A slice of the eccentric lives of Roca and Sammy, two members of the Gay Inmates Organization detained at the Pampanga Provincial Jail, intertwined with animated sequences of an inmate's incarceration story.
Indian and Cowboy are about to set off on a magnificent cruise on a luxury liner, but they have made a big mistake. They completely forgot that today is the first day of school! Goodbye tropical islands, our friends are back at their desks in school listening as the teacher drones on and on.
Still able to read minds, Adachi's blissful new relationship with his dreamy colleague faces a major challenge when they're forced to go long-distance.
Mestre Vitalino E Nós No Barro
Younghee visits her boyfriend, Chulsoo who lives on Ulleung Island, in order to bid him farewell. However, she gets stuck on the island due to a sudden windstorm alert. Younghee should have an awkward and troubled day with Chulsoo. An unexpected companion that begins with an unannounced declaration of separation details their funny and mournful last day.
A woman relates her many experiences with lesbianism.
An elderly resident meets a newly arrived one in a train ride full of surprises
One of several short films. Claymation that follows the misadventures of a mad anthropomorphic frog chef, often facing mishaps and disaster in his kitchen.
The story of four children from around the world who try to rescue the sun from an evil sorcerer.
Stop-motion animation illustrates nature-themed poetry.
In this extraordinary short animation, Evelyn Lambart and Norman McLaren painted colours, shapes, and transformations directly onto their filmstrip. The result is a vivid interpretation, in fluid lines and colour, of jazz music played by the Oscar Peterson Trio.
Sanjay wanted to pursue art, but his father forced him into a career as a train conductor. Unhappy, he meets and falls in love with Shalini but is pressured into an arranged marriage when his father comes to find out. Feeling trapped, he turns to drinking and brothels, until he gets one final chance to escape with Shalini and start his life anew.
The plot of this Action/Romance short-film starts with the duel of Carl (Robot-Gladiator-Champion) and Space Jesus. Before the finishing blow could land, rescue comes in the form of a Techno-Angel, who turns out to be Carl’s long lost love. So he changes sides and goes head to head against Drill-Raptors, EggBeater-Scorpions and a mighty BBQ-Octopus.
Two characters finding hope and coming together in the bleakest of moments. One marooned on a desolate planet and the other crash landing on the same planet. Both have benefits to helping each other find solace in this barren world.
From a central pivotal position, the camera eye (in this case, the hard and inflexible eye of Minerva) looks out upon twelve passing scenes. None of the scenes are necessarily associated with specific signs of the Zodiac. Lawrence Jordan instead assembled twelve of his collages and passed them in review before the deity (who, as he has noted, never revealed her pleasure or displeasure with these images). The filmmaker underscored the mood of each scene with a short passage of music. One might say that theses scenes are not meant to convey particular meanings to a viewer but are intended to represent various entrances or, as the Egyptians called them, hidden or false doors to the siprit world, the world of the dead, the Underworld, the Bardo or, simply, another plan of reality: verities of the soul in Symbolist terms.
Video Weavings is a link between the modern (video) and the ancient (weaving) technologies. Video Weavings are based on poetic mathematical rhymes, or algorithms, visualized in real time on the warp and weft of video's horizontal and vertical scanning electron beams, color phosphors, plasma cells, and LCD pixels.
Abstract computer animation set to autoharp solo music composed and performed by Jordan Belson
English Language. Second Year of Study. Rules of Etiquette № 1
English Language. The Second Year of Study. Rules of Etiquette No. 2
English Language. The Second Year of Study. Rules of Etiquette No. 3