Strange Love

Glauco Mattoso, a blind sadomasochistic poet, agrees to participate in a documentary about his own life, but the conditions he imposes raise difficulties to the work of the young director.

Mr. Gray is the new Resident in Charge of the Welcome Islands in the Indian Ocean. The Islands are full of life, but the only other Europeans are the "sanctimonious, psalm-singing" brother-sister missionary team of Martha and Owen Jordans, and the Honourable Ted - a hard-drinking, womanizing social outcast whose English family pays him to stay away. Martha and Ted become an unlikely team when cholera threatens the islands and they must do their best to stop its spread.

Fourteen years after the events of the original film, a series of encounters between people in Britain reminds us that in these different times Love, actually exists.

Marco is a shy courier instructed to deliver some jewels in a photo studio. Here he meets Giorgio, the photographer: handsome, gay, cheeky.

a short film about the end of the world. filmed with an old digicam at a park on all souls’ day, 2025. two best friends talk about turtles and watch people in their natural habitat while listening to tomate cereja.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Cecilie and Joachim are about to get married when a freak car accident leaves Joachim disabled, throwing their lives into a spin. The driver of the other car, Marie, and her family don’t get off lightly, either. Her husband Niels works in the hospital where he meets Cecilie and falls madly in love with her.

A solitary nurse bonds with a badly burned patient who survived an accident on an oil rig.

Two lost souls visiting Tokyo -- the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial -- find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.

A short silent documentary on the making of the 1931 Abel Gance directed film, "La Fin du Monde".

JEWS excavates a lost world of manners and ritual in home movies shot by several Chicago families from the 1920s through the 1940s. Much as in similar found footage soliloquies by Péter Forgács, Jay Rosenblatt and Ken Jacobs, director Roger Deutsch wrings unexpected pathos from mundane traces of the past. Children mug for the camera with dances of the day, upright mothers march their strollers up the avenue, men smoke, the family gathers around the table to light the candles. The bare title cannot help but raise the specter of contemporaneous events in Europe, lending an extra degree of urgency to the film's meditation on disappearance. - Max Goldberg

Grapes much like human beings, need to struggle to build character. Bodega De Edgar is a short film on the life of winemaker Edgar Torres. Edgar Immigrated to the US illegally with his father in the 80's for a better life. Believing in the American Dream, Edgar worked for years to invest in four barrels of wine. Edgar now makes uniquely sophisticated Spanish inspired wines in Paso Robles California.

José Rodríguez is a current PGA Tour golfer who had a miraculous and equally turbulent border-crossing experience as an undocumented Mexican immigrant in the mid-1990s. This film chronicles José's astounding personal journey, revealing an American Dream that's not always the fairytale it seems.

A decade ago, Nick Mullins was one of the most promising skateboarders to come from the Midwest. Then, overnight it all changed. Shot by two strangers on weekends, across three states over two years. This is a story of pain, grit, fight, uncertainty, fear, desperation, and most importantly — love.

Documents a southern Ohio story of partnership and creative problem-solving that helped a hospital tackle its PPE shortage.

After casting painter and video artist Mania Akbari as the central figure of his groundbreaking Ten (2002), and then witnessing her outstanding debut as a feature film director in 20 Fingers (2004), Abbas Kiarostami urged her to direct a sequel to the film. In Dah be alaveh Chahar (10 + 4), though, circumstances are different: Mania is fighting cancer. She has undergone surgery; she has lost her hair following chemotherapy and no longer wears the compulsory headscarf; and sometimes she is too weak to drive. So the camera follows her to record conversations with friends and family in different spaces, from the gondola she had famously used in her first feature to a hospital bed.

A fatally ill mother with only two months to live creates a list of things she wants to do before she dies without telling her family of her illness.

Paris, at night. Pierre lands up in a club, El Turrrf, and meets two young ladies. Pom and Clémentine are accustomed to the place and are not going to delay saying to him why they are here.

Documentary about four Chinese lesbian women who seek contract marriages with gay men, and form of their lesbian and gay community and fulfill their desires.

An Ohio woman's COVID story is revealed.