Mr. Happy

John is consumed by guilt after a reckless act that results in the death of his best friend, Isaac. Everyone in the town is wary of him, and Isaac’s younger brother attacks him, goaded on by his friends. It is only through reconciliation with the younger brother, however, that both he and John can process their grief and move on.

Alan’s jealousy drives him to foil his friend’s relationship and wrestle with where his passions really lie.

In the course of one afternoon, Raphael's paradise turns into a spiral of guilt and paranoia.

“There must be a different solution than the one from hell’. Full unadulterated terror (and music). 'The best class always ends with a lesson'. Almost baroque in its ambition and detail, Akerman and Seabra Lopes’ mesmerising short film delves deeply into the hard-wired dread of music lessons. Sewn around Schubert’s steely Opus 1, which is itself based on the no less terrifying legend of Goethe's Erlkönig, their film is a revelation.” International Film Festival Rotterdam.

During the busy run-up to Christmas, a single-take snapshot of the immense stress and skills of a talented head chef reveals that things are about to burst behind the restaurant's flash façade.

An alcoholic ex-football player drinks his days away, having failed to come to terms with his sexuality and his real feelings for his football buddy who died after an ambiguous accident. His wife is crucified by her desperation to make him desire her: but he resists the affections of his wife. His reunion with his father—who is dying of cancer—jogs a host of memories and revelations for both father and son.

The family of a wealthy businessman gather to celebrate his 60th birthday. During the course of the party, his eldest son presents a speech that reveals a devastating secret that turns the night into a battle of truth and denial.

A woman and her daughter struggle to make their way through the aftermath of the Balkan war.

The young Harold lives in his own world of suicide-attempts and funeral visits to avoid the misery of his current family and home environment. Harold meets an 80-year-old woman named Maude who also lives in her own world yet one in which she is having the time of her life. When the two opposites meet they realize that their differences don’t matter and they become best friends and love each other.

The film tells the story of two blind men who stand on the side of a road between oil wells and beg, and the conflict between them. The young blind man, who was born blind, sees the old blind man, who later lost his sight, as his rival. Each blind man represents a large crowd in himself.

A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.

Deep underground, a lone scientist mans a discarded research facility struggling to deal with extreme boredom, a desperate voiceless companion and a mystery he'd really rather not have to solve.

Behrani, an Iranian immigrant buys a California bungalow, thinking he can fix it up, sell it again, and make enough money to send his son to college. However, the house is the legal property of former drug addict Kathy. After losing the house in an unfair legal dispute with the county, she is left with nowhere to go. Wanting her house back, she hires a lawyer and befriends a police officer. Neither Kathy nor Behrani have broken the law, so they find themselves involved in a difficult moral dilemma.

A 17-year-old struggling to find intimacy at home or at school seeks it through a gay hookup app.

Struggling against the harsh realities of poverty, a devoted father, Mike reluctantly turns to burglary to provide for his daughter. The narrative unfolds through the varied viewpoints of those touched by his actions.

Two boys meet in one room, but something is strange.

While he's receiving an enigmatic phone call from his girlfriend Francine, Thomas remembers the milestones of their relationship, from the very moment they met in a really strange way. A segment of “Paris, je t'aime” (2006).

An aspiring Peruvian-Australian performer is partnered with her ex-boyfriend in a community Marinera dance competition.

In the woods, a young woman and man scuffle as they fight for life. Gently lit and accompanied with a soundtrack of soaring strings, this film by Jessie Oldfield and Adam Murfet explores vulnerability, connectedness and a renewed sense of self among the autumn leaves.