A drama about a group of people stranded at an old wartime guesthouse during a flood. One guest announces that he has the power to "decreate" people and is asked to demonstrate. From an original story by Harry Farjeon.
Mexican beauty Camilla hopes to rise above her station by marrying a wealthy American. That is complicated by meeting Arturo Bandini, a first-generation Italian hoping to land a writing career and a blue-eyed blonde on his arm.
Johan and his family are Mennonites from the north of Mexico. Against the law of God and Man, Johan falls in love with another woman.
In this companion-piece to The Green Knight, two mysterious entities exchange their knowledge in unconventional ways.
After World War II, a woman refuses to believe her husband, missing on the Russian front, is dead. Flashbacks reveal their brief courtship and marriage. Years later, she travels to Russia with his photo, determined to find him. What will she discover?
A new film by Sheik Althaf Hussain. The plot is unknown at this moment; currently in private screenings and festival submissions.
Nobody dares to break the rules, for fear of the persecution of the Christian Command, until a woman, born in this era of repression of pleasure, meets the last man who lived the period when hedonism was still could be a style of viable life.
After witnessing the murder of her husband and oldest son at the hands of a Confederate home guard unit, Jenny Brooks trains her remaining sons to avenge their family.
Joana
Two men connect more than just sexually, when a Scruff hook-up has them meeting in a park in the middle of a hot summer's night.
A 15-year-old Nune creates a fantasy world to escape from the pain of social rejection and bullying. But her archenemy's girlfriend-a model cheerleader with a bleeding heart-keeps luring her near.
In his classroom a philosophy teacher opens the discussion on the place of religion in society. Out of his course he faces the realities of the street.
Aayushi answers a call from her mother back in India. When the conversation turns to love and marriage, something holds Aayushi back.
When aged-care facility workers find two residents in bed together, familial tensions rise.
Set in an alternate, post-apocalyptic 1976, a filmmaker follows a worn and disillusioned photographer who, despite the circumstances, continues to make pictures.
In 1945, beneath the oppressive shadow of the Francoist dictatorship, Juan, a university teacher assistant, meets Manuel during a chance encounter at night in a park. With their initial reservations, a complex love story unfolds between them, shaped by the turbulent political climate and the misunderstanding of those around them.
After his mother's death, a young man edits the family's home videos to bring back her image. As he delves into the occult he begins to reveal the paradoxical magic of memories and cinema.
Camelia, a prostitute who works in a low-class cabaret in Mexico City (called "The Blood Stain') meets Guillermo, a young man from the country who just arrived in the city looking for a better life. She offers to take care of him until he gets set up, and the initial friendship soon turns romantic. This inevitably causes problems with Gastón, Camelia's pimp.
Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video."
Carousel is a story of love, loss and the hope for redemption when a criminal escapes death and gets a second chance at life in more than one way.