A young woman grapples with the decision of following her dream of an acting career or marrying and having babies with the man she loves.
If God came down to earth and try to earn a living in Bombay, most probably he would become successful as a voice over artiste, lending his voice to thousands of Hindi movies and even more documentaries and public service films in India.
The first and—paradoxically—the final part of the triptych. The city, which is its subject, grows not only in space but, most importantly, in time. With all consequences.
After an exhausting day, Clarice, a young black woman, is robbed and then harassed by the police, mistakenly accusing her of doing graffiti. Dazed with a mix of feelings of anger, tiredness, and injustice, Clarice in fact starts tagging the walls and the impossible happens: all of the graffiti around her comes to life right beyond her eyes.
A poetic journey of memory and fantasy told through the eyes of four versions of an artist as she creates her own self-identity.
An athlete jogs through the city in the morning.
Hitori no Shita: The Outcast - Fanwai Pian
Exploring Moscow and paying tribute to Laika, the first dog in space.
In her attempt to escape her past, Huiju relocated to the UK over 11 months ago. However, even after moving to a new country, she found that her nightmares from Korea continued to haunt her. Determined to move forward, she made the decision to confront her memories head-on in a very contemporary way, using dating apps to push the boundaries she had set due to her sexual trauma.
Three parallel stories depict the everyday insanity of the German capital, between motion and gridlock, the ticking clock and money trouble.
“Borderland Threads” is an animated short film that portrays the real stories of Colombian migrant women in Antofagasta, Chile. Inspired by the arpilleras they created themselves.
The Silent Route
The encounter can never happen between a man in the past (tense) and a girl in the present (tense) in the garden of times.
Expectations
Using original animation, archival footage and personal interviews, this full-length documentary portrays the multiple relationships Canadian Muslim women entertain with Islam’s place of worship, the mosque. Islam is the fastest growing religion in the world. In North America, a large number of converts are women. Many are drawn to the religion because of its emphasis on social justice and spiritual equality between the sexes. Yet, many mosques force women to pray behind barriers, separate from men, and some do not even permit women to enter the building. Exploring all sides of the issue, the film examines the space – both physical and social – granted to women in mosques across the country.
A study, in film animation, of a day in the life of a housewife, described without words, with a minimum of detail but with a perception all the more pertinent because of the simplicity of presentation. The film makes no judgments. It simply states the case, but serves as an apt starting point for any discussion of the role of women and the value of their work.
Lisbon, 1980, the city, the intensity, the chaos, the noise, the crowd. Overwhelmed by the commotion, a young woman sets off in search of peace in the palace gardens of Sintra. Her red umbrella glides across the pearly whiteness of the rising mist.
Emile is an unhappy little vampire, doing a job he detests, in a world plunged into perpetual gloom. He serves a despotic mistress who loathes wrinkles, in the most extreme way.
In a city where fire, water, land and air residents live together, a fiery young woman and a go-with-the-flow guy will discover something elemental: how much they have in common.
A proud urban planner defends his “visionary” bike lane designs to his superiors, while outside the conference room his “perfect” plans are throwing the city into chaos.