How Pjer Zalica Ripped

petal blower

While having a virtual walk through StreetView, on Google Maps, the artist questions the dissonance between the way the city is portrayed on those maps, and the way city looks today, compared to their own personal changes through time.

An experimental film about having your great times from high school taken away by a pandemic, resulting in isolation and desperation.

A nuclear family sits in front of the television. The phone rings.

This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.

A dark comedy about a murder and its consequences presented in a backwards manner, where death is actually a rebirth. The film starts with an "execution" of the main protagonist and goes back to explore his previous actions and motivations.

A man and women have dinner, a steak, and his woman ( second steak) also does.

Phoebe (31F) is a completely normal person who just has a lot on her brain. (Which is a completely normal size.)

A disillusioned young woman loses her grip on reality.

A psychological thriller that delves into the intricate struggles of a man haunted by entities that only he can see. As he confronts these manifestations during therapy, a gripping journey unfolds, blurring the lines between reality and the paranormal. His therapist attempts to guide him through the chaos of his own mind, uncovering a haunting truth about his and her mental health.

Two aging crooks are given two weeks to repay a debt to a woman named The American. They recruit their recently deceased partner's son to help them break into a laboratory and steal the vaccine against STBO, a sexually transmitted disease that is sweeping the country. It's spread by having sex without emotional involvement, and most of its victims are teenagers who make love out of curiosity rather than commitment.

Somewhere in the dreary zones of Mumbai's film industry, stuck between star-cult, superstition and the daily gridlock, Camera Threat explores the ambivalent, and sometimes paranoid relationship that this film city has with the moving image itself. Seated on a casting couch, two actors are getting trapped in their impromptu conversations on the unwanted side effects of a world that no longer bothers to tell facts from fiction. An expanded multi-genre film within the constraints of the so-called Masala Formula popularly known from Indian cinema.

A spectral first-person journey through Los Angeles layers the city across itself as our guide disassociates, giving way to an abstracted daytime ghost story following a woman's splitting of self and perception. ANGEL PROJECT continues.

A personal reflection on hands, the word "tear," and caring for oneself that experiments with sound, silence, and definitions.

After his death, a young man stuck in purgatory attempts to cope with the afterlife.

In a nightmarish world, dominated by the decline and degradation of Man , Christ resurrected wandering, across three different eras of human history.

Darío is 25 years old and has been living alone for two years. His life is not marked by any major events, but rather by constant wear and tear: small breakups, conversations that never happened, bonds that have faded over time. He is not defeated, but he is tired. He learns to live with silence, routine, and a loneliness he prefers not to name.

Through poetry and visuals to symbolize the breaking psyche someone experiences in everyday life, follow this journey of daily mental health struggles.

A 16mm experimental film that analogizes the discourse of racialized criminality and the carceral apparatus, which surveils and delimits the movements of Black people’s bodies, with the conventions and mechanics of the cinematic apparatus which regulates and standardizes the movement of the filmstrip through the motion picture camera and projector. Equal parts essay and visual art, Speaking in Tongues embodies the cinematic Black ecstatic that simultaneously re-envisions resistance defiance in the face of anti-Black state violence and subverts the conventions of cinematic realism through a manually and optically altered collage of original documentary and archival film sourced from Hollywood movies, television commercials, educational films, cartoons, European art cinema and miscellaneous ephemera.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.