The Making of The Lost Son

It's 1957, and James Whale's heyday as the director of "Frankenstein," "Bride of Frankenstein" and "The Invisible Man" is long behind him. Retired and a semi-recluse, he lives his days accompanied only by images from his past. When his dour housekeeper, Hannah, hires a handsome young gardener, the flamboyant director and simple yard man develop an unlikely friendship, which will change them forever.

Federico, in his mid-20s, lives alone in Buenos Aires. The day his grandmother dies, he decides to part with his girlfriend. He fears hurting her. However, she is laid-back, feisty and not even close to feeling hurt. He begins obsessing over her unexpected reaction—but then he meets someone else.

Through a kindly act Broncho Billy earns the deep gratitute of Marion Rivers, who presents him with a Bible. Not long afterwards, she comes upon him as he is about to hold up the stage, but at sight of the girl he is overwhelmed with shame and taking out the little Bible promises her that he will live honorably. In the meantime, Marion's father holds up the stage at another point, and one of the stagecoach drivers, mounting a bareback pony, rides off for the sheriff. Broncho Billy sees Rivers get away with the money, and when he hears the sheriff and his men coming, for Marion's sake he goes to warn her father. To shield him, he takes the bags of money and rides away with the men after him. He leaves the money at the mile post with a note saying: "SAheriff, I'm through with Bear County, this stick-up was my last", and rides across the border. (Moving Picture World Synopsis)

Evelyn and Irene Courteny, through the helplessness of their father, who is a cripple, are given charge of the general store and post office. A large bag of gold with registered letters, etc., are delivered by the mail carrier on day. Dick Lee, a notorious outlaw, sees the delivery of the valuable bag. That night, with a gang, Lee breaks into the post office and would have carried off the treasure, had not Evelyn escaped through a back window, mounted her horse, and rode away. One of the men sees her, however, and the three go in pursuit. Irene is quick to inform Broncho Billy, and the latter arrives just in time to save Evelyn from the hands of the bandits. The three are captured. Broncho Billy falls in love with Irene and the two are left to plan their future happiness. (Moving Picture World synopsis)

Blonde Betty Elms has only just arrived in Hollywood to become a movie star when she meets an enigmatic brunette with amnesia. Meanwhile, as the two set off to solve the second woman's identity, filmmaker Adam Kesher runs into ominous trouble while casting his latest project.

Following the Civil War, headstrong rancher Thomas Dunson decides to lead a perilous cattle drive from Texas to Missouri. During the exhausting journey, his persistence becomes tyrannical in the eyes of Matthew Garth, his adopted son and protégé.

Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of escaping to Florida.

One night seven years ago, Rafael came home after work and discovered that people he did not know had come looking for him. He immediately fled, without looking back. From that moment on, his life changed, as if that night had never ended. One evening, around an improvised fire near a factory, he decides to confide his journey to a stranger. Rafael’s intimate account meets the collective testimony of an entire nation oppressed by poverty, police repression and institutional corruption.

Former child star Joe Davis, reduced to living in a cheap Hollywood motel while struggling for acting jobs, is lusted after by nearly every woman he meets, including Jessica Todd, a tightly wound feminist who has recently come out as a lesbian. When Jessica's mother, Sally, an emotionally needy has-been actress, meets Joe, she moves him into her enormous, tacky mansion as her new boy toy and attempts to get him acting work.

When Robin's daughter Lacy wants to buy an expensive guitar, Robin reminisces about the days when she was a teenager, asking her dad for her first car, an Olds Cutlass Supreme.

Maggie's friends have planned a surprise birthday party (despite it being a month away). During the party, Maggie realizes there's more to it then that.

Hit man Cleve approaches writer/cop Dennis about a story for his next book: How Cleve made a living, working for one of the most powerful politicians in the country. To get the story right, they travel around the country to gather statements and evidence, while strong forces use any means they can to keep the story untold.

"It’s remarkably contagious thinking about how much I’m willing to belong to the ones I love," says Tennis frontwoman Alaina Moore in this beautiful short-film, 'Interiors', which features music from the band’s 'Yours Conditionally’ album, and was created in collaboration with Vinyl Me, Please.

When he thinks his brother has let him down, a cowboy goes bad.

A silent man is lifted out of a life of exploitation through an unexpected bond with guard dog, Sabre, and the healing power of nature.

When Tex is brought in to fight in a range war between the cowmen and the nesters, he meets his old outlaw boss Lassiter. He learns Lassiter is behind the feud when Lassiter asks him to join up with his gang. Tex refuses and instead sets out to stop the feud but no one will believe him that Lassiter is responsible.

In the Austrian Alps, father and son set out on a hike to finally climb to the top of their emotional world.

A dramatised examination of the health issues and social consequences of America's love affair with fast food.

Die deutsche Fotojournalistin Katharina macht eine Reportage auf einer texanischen Ranch. Dabei verliebt sie sich - trotz aller Gegensätze - in den Chef-Cowboy. Und er sich in sie. Aber hat die Liebe eine Chance?

Jared Martin plays an aspiring film maker obsessed with the idea of Christ as a woman, and tries to film his vision with Sondra Locke as his subject. 'Based' on a song by Leonard Cohen.