboration with Andy Warhol, Taylor Mead and others, as well as her friendships with Holly Woodlawn, and Divine. Brown opens the film with a cover of David Bowie’s “Heroes” and concludes with “Rock ’n’ Roll Suicide.” The film captures not only Tally Brown’s career but also a particular New York milieu in the 1970s.

A look at the life and work of a gang reformer.