Après la Passion selon Sade

Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change.

A harrowing, gorgeous, in-your-face-and-mind 45-minute black-and-white film by Marty Topp, produced by Ira Cohen for Universal Mutant. “Marty Topp’s beautiful film of ‘Paradise Now’ reveals how the theories of revolutionary change and the experience of sexual liberation are not separate paths to the beautiful nonviolent anarchist revolution. Practiced together they are a single thrust, encompassing both political action and sensual joy, leading to the dreamed-of terrestrial paradise.

A title card announces that the film is a result of found footage assembled by cameraman J.J. Burden working for the acclaimed documentary filmmaker Jim Dunn, who has disappeared. Leach, a heroin addict, introduces the audience to his apartment where other heroin addicts, a mix of current and former jazz musicians, are waiting for Cowboy, their drug connection, to appear. Things go out of control as the men grow increasingly nervous and the cameraman keeps recording.

An ultra-realistic depiction of life in a Marine Corps brig (or jail) at a camp in Japan in 1957. Marine prisoners are awakened and put through work details for the course of a single day, submitting in the course of it to extremely harsh and shocking physical and mental degradation and abuse.

a 32-minute color film by Gwen Brown, featuring precious footage of Living Theatre productions “Mysteries” and smaller pieces, “Paradise Now” and “Frankenstein.” “The fusion of Brown’s freewheeling direct cinema and the Living Theatre’s performance for revolutionary change (amidst the heydays of both) unite as a dynamic concoction of the era, yielding for the viewer a shifting terrain of both critical insight and ecstatic zeal, not as a vacant nostalgia for a pre-commodified radicality, but as tactical inspiration for future days.” – Andrew Wilson (Artist’s Access Television)

A professional recording of the official play. The play has a play-within-a-play format, with characters Jim Dunn as the "producer" and Jaybird as the "writer" attempting to stage a production about the underbelly of society using "real" addicts. Some of the addicts are jazz musicians. They all (except for the "producer", "writer", and two "photographers") have one thing in common: they are waiting for their drug dealer, their "connection". The dialogue of the characters is interspersed with jazz music.

The body of a Real Housewife is an apparatus, an assembly of parts—hair, lips, dress, falsies, mic pack, cell phone, wine stem, camera, restaurant, brand, identity. This body is maintained and degraded, intoxicated and cleansed, in seasons and cycles, systems of supply and denial. The self needs a medium. Who cares who you are when you’re alone anymore?

Commissioned work by Julian Beck and members of The Living Theatre (featuring Beck and Judith Malina, co-founders of The Living Theatre, in performance) for broadcast on KQED-TV, San Francisco. The Dilexi Series represents a pioneering effort to present works created by artists specifically for broadcast.

Jérôme Bel's show features the memories of spectators at the Avignon Festival.

At least forty films have been made about the Living Theatre; it remained to the American underground filmmaker Sheldon Rochlin (previously responsible for the marvellous Vali) to make the 'definitive' film about one of the most famous of their works, Paradise Now, shot in Brussels and at the Berlin Sportpalast. Made on videotape, with expressionist colouring 'injected' by electronic means, this emerges as a hypnotic transmutation of a theatrical event into poetic cinema, capturing the ambiance and frenzy of the original. No documentary record could have done it justice.

A young man visits his parents in Norway with his pregnant Spanish wife. Expectations run high, but in the short ride from the airport, it becomes clear that this won't be the harmonious family occasion everyone hopes for.

A humoristic turbo drama. Floyd, after being dumped by his girlfriend, suffers from psychological problems manifested as a little demon who disrupts his everyday life. Floyd has to go through great depths before he can continue his life.

Some people are struggling to fit in, to go with the flow. Others are fighting to stand out. Who wants to be in a rat race that leaves no room for personality? The fact is: we never get any younger, no matter how much we buy the illusion. In the end there's only a painful cycle of disappointment. This is an accidental film. One scene led to another. A kind of story occurred.

This is a story of a talented and ambitious musician who faces a major crossroads in his life. Paul’s career has progressed to the point where he plays his own music in pubs, but he has struggled to go beyond that. It is a hand-to-mouth existence and Paul and his girlfriend, Sera, struggle to keep the bank balance in check. However, one day an important music producer sees Paul play and, realizing he has talent, offers him a big contract. Paul throws caution to the wind and signs the deal, certain that this is his big break. Unfortunately, the fine print in the contract stipulates that Paul make the kind of commercial music he vowed he never would, and also forces him to act under a stage name. Now, Paul must decide if he is willing to sell his soul for financial stability. And whatever he decides, he realizes that it will have a lasting effect on his career and on his life.

A courageous teacher leads a group against a real estate developer who is determined to evict hundreds to make way for a construction project.

The Falls: Testament of Love is a continuation of the story of RJ Smith and Chris Merrill, two Mormon missionaries that fell in love during their mission in a small town in Oregon. The boys haven't spoken in five years, but when an unexpected tragedy compells them back to the Oregon town where they served, they find themselves, once again, thrust into one another's lives. As old feelings begin to surface they find themselves again facing difficult choices. If they pursue their desire to be together, RJ and Chris risk hurting the ones they care about as they embark on a spiritual journey to discover love, freedom, and happiness.

The East Side Kids find a young girl in the apartment of a man who has just been murdered. Believing her to be innocent, they hide her in their clubhouse while they try to find the real killer. The killer, however, used a baseball bat as his murder weapon, and the bat has the fingerprints of one of the gang on it.

A truck driver turns to prizefighting with hopes of earning enough cash to send his son to military school. 1944.

A champion auto racer who unhappily learns his kid brother wants to enter the same profession rather than finish school.

Alex Owens, a young woman juggling between two odd jobs, aspires to become a successful ballet dancer. Nick, who is her boss and lover, supports and encourages her to fulfil her dream.