Après la Passion selon Sade

Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change.

A professional recording of the official play. The play has a play-within-a-play format, with characters Jim Dunn as the "producer" and Jaybird as the "writer" attempting to stage a production about the underbelly of society using "real" addicts. Some of the addicts are jazz musicians. They all (except for the "producer", "writer", and two "photographers") have one thing in common: they are waiting for their drug dealer, their "connection". The dialogue of the characters is interspersed with jazz music.

Eight drug addicts are waiting for their connection in a New York apartment while a two-man documentary team films the proceedings. Things go out of control as the men grow increasingly nervous and the cameraman keeps recording.

a 32-minute color film by Gwen Brown, featuring precious footage of Living Theatre productions “Mysteries” and smaller pieces, “Paradise Now” and “Frankenstein.” “The fusion of Brown’s freewheeling direct cinema and the Living Theatre’s performance for revolutionary change (amidst the heydays of both) unite as a dynamic concoction of the era, yielding for the viewer a shifting terrain of both critical insight and ecstatic zeal, not as a vacant nostalgia for a pre-commodified radicality, but as tactical inspiration for future days.” – Andrew Wilson (Artist’s Access Television)

A harrowing, gorgeous, in-your-face-and-mind 45-minute black-and-white film by Marty Topp, produced by Ira Cohen for Universal Mutant. “Marty Topp’s beautiful film of ‘Paradise Now’ reveals how the theories of revolutionary change and the experience of sexual liberation are not separate paths to the beautiful nonviolent anarchist revolution. Practiced together they are a single thrust, encompassing both political action and sensual joy, leading to the dreamed-of terrestrial paradise.

Jonas Mekas’s film captures The Living Theatre’s stage production of The Brig, an unflinching portrait of life inside a U.S. Marine Corps jail in Japan in 1957. Over the course of a single day, prisoners endure relentless drills, abuse, and dehumanization, exposing the brutality of military discipline with stark immediacy.

The body of a Real Housewife is an apparatus, an assembly of parts—hair, lips, dress, falsies, mic pack, cell phone, wine stem, camera, restaurant, brand, identity. This body is maintained and degraded, intoxicated and cleansed, in seasons and cycles, systems of supply and denial. The self needs a medium. Who cares who you are when you’re alone anymore?

Commissioned work by Julian Beck and members of The Living Theatre (featuring Beck and Judith Malina, co-founders of The Living Theatre, in performance) for broadcast on KQED-TV, San Francisco. The Dilexi Series represents a pioneering effort to present works created by artists specifically for broadcast.

At least forty films have been made about the Living Theatre; it remained to the American underground filmmaker Sheldon Rochlin (previously responsible for the marvellous Vali) to make the 'definitive' film about one of the most famous of their works, Paradise Now, shot in Brussels and at the Berlin Sportpalast. Made on videotape, with expressionist colouring 'injected' by electronic means, this emerges as a hypnotic transmutation of a theatrical event into poetic cinema, capturing the ambiance and frenzy of the original. No documentary record could have done it justice.

Jérôme Bel's show features the memories of spectators at the Avignon Festival.

After her mother went to Hong Kong to work, the little girl Jin Ling lived with her mother-in-law and brother in a rural area of Guangdong. Her mother rarely appeared in the screen, but she seemed to “fill” Jin Ling’s life.

The Bandit Tamer is a 1925 American silent film directed by J.P. McGowan.

After the mysterious murder of John Cowles' father, the son starts west to borrow money of his father's business partner, Col. Meriwether. He meets the Colonel's daughter, Ellen, and falls in love with her, not telling her of his fiancée, Grace Sheraton. Gordon Orme, an old acquaintance, turns up, tells Col. Meriwether about Grace, and the Colonel is so enraged he refuses to lend the money. John's mother and Grace have followed John and his mother urges him to try the gold fields. He discovers gold and wins Ellen, after both Gordon and Grace, who is really in love with Gordon, are killed.

In an age of overlapping ecological, political, and social crises, the question of care and responsibility takes on enormous significance. Who cares for whom, and under what conditions? How can we think of care beyond normative role models, structural isolation, and exploitation? In light of the climate crisis, wars, growing social inequality, and the profound experiences during the pandemic, one thing is clear: without radically rethinking care work, a more just future cannot be achieved. The group screening brings together three video works that deal with practices of care. Starting from the private sphere, the works develop perspectives on care beyond the neoliberal burden of personal responsibility and examine how solidarity can be conceived and lived.

The movie is about a 15 years old depressed boy who meets an old man when he goes to a park. Meeting him he gets to learn some life lessons and he thinks those lessons change his life and one of the advice from those life lessons could bring him inner peace of mind for lifetime.

It would seem that the life of Lena - girls from the provinces - was a success. She did everything to become a famous TV presenter in her incomplete 30 years. She has a beautiful wealthy husband, she is valued and respected. But behind this prosperous facade lies a deeply unhappy person. Because you can not be happy by abandoning true love and your own child for the sake of career and fame. And now, in order to find herself the same, she needs to go back, win her beloved again and become a real mother. And she will have to find out the truth that has been hidden from her for so many years ...

Portrays the lives of families and other loved ones left behind when husbands, fathers, brothers and children, because of desperate economic conditions in Albania, travel as far as America, looking for work and economic security.

A young woman is accused of "Immorality" (aka prostitution) and she is sent for re-education to work on a construction site.

Indian Army soldier Shankar gets injured in cross-firing at the border. Senior Officer suggests he take 8 days to rest after consultation with doctors. Shankar requests for leave instead of rest, officers agree and tell him to report to duty on the morning of the 8th day. While traveling, he helps citizens and ends up missing his train. Online news reporter covers his story without acknowledging him. The story later revolves around how he reaches his home and then back to duty in a short span of time.

A story of reuniting twin sisters, who were seperated when young. Maiko, who lives in Hachijo Island, organizes a local festival. Just before the festival starts, she leaves the island to look for her sister Seiko in Tokyo.