How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.
Adrian and Duru get lost in the characters they play in an apocalyptic film and embark on a secret mission to end the world for real. Second entry in Adrian Țofei and Duru Yücel’s trilogy which includes Be My Cat: A Film for Anne and Pure.
When disillusioned Swedish knight Antonius Block returns home from the Crusades to find his country in the grips of the Black Death, he challenges Death to a chess match for his life. Tormented by the belief that God does not exist, Block sets off on a journey, meeting up with traveling players Jof and his wife, Mia, and becoming determined to evade Death long enough to commit one redemptive act while he still lives.
Struggling if the existence of his love is real or not, Matthew embarks on a train journey to find it. As he travels without a fixed destination and searches for his beloved, he begins to hallucinate between imagination and reality, trying to realize which is which. Was it true love or just metaphysical?
L'Homme endormi
One night in his near-empty tower block in contemporary London, Adam has a chance encounter with a mysterious neighbor Harry, which punctures the rhythm of his everyday life.
A mother and daughter rent a house for a getaway after suffering a sudden and tragic loss, little do they know the house is run by a secret cult.
All the World Drops Dead
Set in a war-torn land where tribal factions live in fear of annihilation, the film tells the story of a deadly warrior leading a destructive war campaign. When he is betrayed by his own and left for dead, he is healed by a mysterious princess and taken in by a hidden tribe that believes he was chosen to wage a final battle.
Final entry in Adrian Țofei and Duru Yücel's trilogy which includes Be My Cat: A Film for Anne and We Put the World to Sleep.
At a boarding school for young adult male orphans, the affectionate bond between two friends turns brutal when their peers accuse them of homosexuality.
A poetic and metaphysical view on a daily life routine in a distant nursing home, on a top of the mountain in Uzice, Serbia – the closest place to heaven. This is the last station on earth for old people that called “clients”. While they’re waiting for the end of their lives, prisoned in a desolate nursing home and their old-dying body, they are fighting for the freedom of their soul, the only place they can feel young and alive. A fight between light and darkness, suffering and acceptance, life and death.
In a loose retelling of the Revolutionary Girl Utena TV series, Utena Tenjou arrives at Ohtori Academy, only to be immediately swept up in a series of duels for the hand of her classmate Anthy Himemiya and the power she supposedly holds. At the same time, Utena reunites with Touga Kiryuu, a friend from her childhood who seems to know the secrets behind the duels. Utena must discover those secrets for herself, before the power that rules Ohtori claims her and her friends, new and old.
We hear the distant ring of Saturn.
Amidst apocalyptic darkness and endless war, a young couple's mundane relationship is threatened by the arrival of a mysterious widow and a supernatural force that lurks in the forest around their cabin.
A space occupies it, awaiting to be unlocked by a freeing action or notion. What lies ahead is its determination.
Four young friends with fracturing relationships take a camping trip to Southern Utah in order to escape an ecological disaster up North. Alone in the desert, they begin to suspect that their reality might not be as it seems, and soon realize they’re being observed by a mysterious cosmic force.
After dying in an unpredictable accident Simon is transported to a metaphysical realm where he meets Greg in the afterlife. Screened as part of CampusMovieFest 2014.
Sociologist David W. Wahl explores the identity work involved in Kay Parker shifting from being a legend of the adult film industry to her current occupation as a metaphysical counselor.
A love story about two beings that believe themselves to be ONE. Two alien creatures: completely distressed and confounded by their separation. The film is a ritual enacted, where each find the other across time and space as they try to become the other literally and physically, in the process creating a new utopia, a mythic city where the two beautifully merge to become a new kind of creature, a new form of god.