One Night in Jaffa

The story of a young transgender woman told in her own voice after leaving her childhood home, on a journey of self-discovery in the heart of the desert.

More than 50% of transgender boys have attempted suicide. Through two life stories, directors Lexie and Logan unravel why their community is particularly vulnerable to living and dying quietly.

At the age of 9, I stopped speaking. It's the year I broke from the inside, raped. I came out as a trans boy years later. I am often afraid of becoming a man who I might confuse for the one who hounded my body. This film is a poem, this film is about growing into the unknown.

ten years ago, four girls were hunted down by cold blooded killers and miraculously survived. today, three people are forcibly reunited at a therapeutical retreat for women to cope with their collective trauma. this examination of the slasher final girl trope asks the question: does all trauma make equal?

The interconnection between the philosophical film body and the trans human body is explored through the film’s materiality and the use of analogue techniques. In a deeply personal investigation, parallels are drawn between the procedures both bodies must undertake to reach their final form.

Trans and queer communities shaped carnival traditions in the Canary Islands, exploring their historical role in developing costumes, performances, and celebrations that define the region's festive identity.

A poetic experimental-short telling the tale of fetishised transgender love.

A non-binary Spanish-English phone interpreter hears a familiar voice on the other end of a call with a migrant detention facility.

Mabel travels to her hometown to find the murderer of her friend Daniela.

This is the story of Alice Junior, a transgender girl full of life, who wants to give her first kiss, but first, she just wants to be who she really is.

Katie Couric travels across the U.S. to talk with scientists, psychologists, activists, authors and families about the complex issue of gender.

A young transgender man explores his gender identity and searches for love in rural Nebraska.

After 20 years in space, Rocko returns to a technologically advanced O-Town and makes it his mission to get his favorite show back on the air.

A significant group of trans and queer artists gather to mourn the loss of their friend – Indigo, AKA Spiral – to suicide.

A dialogue and home video about belonging, from young people living in modern colonial society.

At the age of 15, can you know if you ever want to conceive or give birth to a child? The team coordinator at the gender clinic in the Dutch city of Zaandam is doubtful. And yet this is one of the questions he asks the young people who register for psychological guidance. A fellow psychologist trusts that young people know what is good for them. He is a trans man and one of the experts by experience who work at the clinic. The use of language, already such a sensitive instrument, proves to be more complex than some expect. There are those who see it as unnecessary to mention your pronouns when you introduce yourself, but the majority are in favor. Director Ingrid Kamerling switches smoothly between observation and interviews. Above all, there is a sense of the need to equip young people and their parents as well as possible for the emotional journey of drastic change that lies ahead of them.

An aspiring clown grappling with her gender identity combats a fascistic caped crusader.

Kei longs for a “normal” life in rural Japan. But for a transgender man who is jobless in his own hometown, getting to normal is one steep climb, especially since Erin, his Canadian partner, longs to move to Tokyo, where they can live openly and freely. On his way to a job interview in the city, Kei meets a stranger. Abandoning his journey to help her, he discovers she is the owner of the hot springs—a place he once loved, as a child. Kei's encounter with the healing waters is complicated by Erin’s turning up as well. Finally, the couple—one on the men's side, the other, on the women's—must face the truth about their divergent wishes, identities, and murky notions of belonging.

“Being French in 2024 means being able to serve as Prime Minister while openly gay.” With these words closing his policy speech on January 30, 2024, Gabriel Attal made history. The documentary *Homos en politique: le dire ou pas?* uses this milestone — the appointment and visibility of France’s first openly gay Prime Minister — as a springboard for a broader inquiry. Journalists Jean-Baptiste Marteau and Renaud Saint-Cricq travel across France to meet LGBTQ politicians of all generations, from Paris to rural towns. Eleven years after the protests against same-sex marriage, has France really changed? Through interviews with figures like Bertrand Delanoë, Sarah El Haïry, Jean-Philippe Tanguy, Franck Riester, and others, the film explores how coming out intersects with politics, homophobia, and representation — questioning whether saying “I’m gay” in politics is still an act of courage or simply a sign of the times.

In the 50s and 60s, deep in the American countryside at the foot of the Catskills, a small wooden house with a barn behind it was home to the first clandestine network of cross-dressers. Diane and Kate are now 80 years old. At the time, they were men and part of this secret organization. Today, they relate this forgotten but essential chapter of the early days of trans-identity. It is a story full of noise and fury, rich in extraordinary characters, including the famous Susanna, who had the courage to create this refuge that came to be known as Casa Susanna.