Living With Lincoln

My mother has died. Her name was Maria. Her children, we, Raúl and Santiago, discover among the objects left by our mother hundreds of photographs from our maternal grandfather, from REGINA -our great-aunt-, from our mother, from our father... And through those photographs, and with the help from an old camera -my grandfather's inheritance-, I, -along several trips to the places where those photographs were taken-, seek to recover and not lose my memory... that of my family. In the end, we will have to think on our memory and on what we have preserved and lost.

Born in 1943 in Bessarabia region, Victor was forced to flee his homeland because of the war. After 77 years, his grandson, Dan, goes back there with his grandpa, Victor, who is recounting memories and seeking information about his birth and his lost relatives, in the country that is now the Republic of Moldova.

Two elderly sisters share the delicate art of making traditional Hungarian strudel and reveal a deeply personal family story about their mother, who taught them everything they know.

The film consists of video tapes made by the filmmaker’s father documenting daily scenes of family life, family celebrations, and holidays over the course of fifteen years. The tapes are a mixture of the personal and the political – the father was politically engaged in the revolutionary movement that brought Hugo Chávez to power. The family’s life becomes a backdrop for political and economic developments in Venezuela and their impact on the lives of ordinary citizens.

Brenda’s first memories were of growing up in a loving white foster family, before she was suddenly taken away and returned to her Aboriginal family. Decades later, she feels disconnected from both halves of her life, so she goes searching for the foster family with whom she had lost contact. Along the way she uncovers long-buried secrets, government lies, and the possibility of deeper connections to family and culture.

The story of Nisar Ahmed Khan, told through his children and the people he served, a spiritual guide whose followers still visit his tomb on his birth and death anniversaries. And alongside how his family spends a few days at the village keeping his traditions alive.

A film that delves into director Jean Carlomusto's family history by trying to find out if the rumors about her grandmother's death -- trying to rid herself of an unwanted pregnancy in 1939 -- are true.

Filmmaker and educator Janine Windolph ventures from Saskatchewan to Quebec with her two teens and younger sister, tracing their familial origins to the Cree First Nation of Waswanipi. Against the scenic backdrop of these Traditional Lands, Elders offer newfound interdependence and hands-on learning, transforming this humble visit into a sensory-filled expression of reclamation and resilience. Our Maternal Home lovingly establishes a heart-centred form of resistance to confront and heal from the generational impacts of cultural disconnection, making space for what comes next.

Frans Bromet goes in search of his family history and discovers that Hermanus Bromet was a well-known slave trader in Suriname. Should he feel guilty for what his ancestor did? How do you deal with a burdened family past?

For three decades now, Qatar, this small desert kingdom, has not stopped being talked about; because of its financial power and the secrecy that surrounds it, the royal family that runs it fascinates as much as it frightens.

Memory prevents rest and a woman about to die takes advantage of cinema to tell her story (inseparable from that of Franco’s Spain) and to say goodbye. A terrace as a border and a song that crosses time. At home, nothing is always—and everything is still—in the present and defunct now. A home movie of ghosts, a generous gesture of intimacy and solidarity that not witnesses two people at the end of their long lives, but also reveals the weight of history and of the 20th century, which is always present today.

In an empty house, we see the memories of a home, from those who once lived and filled it with joy and love.

African American filmmaker David A. Wilson decided to look into his family's history during the slave era. The result is this documentary, which provides a unique perspective on the long shadow cast by slavery in America. Wilson travels to North Carolina to visit the plantation where his ancestors once toiled and to meet its current owner -- a white man named David Wilson, whose slave-owning ancestors originally occupied the property.

Audrey, a woman in her mid-fifties, has never been able to make peace with her tumultuous family history. A clumsy mother, an emotionally distant father and sexual assaults that have gone unreported. She now decides to confront her demons. Supported by her son, the director of the documentary, she revisits a striking scene from her past: the moment when she told her parents that her grandfather had raped her. Together, through a year-long production process, they transform this awkward exchange into a moment of communion, thanks to actors, a set and Audrey's desire to do herself justice.

Focused on the experiences of Manuel "Manolo" Díaz Caballero, who was a local police officer in Malaga for more than 30 years, his memories of those years are the subject of this documentary.

A man’s journey to learn the story of his estranged father, a failed hitman killed several years ago. A man's journey to face the scattered members of his dysfunctional family and understand the life of his absent father, a failed hit man murdered years ago in a Mexican border town. While the story of the father takes shape, each family member comments on the behavioral patterns that influenced his criminal actions.

The story of Christina Lau and her relationship with her parents as she recounts the happy and traumatic memories of her childhood and adolescence. She shares the ways in which the tragic demise of her father and mother have affected her and shaped who she is today. Her story is powerful, tragic, and demonstrates the importance of strong family ties when overcoming hardship. The documentary is directed by her eldest daughter, Robyn Mae, and includes stunning animations created by her youngest daughter, Tammy-Ann.

On an island in the Indian Ocean, the Comoros archipelago, unoccupied houses await the arrival of their owners. These places without souls and half built abound across the landscape. The myth of eternal return is repeated in the Comorian diaspora.

A woman returns to the site of her birth, which is now a funeral home. She drinks a white monster energy drink.

Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.