RinGtone

Once upon a time there was a large Finnish company called Nokia that manufactured the world’s best and most innovative mobile phones. Nokia’s annual budget was larger than that of the Government of Finland and their phones spread everywhere and changed the whole culture of communication. But then something changed. Film portrays the rise and fall of Nokia and the Finnish mobile phone industry. Nokia engineers, designers and managers tell their story about the creation, success and downfall of the Finnish mobile phone.

It's been two weeks. Jane can't get Philip out of her head. There would be fewer problems with a single man, but she's getting close.

A video recording of a New York Shakespeare Festival 1979 stage production of Coriolanus with an all-black and Hispanic cast. Producer Joseph Papp intended to provide professional opportunities for actors of minority ethnic backgrounds. A banished hero of Rome allies with a sworn enemy to take his revenge on the city.

On an Italian beach a father leaves his wife and child to reignite an old acquaintance. In London an app hookup leads to more than just a fling. Meanwhile Slovak lovers Dominik and Adam have their relationship put to the test when secrets come to the fore. Popular with children across the globe, hiding and seeking is a game we never seem to stop playing - well into our adult years. The short films are: Lolo (2019); The Den [La tana] (2015); Stanley (2017); If Only You Were Mine [Keby si bol môj] (2017); No Strings (2015).

Father wants Mabel to marry a little, wealthy shrimp. She is in love with Charlie, a big, strapping fellow. Mabel is locked up in the house, but her lover sets the house on fire, and In the confusion runs to the minister's house with her. Father and his choice pursue, but Mabel and her lover hide in the chimney. Father sticks around with a big gun, and Mabel and her lover make up as negroes and are married, father being persuaded to act as best man.

An artist and her elderly mother confront long-buried secrets when they return to a former family home, now a hotel haunted by its mysterious past.

Jones is broke. His girl is giving a birthday party, and her various suitors give her costly presents. Jones finds a beautiful lavaliere, which be gives to Mabel, and wins her heart. He is chosen as the foreman of a jury, and when petty offenders are brought to trial turns a deaf ear to all pleas for mercy, gaining the hatred of the other jurors. Finally a man is brought up who is to he tried for stealing the necklace Jones found. A strong case is shown, and all the other jurors want to find him guilty, but Jones holds out for an acquittal. Mabel comes into the court room and sits alongside of the complainant. The necklace is seen and an uproar takes place. Jones is accused as a thief and in a highly melodramatic manner takes a huge vial from his pocket, drinks the contents and falls back dead.

Like tears in the rain, water is the metaphor for growing pains and so much more in these four tales about young boys coming to terms with a host of emotions for the very first time. These polished productions and festival favourites are brought to you by a host of talented directors from across Germany, Denmark, France and the Netherlands. The short films are: Ocean [Océan] (2013); Go Daan Go! [Daan Durft] (2014); The Boy in the Ocean (2016); Beach Boy (2011).

The Story of 4 Innocent kids who are common but there thinking is different from others. They have an aspiring dream to become a scientist but ignorance of their parent's guidance they commit something which is unthinkable to anyone.

In this drama that was a UCLA student thesis expanded to feature length, two African-Americans come from Tennessee to Los Angeles. The man will not marry the woman as he has just been released from prison and cannot commit himself. He ends up working in a factory, while she gets a job as a maid. The two split up after he gets involved in a strike. She goes to school but ends up laid off from a good paying job. Later the two meet again. Both are surprised by the great changes in their lives since they have been apart.

Louise is a professional photographer and very successful in her job. But her father who had disappeared for many years resurfaced. He is very sick and would like to see his three daughters again. At the request of her father, Louise hesitates and then slips away. The reappearance of his father poses problems even in her life as a couple.

A wild animal attacks six medical students on a weekend hike in the woods. One by one, they become infected with a “feral disease,” turning them into rabid, bloodthirsty creatures, and the vacation becomes a nightmare as they fight to survive each other.

Even though the protagonist of the Canadian Femme De L'Hotel is a female filmmaker, one would think twice before suggesting that this effort by Swiss-born director Lea Pool is autobiographical. Paule Baillargeon portrays a well-known director who returns to her home town of Montreal to film a high-budget musical drama. At her hotel, Paule has a brief but unsettling encounter with a suicidal elderly woman (Louise Marleau). This element of the plot is briefly forgotten as we get to know the actors in Paule's current project. Then she meets the old lady again, and with mounting incredulity Paule discovers that the actual events in the woman's life mirror the fictional events in the director's film.

Clarkson and May, in a seriously modified Toyota, take on Hammond and his dog sled in a 450 mil race to the North pole as they drive over thin ice to face in-tent hostilities, polar bear fear and desperate food fantasies.

A villain attempts to win the love of a pretty fisher girl, who is in love with a village youth. The villain finally kidnaps the girl and carries her out to a rock at low tide, where he ties her. He stands on the shore hoping that the rising water will force her to promise to marry him. The water rises higher and higher, tremendous waves dashing over the girl, and when it seems impossible for her to live another minute her sweetheart arrives with a crowd of the village people and rescues her.

Reluctantly, Rüdiger and Marlene agree to a blind date and, to their surprise, they hit it off straight away. The happiness of the newly in love couple has just one flaw: in order not to scare their partner away, they conceal the fact that they have children. A crazy game of hide-and-seek begins, which really gets on the nerves of their two children, Stella and Max. Stella and Max meet by chance and decide to end their parents' chaotic relationship with an intrigue. But when it turns out that Marlene is pregnant, the kids have to take their parents' fate into their own hands again.

A lawyer defends his childhood friend accused of killing his wife.

Jealousy, envy, gossip, and greed are testing Zona's and Mane's perfect marriage.

Based on an unrealized film script written in 1964 for The Homosexual Law Reform Society, a British organisation that campaigned for the decriminalization of homosexual relations between men, "The Colour Of His Hair" merges drama and documentary into a meditation on queer life before and after the partial legalization of homosexuality in 1967.