Lowlife Love

When a Hollywood star mysteriously disappears in the middle of filming, the studio sends their fixer to get him back.

The main character has a dream: he wants to become a director. On his way to achieving it, he faces many challenges, and the hardest one is his divorce from his family. But he doesn’t give up and finally reaches his dream. Now, he must win his family back!

Offbeat documentarian Chris Smith provides a behind-the-scenes look at how Jim Carrey adopted the persona of idiosyncratic comedian Andy Kaufman on the set of Man on the Moon.

Los Angeles, 1969. TV star Rick Dalton, a struggling actor specializing in westerns, and stuntman Cliff Booth, his best friend, try to survive in a constantly changing movie industry. Dalton is the neighbor of the young and promising actress and model Sharon Tate, who has just married the prestigious Polish director Roman Polanski…

As she keeps watching old home movies isolated in her hotel room, the screen becomes a mirror from which she tries to see herself. Levels of subjectivity, narrative, and reality entwine into a surrealist fever dream of scopophilic cinéma pur. The final layer of meaning is all of us watching the film on the screen-mirror in the theatre.

Filmmaker Kailee McGee’s world turns sideways with a late-stage breast cancer diagnosis. She’s in the middle of treatment but just beginning to reevaluate reality, love, and identity while being sick. Kailee loses track of where her cancer journey ends and her life begins. As the voice inside her head toggles between existential crisis and self-actualization, Kailee resorts to the only way she knows how to heal: figure out a way to watch a version of her journey unfold on a screen.

Unable to purchase a $50,000 digital projector, a group of film fanatics in rural Pennsylvania fight to keep a dying drive-in theater alive by screening only vintage 35mm film prints and working entirely for free.

A neurotic film critic obsessed with the movie Casablanca attempts to get over his wife leaving him by dating again with the help of a married couple and his illusory idol, Humphrey Bogart.

A partially restored version of Director Im Kwon-taek's Bhiksuni, which was halted in 1984 due to opposition from the Buddhist community. It contains the agony of a woman who has converted to Buddhism. The documentary, which is shown together with the partially restored version, contains the story of the production of Bhiksuni told by actress Kim Ji-mi, director Im Kwon-taek, cinematographer Jung Il-sung, and writer Song Gil-han.

After writing for Cahiers du cinéma, a young Jean-Luc Godard decides making films is the best film criticism. He convinces producer Georges de Beauregard to fund a low-budget feature, and creates a treatment with fellow New Wave filmmaker François Truffaut about a gangster couple. The result? Breathless, one of the first features of the Nouvelle Vague era of French cinema.

Haunted by an accident he caused in high school, a damaged filmmaker is forced to go back to the scene of the tragedy and face the friends whose lives he ruined and a town that disdains him. Jumping between the present and an indie film he made about the accident reveals how the true events played out far differently than depicted in his movie.

In the heart of a bustling city, two skilled thieves, Connor Mason and John Maverick, are assigned to root out a potential traitor within The Guild of Thieves. As they delve into the secretive world of their fellow criminals, tensions rise and suspicions mount. But their mission takes a dangerous turn when an important heist goes awry, putting their lives on the line. Now, Connor and John must navigate a treacherous landscape of betrayal and deception, racing against time to uncover the truth before they become the next targets.

The film is a series of vignettes from Taiji Tonoyama's life and film clips, interspersed with a dialogue to camera by Nobuko Otowa, addressing the camera as if she is addressing Tonoyama himself, recollecting events in his life. The film focuses on Tonoyama's alcohol dependence and his various sexual relationships, as well as his film work with Shindo.

It's 1957, and James Whale's heyday as the director of "Frankenstein," "Bride of Frankenstein" and "The Invisible Man" is long behind him. Retired and a semi-recluse, he lives his days accompanied only by images from his past. When his dour housekeeper, Hannah, hires a handsome young gardener, the flamboyant director and simple yard man develop an unlikely friendship, which will change them forever.

A film student at Ryerson University struggles to complete her thesis project.

Two friends work together to follow their passion of filmmaking, but as their journey progresses, their friendship falls apart into a sloppy mess.

Loner Mark Lewis works at a film studio during the day and, at night, takes racy photographs of women. Also he's making a documentary on fear, which involves recording the reactions of victims as he murders them. He befriends Helen, the daughter of the family living in the apartment below his, and he tells her vaguely about the movie he is making.

While attending a retrospect of his work, a filmmaker recalls his life and his loves: the inspirations for his films.

A depressed filmmaker takes on a new project that might help him break into the mainstream or drive him further into despair and reclusivity.

Hollywood producer Alexander Meyerheimer has hired drunken writer Richard Benson to write his latest movie. Benson has been in Paris supposedly working on the script for months, but instead has spent the time living it up. Benson now has just two days to the deadline and thus hires a temporary secretary, Gabrielle Simpson, to help him finish on time.