Fractured Land

Director Mirjam Leuze’s The Whale and The Raven illuminates the many issues that have drawn whale researchers, the Gitga’at First Nation, and the Government of British Columbia into a complex conflict. As the people in the Great Bear Rainforest struggle to protect their territory against the pressure and promise of the gas industry, caught in between are the countless beings that call this place home.

A humorous and heartwarming documentary feature, CYBER-SENIORS chronicles the extraordinary journey of a group of senior citizens as they discover the world of the Internet through the guidance of teenage mentors. Their exploration of cyberspace is catapulted to another level when 89 year-old Shura decides to create a YouTube cooking video. A spirited video competition for the most “views" evolves as the cyber-seniors’ hidden talents and competitive spirits are revealed. CYBER-SENIORS provides insight into the wonderful things that can happen when generation gaps are bridged, proving you are never too old to get "connected."

The story of what happens when "The Mighty Cheetahs," an undefeated all-girls soccer team, competes in the boys division. With humor and candor this documentary gets at the heart of the boy-girl issues and explores what "Kick Like A Girl" really means on and off the playing field. Kick Like A Girl reminds us all of the lessons learned in competitive athletics and how sports has been one of the most effective instruments of social change in our lifetime.

Ana Deborah Mola and Belkis Lescaille were among the first young teachers who started pilot programs around the island of Cuba in 1960, laying foundation for the massive National Literacy Campaign that would take place the following year.

Over twenty years, the Russian documentary filmmaker Marina Goldovskaya interviewed pioneers of American documentaries, such as Richard Leacock, Robert and Anne Drew, Albert Maysles, D.A. Pennebaker, Jonas Mekas, among others. In long conversations, they discuss the elaboration of titles that are now fundamental to the genre’s world history, commenting on the introduction of new light and portable cameras that allowed the advent of Cinema Verite, in addition to sharing the fundamentals and principles of the art of capturing life. The sum of these parts corresponds to a singular opportunity of re-encounter with the thinking of these masters, even those that have already passed away.

The people of Rwanda attempt to reconcile after the genocide through an open process of admission and forgiveness.

Six American mothers, each grieving the death of a child, journey to South Africa to volunteer with impoverished children. The strength of the people they meet and the reality of the poverty they witness deeply affects them. They ultimately discover hope and healing as a result of serving others, and through the unexpected friendships they form with each other.

Forget the pie charts, color-coded maps and hyperventilating pundits. What's the street-level experience of voters in today's America? In a triumph of documentary storytelling, ELECTION DAY combines eleven stories--all shot simultaneously on November 2, 2004, from dawn until long past midnight--into one. Factory workers, ex-felons, harried moms, Native American activists and diligent poll watchers, from South Dakota to Florida, take the process of democracy into their own hands. The result: an entertaining, inspiring and sometimes unsettling tapestry of citizens determined on one fateful day to make their votes count.

Following the 2002 HBO documentary "Journeys with George," Pelosi's irreverent account of George W. Bush on the campaign trail, she set out on the road again with a handful of distinguished men competing to see who could eat the most pies, raise the most money and get the most votes to become the Democratic Party nominee.

Eleven major film makers from Europe, America and Asia talk about Akira Kurosawa and discover surprising influences on their own work.

The Pimp and His Trophies

A feature-length documentary on Yvonne Bezerra de Mello, award-winning artist and human-rights activist who has gained international recognition for her work with street children in Rio. The film recounts how a woman turned her back on a wealthy lifestyle, driven into action by the execution of 8 streetkids by military police in 1993. In subsequent years Yvonne's struggle to better the lives of endangered and abandoned children has led her to found "Projeto Uere" ("Children of Light") a radical project committed to protection and education of kids who live in the streets and slums of Rio which has brought her into conflict with Brazil's wealthy elite.

The unbelievable story of 22 year old Or, who secretly finances his sex change operation in Thailand by lying to his conservative parents and then returns home as a woman to face her new life, her family and the cost of living her dream

Scar Tissue by Su Friedrich is a filmic version of a white canvas or a silent music piece.The fact that Friedrich never really shows the whole body, but rather plays off of body parts could be read as a desire to show less of the people on the screen, so that the viewer's reading can be generalized. If the "characters" existed as people, the images would inevitably read to be telling a story about these people. The legs and torsos do not signify people; it is the experience of these body parts and the rhythm with which they are portrayed that constitute the work.

This investigation into the layers of mass incarceration and its shaping of the modern black American family is seen through the eyes of a single mother in New Orleans, Louisiana.

April 1994 in the Lacandona Jungle, Chiapas, México. The Zapatista women talk about the living conditions of Mexican indigenous populations and the life of peasant women. They explain the reasons for their struggle and their uprising.

Lissette's favorite aunt Adriana, who lives in Australia, is arrested in 2007 while visiting her family in Chile and accused of having worked for dictator Pinochet's notorious secret police, the DINA, and of having participated in the commission of state crimes. When Adriana denies these accusations, Lissette begins to investigate her story in order to film a documentary about her.

Inspired by an exclusive interview and performance footage of Chavela Vargas shot in 1991 and guided by her unique voice, the film weaves an arresting portrait of a woman who dared to dress, speak, sing, and dream her unique life into being.

A diffraction of the autobiography using family footage filmed between the 1940s and today, this "science fiction documentary" creates multiple "I"s and transcends a story of mourning

When Ariel was just 33, his legs were shredded by an industrial dough mixer in Mendoza, Argentina. He became a living embodiment of the ongoing duel between man and machine. From that point on, he began to rediscover the meaning of freedom: to rebuild his broken identity, keep his family together and design his own prosthetic legs. Following Ariel for 10 years from the time of the accident, director Laura Bari has created an intimate and metaphorical portrait of Ariel’s newfound transhumanity, juxtaposing his daily life with dreamlike inner worlds—and pushing the boundary between the real and the imaginary.