Höfliche fünfzehn Minuten

Lucas needs to get back to New York City with his sister Charlotte. They have vividly memories about their good times together, but he needs to be honest with himself and acknowledge the outcomes of his actions.

If luck is a lady, grief is a bitch. A young woman loses her mother and finds herself.

Día 8: El Día que Decidí Esperarte

Photo poetry of Bunchanawingʉmʉ Jesús Camilo Niño Izquierdo' piece of lost feelings in the Arhuaco Indigenous Reservation, northern Colombia.

While a seemingly picture-perfect suburban family enjoys breakfast together, an omniscient narrator reveals their repressed inner thoughts and secrets…all just moments before a nuclear bomb is dropped on the family.

In this tale of second chances, two ex-lovers run into each other in a restaurant. Both are with new partners. Both are unhappy. Both are still in love with the other. Dormant feelings rush to the surface and the opportunity to rekindle the past presents itself. Will the outcome be different?

In Sara's class, the popular kids, also known as the kings and queens, are subjected to daily humiliations, which include having their pants pulled down or water thrown on them, but this is only a sign of their elevated status. Sara is the only blond and blue-eyed girl in her class, and she is completely overlooked by the kings and queens who do not have blond hair and blue eyes. She has a secret crush on one of the kings, who is way out of her league, and she doesn't have any friends either, but would like to become friends with Karen, also an outsider who aspires to a better status. One day, Sara eyes an opportunity to boost her popularity by humiliating herself and thereby become queen. Karen instantly becomes her friend, she seems to catch the eye of her kingly crush and popularity appears within her reach. However, her happiness is short-lived, and in the end she learns a far more valuable lesson than how to be queen for a day.

Necropolis

Three generations of Youngseok’s family live together in a house. Even though his mentally ill grandmother’s time on this Earth is gradually running out, Youngseok is embarrassed by the way she behaves like a child in front of his friends despite her efforts to take care of him. The film displays the challenges of a family who live with a dementia patient, told from young Youngseok’s perspective. Dreamlike summer nights in the film evoke the innocence of childhood, and the gathering of dear friends and family.

The Drum is a short film that follows the journey of Kang, a recently retired man in his 60s dealing with the sudden onset of a late-life crisis. He realises that he must mend old conflicts and learn to accept his new life or risk losing himself in the emptiness of old age.

Paper House is a short film set against the backdrop of a traditional Chinese funeral and its customs. The film follows the story of a family as they descend into disharmony after the death of their patriarch. The title of the film refers to the old Chinese tradition of burning paper offerings for their deceased loved ones. This short film is a eulogy for this colourful art form that is fast disappearing in Singapore’s modern society.

A boys first weekend with the father after the divorce of his parents. Together with his friends, he makes a plan to turn that weekend into a horror trip, to punish his father. But then everything changes

A man and a boy are in the middle of a desert that used to be the bottom of the largest river in the world. Together, they start a search for the last drop of water.

The Old Man is a 1914 film short

Past and present are intricately entwined in this poetical reverie, in which a man (Derek de Lint) looks for his childhood memories in his grandparents' deserted country house. He meets himself at various ages in this house full of waning grandeur. The disappearance of his love Equiline plays an important role. In the voice-over, he tells the spectator about his motives for this trip to the 'memory of a memory'.

After moving into a new house, a man comes into contact with a dark primordial creature.

A damsel in distress agrees to run away with her wealthy lover in order to escape from her abusive husband. But all is not as it seems in this 1940s film noir.

Once upon a time in a cheap Jerusalem hotel room, Jesus and Judas are spending their time away from Nazareth between hot, sweaty, carnal love and preparing sermons for Jesus' growing fanbase. Enter Mary Magdalene, jealousy, Satan, and the Romans, and the once-perfect love affair between Judas and Jesus becomes a hellish ring of fire, leading Judas to betray his beloved Christ and the Romans to punish everyone for trying to turn everyone gay.

DON’T TELL MAMA

Spain, March 1939. The war is dying down. At the Port of Alicante thousands of people are piling, waiting for the arrival of ships that will carry them to exile. Moored, the freighter Stanbrook is witnessing the desperation.